"Social satire: two contrasting men; one sits at a desk, wearing glasses, writing in an account book, above the title "Riches and Honor"; the other stands at a gaming table throwing dice from a shaker in his right hand, above the title "Infamy and Disgrace"."--British Museum online catalogue
Alternative Title:
Infamy and disgrace
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, 1795 -- Industry -- Ledger books -- Gambling: dice-box.
Publisher:
Published 2nd Feby. 1795 by Laurie & Whittle, 53 Fleet Street, London
"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
Copy (not reversed) of the first state of Plate 6th of Hogarth's 'The Rake's Progress' (Paulson 137): Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice; behind him a chaotic group of gamblers, most of whom fail to notice that flames and smoke are pouring over the panelling and through the door (left); to right, a highwayman (a gun and mask in his pocket) sits beside the hearth ignoring a small boy who offers him a drink, on the wall is a handbill advertising "R. Tustian Card Maker" -- British Museum online catalogue. On the lower left, a man is entering a note of a loan to Lord Cogg for £500. A dog with a collar "Covent Gar[den]" barks at Tom
Alternative Title:
Ruined at a gaming table, Rake's progress. Plate 6, and If mortal peace of mind be worth your care ...
Description:
Title from text engraved above image., "Plate 6"--Lower right below design., Verses below image in three columns, four lines each: If mortal peace of mind be worth your care ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the sixth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on left and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
Title from text above images., Text below title: No. 1. Gaming., Date of publication from unverified data in local card catalog record., and Six designs on one sheet, each individually captioned.
Publisher:
Printed & published at J. Netherclift's Lithographic Establishment, 8 Newman St.
Leaf 68. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., In the manner of Rowlandson, and likely engraved after one of his drawings., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 68 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Gambling, Intoxication, Sleeping, Tables, Bottles, Drinking vessels, and Dogs
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[10 April 1787]
Call Number:
787.04.10.01.1+
Image Count:
1
Resource Type:
still image
Abstract:
"Seven men (three-quarter length) are grouped round a card-table in a Smithfield tavern. One (right), young and innocent, inspects his cards; beside him an older countryman lies back asleep (right), his dog resting his head on his knee. The other gambler (left), holding his cards, looks at his victim. Three onlookers have crafty expressions. A fat man, smoking, approaches with a bowl of punch. In the bar (left) a fat woman chalks up a score. Coins, a watch, and pocket-book are on the table. A broken mirror and a picture of a horse decorate the walls. Beneath the table are twelve lines describing the sleep of 'Old Trusty' while his son is cheated by 'the Harpy-Tribe'."--Biriths Museum online catalogue
Alternative Title:
Countrymen defrauded
Description:
Title from item., Curator's note from British Museum catalogue: The card-playing sharper is a portrait of Rowlandson, the country lad is reputed to be J. K. Sherwin; though this seems unlikely, since Sherwin was then thirty-six, the identification is supported by the self-portrait of the engraver. In 'The Gamesters', a mezzotint by Ward, after Peters, 1786, the card-sharper holding an ace behind his back is Rowlandson [Said to be the Prince of Wales, according to Challoner Smith (iv. 1485).]; the resemblance to the card-player in this plate, and in a mezzotint, 'A Game at Cribbage' ... is convincing., Sheet trimmed within plate mark., Twelve lines of verse in two columns on either side of title: Old Trusty with his town made friends ..., Temporary local subject terms: Gambling: sharpers -- Furniture: card-table -- Furniture: bar -- Countrymen -- Card players -- Barmaids -- Pocketbooks., and Mounted to 38 x 49 cm.
Publisher:
Published 10th April 1787 by E. Jackson, No. 14 Marylebone Street, Golden Square
Subject (Geographic):
Smithfield (London, England)
Subject (Name):
Rowlandson, Thomas, 1756-1827,, Rowlandson, Thomas, 1756-1827, Sherwin, J. K. (John Keyse),, and Sherwin, J. K. 1751-1790 (John Keyse),
Title printed below plate., Printmaker identified from the original drawing in the Huntington Library., Text of the tale printed in three columns below title: Hazard, a careless fellow, known at every gambling house in town was oft in want of money, yet could never bear to run in debt ..., One of the series of Laurie & Whittle drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dining room -- Glass: decanter -- Pictures amplifying subject -- Ancestral knights -- Genealogy -- Young women -- Domestic service: footmen -- Reference to marriage contract., and Watermark: 1796.
Publisher:
Published 12th October 1798 by Laurie & Whittle, 53 Fleet Street, London
Print shows King George IV fallen to the floor, he clutches his stomach, near him are a "Plan for Divorce," a decanter and cup, cards and dice. In the background sits his estranged wife Caroline about to be crowned by Justice while surrounded by her loyal supporters
Alternative Title:
Grand Lama sick of the horn cholic
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 27 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Londondery [sic]," and "Eldon" identified in ink below image; date "1 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 1st, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Divorce, Sick persons, Medical equipment & supplies, Gambling, Bottles, Crowns, Justice, and Scales
An E.O. or roulette table lies broken in the street as four men attack it with mallets and other tools. Two attackers, the Bow Street magistrates Addington and Wright, are depicted with donkey's heads. Three constables are also shown, one attempting to stop the violence, the other two joining in the attack. A commentary on the enforcement of anti-gaming laws
Alternative Title:
Westminster just-asses a braying and Downfall of the E.O. table
Description:
Title etched below image., Printmaker from British Museum catalogue., and Text below title: NB. The jack-asses are to be indemnified for all the mischief they do, by the bulls & bears of the city.
Publisher:
Pubd. Augt. 26th, 1782, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London
Subject (Name):
Addington, William, Sir, -1811, Wright, Sampson, Sir, -1793, and Bond, John, active 1782
Subject (Topic):
Vandalism, Donkeys, Judges, Gambling, and Clothing & dress
