"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with additional publisher's street address added to end of imprint statement. Cf. No. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "5" in upper left corner., and Watermark: L.V.G.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street & No. 33 Strand
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with plate reworked in aquatint and with a different imprint statement, of a print originally published 15 November 1780 by Watson & Dickinson. Cf. No. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "5" in upper left corner., Temporary local subject terms: Male costume -- Gaiters -- Clerical wig -- Bob-wig -- Reference to Cambridge., and Watermark.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
Volume 1, page 27. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Plate numbered "5" in upper left corner., and Mounted on page 27 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street
"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., Watermark: D. & A. Cowan 1819., Mounted to 58 x 39 cm., Mounted on leaf 92 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Liverpool," "Londondery [sic]," "Sidmouth," and "Curtis" identified in ink below image. Typed extract of thirteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., 1 print : etching ; image 16.9 x 23.2 cm, on sheet 37.8 x 24.3 cm., Printed on wove paper with partially-trimmed watermark "D. & A. Cowan 1819"; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and price statement from bottom edge., Mounted to 58 x 39 cm., Mounted on leaf 66 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Lady Conyngham," "Liverpool," "Londonderry," "Sidmouth," and "Sir W. Curtis" identified in pencil below image; date "1820" written in ink beneath lower right corner of image. Typed extract of nineteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. Cf. Plomer., Numbered '348' in lower left corner., and Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original print was published by Carington Bowles in 1760 and 1785.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., No. 34 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.2 x 25 cm, on sheet 38.5 x 37.2 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
"View looking down Fleet Street towards Temple Bar, with St Dunstan in the West on the right; elegantly dressed figures among carriages and carts on the street."--British Museum online catalogue
Alternative Title:
Perspective view of Temple Bar and St. Dunstan's Church and Vüe de Temple Barr une des porte de la villa de Londrer, LEglise de St. Dunstan
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "3" in upper right corner., Watermark: 1817., Leaf 44 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old St. Dunstan's Church. Temple Bar with the Traitor's Heads on it.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Fleet Street (London, England),, England, and London.
Subject (Name):
Temple Bar (London, England), and St. Dunstan's in the West (Church : London, England),
Subject (Topic):
Streets, Churches, Gates, Carriages & coaches, and Carts & wagons
"View of the Holbein Gate at Whitehall looking towards Charing Cross, the Banqueting House on the right; a coach and a sedan chair among other figures in foreground."--British Museum online catalogue
Alternative Title:
Perspective view of Whitehall and Whitehall Gate, Vüe de la Grande Sale, avec la Porte de Whitehall, and Vüe de la Grande Salle, avec la Porte de Whitehall
Description:
Titles etched below image, in English and French., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "7" in upper right corner., and Leaf 26 in an album of views of London and its vicinity.
Publisher:
publisher not identified
Subject (Geographic):
London (England) and Whitehall (London, England),
Subject (Name):
Whitehall Palace (London, England),
Subject (Topic):
Castles & palaces, Gates, Carriages & coaches, and Sedan chairs
