publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", Sheet trimmed within plate mark to: 26.3 x 34.5 cm., and Formerly on page 135 in volume 2. Removed in 2013 by LWL conservator.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Kinnaird 47K(a) Box 100
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", and Imperfect impression; sheet trimmed within plate mark to 264 x 346 mm.
Depicts a fox (Charles James Fox) hanging from a gibbet around which dance members of the Conway family, headed by a blindfolded General Conway who is led by the nose by Shelburne. The Conways are all depicted as rats, with the exception of General Conway and his brother Lord Hertford. Shelburne is shown Janus-like with two faces, his own and that of the Devil. Refers to the resignation of Fox after Shelburne's appointment and Conway's support of the latter. A sequel to British Museum satire 5966
Description:
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Hon. Edward Conway, Cannon of Christ Church, 1757-1785 -- Ministries: fall of Rockingham's ministry --Literature: allusion to Little Red Riding Hood -- Conway family as rats -- Mottoes: sic transit gloria mund.
Publisher:
Pubd. August 2d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Conway, Henry Seymour, 1721-1795, Fox, Charles James, 1749-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Rats, Foxes, Blindfolds, Gallows, Devil, and Dance
Title from item., Sheet trimmed within plate mark., Ten images, each with its own title., Two lines of verse below each image., Publisher's advertisement following imprint: of whom may be had The asses of Gr--- Br----n, The laird of the Boot, Without & within, & The fall of Mortimer., Temporary local subject terms: Punishment: flogging -- British Lion -- Buildings: Treasury., and Mounted to 31 x 47 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, bookseller next the Mitre Tavern, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Britannia (Symbolic character), Gallows, and Signs (Notices)
Title from item., Place, publisher, and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Flags: Magna Charta -- Slogans: Liberty, property and no excise -- Containers: barrel -- Taxes: tax on cider -- Emblems: cap and staff of liberty -- Fuel: Florida turf -- Effigy of Lord Bute as exciseman -- Naval uniforms: sailor's uniform -- Coffee-houses: reference to Cocoa Tree Coffee House., and Mounted to 33 x 47 cm.
Publisher:
J. Williams
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Gallows, and Hangings (Executions)
Leaf 32. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two-part satire on the resignation of Lord Bute, April 1763. On the left is a scene of execution, headed "Excise", with Bute, identified by his plaid waistcoat, hanging from an apple tree (referring to the Cider Bill), a devil sitting on the branch above him wears a large boot (a pun on Bute) on one leg, the other ending in a claw; two men below exult. In the centre a man (evidently another representation of Bute as he wears a large boot on one leg and on the other leg wears a garter lettered "Honi ..." as in the scene on the right) lies across a fire while another pumps a pair of bellows to fan the flames; three farmers standing behind the fire and another to the right rejoice at Bute's downfall. On the right, another devil reciting the proverb, "Harm watch, Harm catch", one leg ending in a hammer, sits on top of a gallows from which hangs a fox (Henry Fox) wighted down by money bags tied around his neck. On the right is a scene set in a grand interior, headed "Resignation, in which Princess Augusta sprawls weeping in a chair her breasts partly exposed while a devil delves into Bute's breeches as he drags him through a door through which flames and smoke can be seen, the Duke of Cumberland brandishes a sword in his right hand and pushes Bute with his left; he is encouraged by a nephew, Edward, Duke of York, at lower right, a lusty goat, one of whose hands is a claw, looks on with pleasure."--British Museum online catalogue
Alternative Title:
Give the devil his due, Excise, and Resignation
Description:
Title etched below image, between the verses., Design consists of two images, each with a caption title above., Restrike, with final four lines of title burnished from plate. For original issue, published by J. Williams in 1763, see no. 4026 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below each image; the verses on the left begin: With greater joy, his L- see, like Judas hanging on a tree ..., and On leaf 32 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
Verse - "You that do know what to true love belong.". -, There is no full stop at the end of the title., Title and three woodcuts are above the first two columns; the first woodcut depicts a shepherd with his crook, the second a hanged man, and the third a shepherdess also with crook; the columns of text are separated by columns of type ornaments; and there are two layers of clouds in the first woodcut., The woodcuts are also found in editions with Bow Church Yard and Aldermary Church Yard imprints; the date is based on that; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In this printing, the left edge of the first woodcut aligns with the "i" in "wandering" in the title. In another printing (ESTC N511170), it aligns with the space between "n" and "g"., Mounted on leaf 61. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Shepherds, Shepherdesses, Hangings (Executions), Gallows, and Dead persons
Ferdinand VII, seated on a throne on a low platform inscribed "TIRANIA", is flanked by two advisers, the Devil on the left and a friar on the right. At the friar's feet, in the foreground, a demon burns newspapers with a firebrand. Tortures of the Inquisition are seen in the background
Description:
Title from text in image., A close copy, with same imprint but with other inscriptions translated into Spanish, of a print by George Cruikshank entitled "The curse of Spain". Cf. No. 13009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Six lines of text below image: En tanto que los bravos españoles, Derramaban su sangre por Fernando, El á Napoleon felicitaba, Por las victorias que en el suelo hispano, Sus sanguinárias huestes conseguian-- Ved las hazañas de este Monstruo infando. La Ferdinanda. Lib. 1. v. 129., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1303., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 868., and Watermark: J. Whatman 1818.
Publisher:
Washington
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Napoleon I, Emperor of the French, 1769-1821.
A series of ten images showing the rise and fall of the Fox-North Coalition. In the first image, Charles Fox, shown as a fox, speaks to the crowd in front of the Covent Garden Church. In the second one, Lord North, the 'country gentleman' leading sheep on strings, makes an agreement with Fox, who leads the 'Wes[tminste]r geese' on strings. The third image shows Fox speaking to a crowd in a rotunda, while in the fourth one he is stoking a fire around a pole topped with the liberty cap and the India charter suspended from it. In the fifth image, North and Fox, sharing one coat, stand on a plinth signed, "Power." The sixth image shows Fox ascending in an air balloon while the next one shows him falling head-down into a "pitt." In the eighth image, the two politicians are being rejected by the figure of Britannia, who refuses to look at them, instead pointing to the gallows in the background. This condemnation results in their execution, together with Burke, in the ninth image. In the tenth image, all three are shown as well-known mythological sinners in Hades; Burke submerged up to his neck as Tantalus, Fox stretched on a wheel as Iion, and North as Sisyphus pushing a large boulder
Alternative Title:
Two new sliders for the state magic lantern
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pub. 29th Decr. 1783 by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Britannia (Symbolic character), Foxes, Public speaking, Balloons (Aircraft), Gallows, and Hell
