Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837
Call Number:
Folio 75 B935 805 folder 53 Box 5
Collection Title:
[Scrapbook of drawings].
Image Count:
1
Resource Type:
unspecified
Abstract:
Manuscript poem, in an unidentified hand, consisiting of four numbered stanzas of four lines each. Possibly composed by Queen Hortense of Holland and addressed to Napoleon Bonaparte
Description:
In French., Title from manuscript note in English at bottom of sheet., Possibly from 1806, the year that Hortense became Queen of Holland and the year of death for Richard Bull, who owned and likely assembled the album in which this poem was found., Formerly laid in at page 196 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Housed in mylar sleeve matted to 49 x 37 cm., and Original case shelved separately.
Manuscript on parchment, in at least two scribal hands, containing works by Alain Chartier, including Le quadrilogue invectif, Le livre des quatres dames, Le lay de paix, Le livre d'esperance, Le breviaire des nobles, Le debat du reveille-matin, Le lay de plaisance, La belle dame sans mercy with La requeste baillee aux dames contra l'acteur and Lettres envoyees par les dames a l'auteur, L'excusation aux dames, Le debat des deux fortunes d'amour, and La complainte contre la mort. The volume also contains poems by Michault Taillevent, Boton de Grandson, Achille Caulier, and Simon Greban
Description:
In Middle French., Script: lettre bâtarde., Layout: 43 lines in two columns., Decoration: Rubricated.Text capitals and versal initials highlighted in yellow. Numerous one- to eight-line initials in pink or blue on burnished gold grounds with pansies and numerous stanza markers with pansies on a gold ground. 22 initials with full borders. 11 small and 8 large figurative miniatures., Modern foliation, in pencil, 1-136., Byname: Clumber Park Chartier., and Binding: 18th-century full red morocco, gilt. Gilt-tooled six-compartment spine. Spine title in second compartment, in gilt: Alain Charti.
Subject (Geographic):
France., Connecticut, and New Haven.
Subject (Name):
Caulier, Achille., Chartier, Alain, active 15th century., Dunois Master, active 1430-1465., Granson, Oton de, -1397., Gréban, Simon, -approximately 1473., Lecuy, Abbé., and Taillevent, approximately 1315-1395.
Subject (Topic):
French literature, French poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment in Anglicana (Scribes 1 and 2) and Secretary script (Scribe 3). The text is the third recension of the Confessio Amantis, written in 1392-1393.The manuscript was produced around 1400 or the beginning of the fifteenth century in the same manner as the other surviving manuscripts from this time, presumably under the author's supervision and Also contained are the Latin and French poems "Explicit iste liber," "Epistola super huius," "Quam cinxere," "Traitie," "Carmen de variis in amore passionibus," and "Carmen super multiplici viciorum pestilencia."
Description:
In Middle English, Latin and French., There are red and blue 1-3 line initials at small and large paragraph breaks. Books II (f. 13r), V (76r), VI (125r), VII (140r), and VIII (175v) contain initials with full page demi-vignette borders in gold, red, blue, green, orange, and brown., Rubrications at running titles, initials, Latin commentary., Binding: yellow morocco on wooden boards, by Douglas Cockerell and Son, 1962., and Sir George Meyrick, Bart., who sold the manuscript after his father's death in 1960, said that the manuscript had been in his family's possession for over 100 years and that in 1775 the house was almost destroyed by fire. Many family papers were lost and perhaps it was then that the manuscript became damp and mildewed.
Manuscript on parchment of Boethius, De consolatione philosophiae, translated into French by Renaut de Louhans. As the translator states in the prologue, his work incorporates material from a commentary on Boethius made by another member of the Dominican order (Nicholas Trevet) as well as his own digressions
Description:
In French., Script: Written in batarde by a single scribe., Two intricate penwork initials, 5-line, on ff. 1r and 2r in red and blue; less detailed penwork initials, 3-line, in same colors throughout text; first letter of each verse stroked in red., and Binding: 17th-18th centuries. Brown spattered calf, with peculiarly striped turn-ins. Title, in gold, on spine: BOECE EN VER FRANC.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Trivet, Nicholas, 1258?-1328., and Dominicans
Subject (Topic):
Manuscripts, Consolation, French poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Noël de Fribois, Abrégé des croniques de France, presented to King Charles VII of France in 1459. 2) Simon Gréban, Epitaph for King Charles VII. 3) Catalogue of the library of Jaspar Scaeck, apparently a lawyer in northern France. The manuscript also includes a number of moral aphorisms. The manuscript consists of three parts of different ages
Description:
In French., Script: Part I (ff. 1-76), ca. 1450, copied by a single scribe in Gothica Semihybrida Libraria (Bastarda). Part II (ff. 77-88), between 1490 and 1500, copied by a single scribe in Gothica Semihybrida Currens (Bastarda). Part III (ff. 89-113), after 1613, written in documentary Gothica Cursiva Currens., Manuscript on paper of 1) Noël de Fribois (d. 1467/1468), Abrégé des croniques de France, presented to King Charles VII of France in 1459. 2) Simon Gréban (d. ca. 1473), Epitaph for King Charles VII (1461). 3) Moral aphorisms in the form of distichs. 4) Moral aphorisms in French after the manner of the Disticha Catonis, perhaps by the same author as article 3. 5) Catalogue of the library of Jaspar Scaeck, apparently a lawyer in northern France (Lille?). The 57 books, listed without a clear order, are almost all in French and were printed between 1534 and 1595, with one book dated 1495; they mostly were produced in Paris, Lyons, Douai and Antwerp. For each the owner gives a full transcription of the title page, reproducing its layout (exceptionally also the colophon); for the last two items also a note on the binding., Watermarks: Part I, ox, Briquet 2786?? Part II, letter P, var. Briquet 8576??, and Binding: circa 1500?: blind-tooled leather over wooden boards. Spine with four raised bands. On the front cover a parchment label with the sixteenth century inscription in Northern Gothica Textualis Formata "Cronicques / abreigiés".
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Charles VII, King of France, 1403-1461. and Fribois, Noël de, active 1400-1468.
Subject (Topic):
Didactic literature, French, French poetry, Manuscripts, Medieval, and History
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154
Published / Created:
[between 1175 and 1250]
Call Number:
Beinecke MS 590
Image Count:
278
Resource Type:
unspecified
Abstract:
Manuscript on parchment (sheepskin?) of 1) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. The text, containing the double dedication, to Robert of Gloucester and Waleran Count of Mellent, and wanting the epilogue addressed to Henry of Huntingdon and William of Malmesbury, is believed to be the earliest version of Geoffrey of Monmouth's work. 2) Unidentified French poem of which the end is missing (1276 verses preserved), on the vanity and corruption of the world. 3) Le Roman des Romans
Description:
In French and Latin., Script: Art. 1: Copied by one hand, writing a large Praegothica. Art. 2: Copied by a single hand in early Northern Gothica Textualis Libraria. Art. 3: Copied by a single hand in early Northern Gothica Textualis Libraria., Art. 1: The decoration consists of Romanesque flourished (in one or two colours) or plain initials (2 lines, on f. 1r 4 lines), alternately in red and green. Guide-letters in the margins. On f. 55r, at the beginning of the history of Merlin, a male bust is drawn in the margin., and Binding: Original white leather over rounded oak boards; spine with four raised bands. Marks of one strap fixed to the front cover and clutching over a pin in the rear cover. The front pastedown (detached) consists of fragments of a court roll (from a trial of 1334), identified by N.R. Ker (note kept in the documentary folder in the Beinecke Library) and copied in Gothica Cursiva Antiquior (Anglicana).
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154.
Subject (Topic):
French poetry, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and History
Jean, de Meun, approximately 1240-approximately 1305
Published / Created:
[between 1300 and 1350]
Call Number:
Beinecke MS 703
Image Count:
45
Resource Type:
unspecified
Abstract:
Manuscript on parchment (low quality) of 1) Jean de Meun (ca. 1240, d. before 1305), Le Testament. 2) Raoul de Houdenc (ca. 1170-ca. 1230), Le Songe d'Enfer (La Voie d'Enfer), 1-672. At least 6 verses are missing at the end; they were probably written on a leaf now missing after f. 18.
Description:
In French., Script: Copied by one hand in a rather uneven Northern Gothica Textualis Libraria, marked by many fusions., The opening letters of all verses are heightened in red; in art. 1 the first verse of each quatrain except the first one opens with a 1-line plain red initial. Art. 1 opens with a 3-line plain red initial, art. 2 with a 2-line one. All initials are executed over guide-letters., The codex is badly trimmed, causing the loss of letters at the end of verses., and Binding: Nineteenth century. Half brown leather over pasteboard, the boards covered with red paper. On the spine a black leather label with the gold-tooled title "CODICILLE / I. DE MEUN" and a green circular paper label with the handwritten shelfmark "301".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jean, de Meun, approximately 1240-approximately 1305. and Raoul, de Houdenc, approximately 1165-approximately 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
In French., Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., and Binding: Nineteenth century. Quarter purple leather with textured cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dogs, French literature, French poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Mathematics, Medieval
Series I contains approximately a thousand letters, primarily personal correspondence among members of Louisa Siefert's family. The majority of the letters are between Siefert and her sister, Clemy (Siefert) Bost, and between Siefert and her mother, Adele-Adrienne (Belz) Siefert. These letters mainly document social and personal activities, such as news of Clemy's husband and children and the health of their mother. Many of Louisa Siefert's letters to her sister describe her own ailing health and advancing tuberculosis, and her doctors' advice. Letters to Siefert's mother also describe the dinners Siefert attends; visits with acquaintances, including Victor Hugo, Charles Blanc, and Paul Chenevard; and operas she sees. Other correspondents in the collection include Siefert's friends such as Charles Asselineau, Chenevard, and Emmanuel des Essarts; admirers of her poetry; the Journal de Lyon concerning her publications; and family members to each other after her death. Also in the collection are Siefert's wedding announcement and death notice; several accounts and receipts; and a manuscript, with numerous corrections, of Adele-Adrienne Siefert's memoirs of her daughter and Series II contains eight volumes of poetry, primarily in Siefert's hand. Two volumes contain collections of other poets' works, one of which includes, dos-a-dos, a juvenile play by Siefert titled En Automne. Other volumes include a set of notes taken during a course on French poetry taught by Charles Asselineau, and four collections of original poetry dated between 1865 and 1872, which include many sentimental or dedicatory poems to friends and family members. The original poems are annotated with the dates of their composition, and occasionally with publication information; and laid in a volume titled Poems d'amour are two pages of comments on the poems in Asselineau's hand. Also included in the collection is a volume of reviews of Siefert's works, copied in her hand
Description:
Louisa Siefert (1845-1877), poet, was raised in Lyon as a Protestant by her parents Henry Siefert, vice-consul to Portugal, and Adele-Adrienne (Belz) Siefert. Her first book of poems, Rayons perdus, was published in 1868 to great acclaim; other collections published during her lifetime include L'Année républicaine (1869); Les Stoïques (1870); Les Saintes Colères (1871); and Comédies romanesques (1872); as well as a novel, Méline (1875). Through her friendship with Charles Asselineau, she became well acquainted with other literary and artistic figures, including Victor Hugo, Emile Deschamps, Charles Baudelaire, and Paul Chenavard. In 1876, she married Jocelyn Pene, secretary to Emilio Castelar; a year later, she died of tuberculosis in Pau, France. After her death, her mother published Souvenirs, Poésies inédites. and In French.
Subject (Geographic):
France and France.
Subject (Name):
Asselineau, Charles, 1820-1874, Blanc, Charles, 1813-1882., Castelar, Emilio, 1832-1899., Chenavard, Paul Marc Joseph, 1807-1895., Des Essarts, Alfred Emmanuel Langlois, 1839-1909., Hugo, Victor, 1802-1885., Siefert, Louisa, 1845-1877., and Siefert family.
Subject (Topic):
Artists, Authors, French, French literature, French poetry, Romanticism, Sentimentalism in literature, Tuberculosis, and Social life and customs
Series I contains approximately a thousand letters, primarily personal correspondence among members of Louisa Siefert's family. The majority of the letters are between Siefert and her sister, Clemy (Siefert) Bost, and between Siefert and her mother, Adele-Adrienne (Belz) Siefert. These letters mainly document social and personal activities, such as news of Clemy's husband and children and the health of their mother. Many of Louisa Siefert's letters to her sister describe her own ailing health and advancing tuberculosis, and her doctors' advice. Letters to Siefert's mother also describe the dinners Siefert attends; visits with acquaintances, including Victor Hugo, Charles Blanc, and Paul Chenevard; and operas she sees. Other correspondents in the collection include Siefert's friends such as Charles Asselineau, Chenevard, and Emmanuel des Essarts; admirers of her poetry; the Journal de Lyon concerning her publications; and family members to each other after her death. Also in the collection are Siefert's wedding announcement and death notice; several accounts and receipts; and a manuscript, with numerous corrections, of Adele-Adrienne Siefert's memoirs of her daughter and Series II contains eight volumes of poetry, primarily in Siefert's hand. Two volumes contain collections of other poets' works, one of which includes, dos-a-dos, a juvenile play by Siefert titled En Automne. Other volumes include a set of notes taken during a course on French poetry taught by Charles Asselineau, and four collections of original poetry dated between 1865 and 1872, which include many sentimental or dedicatory poems to friends and family members. The original poems are annotated with the dates of their composition, and occasionally with publication information; and laid in a volume titled Poems d'amour are two pages of comments on the poems in Asselineau's hand. Also included in the collection is a volume of reviews of Siefert's works, copied in her hand
Description:
Louisa Siefert (1845-1877), poet, was raised in Lyon as a Protestant by her parents Henry Siefert, vice-consul to Portugal, and Adele-Adrienne (Belz) Siefert. Her first book of poems, Rayons perdus, was published in 1868 to great acclaim; other collections published during her lifetime include L'Année républicaine (1869); Les Stoïques (1870); Les Saintes Colères (1871); and Comédies romanesques (1872); as well as a novel, Méline (1875). Through her friendship with Charles Asselineau, she became well acquainted with other literary and artistic figures, including Victor Hugo, Emile Deschamps, Charles Baudelaire, and Paul Chenavard. In 1876, she married Jocelyn Pene, secretary to Emilio Castelar; a year later, she died of tuberculosis in Pau, France. After her death, her mother published Souvenirs, Poésies inédites. and In French.
Subject (Geographic):
France and France.
Subject (Name):
Asselineau, Charles, 1820-1874, Blanc, Charles, 1813-1882., Castelar, Emilio, 1832-1899., Chenavard, Paul Marc Joseph, 1807-1895., Des Essarts, Alfred Emmanuel Langlois, 1839-1909., Hugo, Victor, 1802-1885., Siefert, Louisa, 1845-1877., and Siefert family.
Subject (Topic):
Artists, Authors, French, French literature, French poetry, Romanticism, Sentimentalism in literature, Tuberculosis, and Social life and customs
