A depiction of Caroline of Brunswick's funeral procession, which captures the public mood of Caroline having been both poorly treated and sent to an early grave. Groups of men are shown carrying large banners stating 'The Power of Public Opinion' and 'Friends of Humanity'. The procession is shown in four lines with mourners on foot, on horseback and in carriages. The hearse is on the third line
Description:
Title engraved below image., Probably an early work by James Pollard, possibly done under the direction of his father Robert., Sheet trimmed to plate mark., and Mounted on board 29.3 x 24 cm.
Publisher:
Pub. by Dean & Munday, Threadneedle Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Death and burial, Funeral processions, Hearses, and Mourning clothing & dress
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
The coffin of Queen Caroline on a cloth-covered platform over which pallbearers hold an elaborate black canopy is carried down the aisle of church, followed by a minister who lifts his right arm as if speaking from the text in his left hand. To the right stand young women who throw flowers from their baskets as the procession passes. On the right, with an organ behind, soldiers stand in attention holding torches
Description:
Title etched below image. and Framed to 30 x 40 cm.
Publisher:
Publish'd by W.B. Walker, 4 Fox & Knot Court, Cow Lane, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Death and burial, Canopies, Funeral rites & ceremonies, Funeral processions, and Queens
In four columns with the title and a woodcut above the first two; the first and second columns as well as the third and fourth columns are separated by ornamental rules., First line of verse: In Scarlet Town where I was bound., In this edition "Licensed and entered according to order" is in roman type and sandwiched by rules made up of cherubim in the main., Mounted on leaf 5. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
publisher not identified
Subject (Topic):
Young men, Conduct of life, Young women, Love, and Funeral processions
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
"View of the procession in St. George's Chapel. The body is carried on the shoulders of some yeomen of the guard, under a canopy of black velvet, which is borne by eight gentlemen ushers, the pall is supported by baronesses who are preceded by the Lord Chamberlain and Vice Chamberlain of His Majesty's household, Garter, Principal, King-of-Arms, bearing his sceptre, the coronet is borne by Colonel Akenbroke, and followed by the chief mourner, Prince Leopold whose train is carried by Baron de Hardenbroke and Sir Robert Gardiner; on one side is the Duke of York, on the other the Duke of Clarence, who are followed by other princes of the royal blood."--Reid, G.W. Descriptive catalogue of the works of George Cruikshank
Description:
Title etched below image., Sheet trimmed within plate mark., Frontispiece to: The whole of the burial procession and obsequies. : a most correct account of the funeral of the Princess Charlotte, in St. George's Chapel, Windsor. London : Printed by and for William Hone, 1817., and Window mounted to 23 x 29 cm.
Publisher:
Pubd. by W. Hone, Old Bailey
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865,, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827,, and William IV, King of Great Britain, 1765-1837,
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Delighted gentlemen carrying the old bishop's coffin representing the Irish Church; Devil in the funeral procession."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in middle left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "85" in brown ink in top center portion of design., and No. 85.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Title from caption above image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Four columns of verse below image: What! is the Parliament dissolv'd at last? ..., Temporary local subject terms: Parliamentary elections, October 1710 -- Whigs -- Wills -- Pallbearers -- Grave-diggers -- Emblems: calves' heads and axes -- Physicians -- Medical: dying patient -- Allusion to King Charles I -- Dr. Pede, fl. 1710 -- Touchin, fl. 1710., and Bowditch's ms. annotations on mounting sheet; mounted to 32 x 45 cm.
An illustrated broadside with text describing in detail the ceremonies and events around the funeral and burial of Queen Caroline from Monday 13th August as her body lay in state at Brandenburgh House, through the early afternoon interment in Brunswick on 25th August. The broadside records the argument between Sir George Naylor and Mr. Bailey who had assigned responsibility for the events by the George IV and the Caroline's executor Dr. Lushington. The official route attempted to negate the threat of violence from a mob by steering it away from the city center. However, a mob blocked the cortege's path forcing it to re-route through the city. Chaos erupted and soldiers opened fire killing two men and other injuries. The internment was precided over by J.W. Wolff who said a prayer in German, a translation of which is included in the text of the broadside
Description:
Caption title. and Text in four columns; illustrated with a portrait of Queen Caroline at top, a large woodcut (11 x 20 cm) of the funeral procession below, and a small woodcut of the coffin in the bottom left corner.
Publisher:
Carrall, printer, near Foss Bridge, York
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,
Subject (Topic):
Death and burial, Funeral processions, and Coffins
A panoramic view of the procession at head and foot, with each group numbered to a key at the bottom of the woodcut. Mounted in the center is an engraving of Prince Frederick by George Vertue. Further vignettes of the 'Procession from Leicester House' and 'Laying in State' on the left and right edges
Description:
Title engraved at top of plate., Portrait print of Prince Frederick Louis: Fredericus Gerogii Walliae principis F. natu maximus. Ca. Boit pinx. Geo. Vertue sculp. 1725., and With contemporary newspaper clipping: A person at Cheltenham has written over his window- "Undertaker to the Prince of Wales". By investigation it has appeared that his grandather assisted at the late Prince's funeral."
Publisher:
Published by T. Doverson, copper plate printer in Green Arbour Court near Little Old Bailey, according to act of Parliament
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Frederick Louis, Prince of Wales, 1707-1751
Subject (Topic):
Death and burial, Funeral rites and ceremonies, Funeral processions, Hearses, Lying in state, Princes, and Mourning clothing & dress
