"Satire on the ambitions of European powers ranged against Maria Theresa in the early stages of the War of Austrian Succession, and on Robert Walpole's preoccupation with his own precarious position as well as his lack of support for Austria; an adaptation of British Museum Satires No. 2463. The ships at sea in the foreground of the earlier state have been replaced by the naked figure of Maria Theresa (then Queen of Hungary) sitting on a chair, one leg having been amputated and replaced by a wooden stump; a cloth around her hips is lettered, "Hungary & Lindtz". Her clothing has been pulled off by her enemies: Frederick the Great of Prussia pins down her cap, labelled "Silesia", with his halberd; the figure on the ground, previously identified as Theodore of Corsica holds her necklace labelled "Buta" [Buda]; the King of Spain holds a string by which he has pulled off her shift, labelled, "Just Rights"; the word "Doteingness" has been removed from Cardinal Fleury's walking frame and a string attached to his wrist has pulled off the Queen's petticoat, labelled "Austria/Netherlands" which she tries to hold on to; Walpole's paper is now lettered, "Place Bill", he now says "King LOGG listen to the Cardinal" a label at his feet reads, "If I get off now thanks to ye Priest Successor of Richlieu", and his string is now attached to the foot of the City of London alderman, whose label "Sturdy Beggar" has been removed; the Dutchman holds a string to which is attached the Queen's tippet labelled "Munich"(?) and he now says, "But We Design to be on our Guard & remain neuter"; the labels "Bohemia" and "Grand Duke" have been removed from two figures in the background; The figure formerly identified as Austria is now "Bohemia" and holds a string pulling the Queen's robe which is labelled "Prague", "Sultzback" and "Breslau". The verses below have been erased and replaced by twelve stanzas. The lettering is otherwise unchanged."--British Museum online catalogue
Alternative Title:
Queen of Hungary stript
Description:
Title from item., Also attributed to George Bickam the Younger., Bickham's name and date burnished from plate and replaced with that of Richardson's, along with alterations to design. See British Museum catalogue nos. 2463 and 2512., Image enclosed within decorative scroll., Twelve lines of verse in four columns below image: Who are all these that look so fine-a 'Tis P-----a, R----a, F----e, H-L---d and Spine-a ..., and Temporary local subject terms: War of the Austrian Succession, 1740-1748: stripping of the Hungarian Empire -- Birds: goose -- Go-carts -- Male dress: royal robes -- Female dress: royal robes -- Furniture: chair.
Publisher:
Sold at [the] Blackmoos head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Fleury, André Hercule de, 1653-1743, and Neuhof, Théodore-Antoine, baron de, 1690-1756
Subject (Topic):
Austrian Succession, War of, 1740-1748, Geese, Clergy, and Seesaws
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
"Portraits of George II, Queen Caroline, Prince Frederick, Princesses Anne, Amelia, Caroline, Prince William, Princesses Mary and Louise, all busts in ovals arranged in three rows of three."--British Museum online catalogue
Description:
Title engraved above images., The portraits are mainly copied from prints by Simon; see Smith, J.C. British mezzotinto portraits, and Date from British Museum online catalogue, registration no.: 1902,1011.6993.
Publisher:
Printed for & sold by Eliz. Bakewell, print & map seller, against Birchin Lane, Cornhill, London
Subject (Geographic):
Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760,, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737,, Frederick Louis, Prince of Wales, 1707-1751,, Anne, Princess, consort of William IV, Prince of Orange, 1709-1759,, Amelia, Princess, daughter of George II, King of Great Britain, 1710-1786,, Caroline, Princess, daughter of George II, King of Great Britain, 1713-1757,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Mary, Princess of Hesse, 1723-1772,, and Louise, Queen Consort of Frederick V, King of Denmark, 1724-1751,
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., Mounted to 33 x 48 cm., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
"Satire on the popularity of the Beggar's Opera in the form of a medley print. At top left a print shows two oval portraits, Lavinia Fenton as Polly Peachum on the left and Thomas Walker as Macheath on the right, two short columns of verse beneath. In the centre lies a print depicting a debased Parnassus: in the foreground muses drink from a barrel, one vomiting; a woman wearing a hat hands a basket to a muse sitting in a dust-cart drawn by a Pegasus; a cornucopia lies upended on the ground: in the background, is a boxing match surrounded on two sides with a temporary stand from which flies the flag of St George and to the right of which a bull and a bear are preceded by Apollo playing a fiddle; beneath are four lines of verse describing the scene. Behind the Parnassus print another shows the ghost of Jeremy Collier rising from his grave holding the pamphlet in which he had condemned "The Immoratlities of the English Stage", four lines of verse beneath. This print is overlaid by a smaller oblong print with four verses and portraits of Caleb D'Anvers (Nicholas Amhurst) Jonathan Swift, Alexander Pope and Lavinia Fenton (as Polly Peachum). On the left is a print in which Democritus and Heraclitus examine a globe together, eight lines of verse beneath. In the centre is an engraved address 'To Polly Peachum' quoted, according to the earlier state from The Daily Journal, April 19, 1728. At lower left is a print with a stage where a Apollo descends on a cloud to judge between rival singers (Faustina and Cuzzoni) to whom a group of gentlemen with asses' ears listen without judgement, two columns of verse beneath explain the scene. On the right, a scene by a river where a balance has been set up in which the Beggar's Opera outweighs Shakespeare, Ben Jonson, Addison, Nicholas Rowe and Thomas Otway; the personification of trade collapses in the arms of George II, assisted by Queen Caroline; verses beneath claim that the popularity of the Beggar's Opera is indicative of the sorry state of the country. At bottom right is a scene in Newgate with men and women sitting round a table on which is a punch bowl and pipes; they are toasting a laureated John Gay who sits at the centre, saying 'The Beggers Opera for yr', 'G(a)y for ever', 'Let's vote him King of the Beggers' and he responds, 'Yov'e done me too great an honour but I'll -'; a small child stands beside the table; two columns of verse beneath."-- British Museum online catalogue
Description:
Title from text engraved above image., "Poet G-" refers to John Gay., Later state, lacking references to 'Daily Journal April 19th. 1728' below the verses "to the Tune of the Soldier and ye Sailor" and to 'Daily Journal April 10 1798' below those "To Polly Peacham". Cf. Compare no. 1806 in v. 2 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Mounted to 45 x 34 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Gay, John, 1685-1732, Gay, John, 1685-1732., Fenton, Lavinia, 1708-1760, Walker, Thomas, 1698-1744, Collier, Jeremy, 1650-1726, Bordoni, Faustina, 1697-1781., Amhurst, N. 1697-1742. (Nicholas),, George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., Swift, Jonathan, 1667-1745., Pope, Alexander, 1688-1744., Heraclitus, of Ephesus., Democritus, approximately 460 B.C.-approximately 370 B.C., and Cuzzoni, Francesca, 1696-1778.
Subject (Topic):
Social life and customs, Anecdotes, facetiae, satire, etc, Pegasus (Greek mythology), Apollo, Muses (Greek deities), Parnassus, Mount (Greece), Prints, Prisons, and Theaters
Title from caption etched above image., Sheet trimmed within plate mark., Temporary local subject terms: Harlequin -- Personifications: Death -- Dr. Richard Rock, fl. 1731-1769., and Mounted to 34 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Title from item., Publication information from British Museum online catalogue., Temporary local subject terms: Violin -- Treaties: Aix-la-Chapelle, 1748 -- Personifications: nobles and wheelbarrow vendors -- Hostage: British hostages to France -- Emblems: fool's head -- Hanover turnips., and Watermark: Strasburg lily with initials L V G below.
Publisher:
G. Bickham
Subject (Name):
Louis XV, King of France, 1710-1774, Fredrik I, King of Sweden, 1676-1751, George II, King of Great Britain, 1683-1760, Maria Theresa, Empress of Austria, 1717-1780, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Klemens August, of Bavaria, 1700-1761, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Cathcart, Charles Schaw Cathcart, Lord, 1721-1776
Subject (Topic):
Flags, Musical instruments, National emblems, Hanoverian, and Wheelbarrows
Between two large pedestals, the one to the left topped with the head of George II, the one to the right with a sitting figure of George III, the Coalition ministers fall to the ground, their balance upset by a large platform, "New method of executing criminals (...)" pushed by George III with his foot. Charles Fox, who has already landed on the ground, grins announcing his intention of returning to power. Falling behind him, the frightened Lord North clutches the open "Budget" sack from which several documents fall out. Above him, Edmund Burke is about to lose his balance. The indifferent-looking George III busies himself blowing a large bubble, "Royal favour." The pedestals are inscribed, respectively, with the achievements of George II and the failures of George III
Description:
Title from item., Sheet trimmed within plate mark., Printmaker and publication date from British Museum catalogue., and Mounted to 37 x 33 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and England
Subject (Name):
George II, King of Great Britain, 1683-1760., George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Politics and government, Pedestals, Angels, and Clothing & dress