"Diogenes stands in the House of Commons between the two front benches; both arms are thrown out towards Burdett with a dramatic gesture; in one hand is his lantern, illuminating the patriot at close range; small clouds at his feet indicate that he is a ghost. He turns his head to look steadily at three members on the front Ministerial bench (left), saying: "An Honest Man is the noblest work of God" [Pope, 'Essay on Man', quoted by Burns, cf. British Museum Satires No. 11562]. The three culprits (unrecognizable) register shame and terror, their hair standing on end. Burdett stands by the front bench (right) on which is his hat, displaying to the frightened Ministers (one intended for Perceval) a document headed 'Magna Charta--Pro Rege, lege, grege' [see British Museum Satires No. 11547]. Except for one member on the front bench, those behind Burdett stand, five being depicted, three of whom wave their hats. All the occupants of the gallery wave still more emphatically. In the background and on the left is the Speaker's Chair; the diminutive Abbot, author of the famous Warrant, see British Museum Satires No. 11545, &c., holds up a hand in astonished alarm. Burdett was in the Tower during May, see British Museum Satires No. 11558. 'Hair on end' is an allusion to Lethbridge, see British Museum Satires No. 11538."--British Museum online catalogue
Alternative Title:
Ghost of Diogenes, more hair on end
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Lettered above image: Tegg's Caricatures, No. 111 Cheapside, no. 13. Price one shillg. colod., and Text below title: Diogenes being observed looking about with a lanthorn alight a noon day, was asked what he was hunting after when he replied, for an honest man.
Publisher:
Pubd. May 1810 by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Diogenes, -approximately 323 B.C., Burdett, Francis, 1770-1844, Perceval, Spencer, 1762-1812, Abbot, Charles, Baron Colchester, 1757-1829, Lethbridge, Thomas Buckler, 1778-1849., and Great Britain. Parliament. House of Commons,
Bateman's tragedy and Godly warning to all maidens
Description:
Date of publication from ESTC., Verse, known as 'Bateman's tragedy' - "You dainty dames so finely fram'd,". - In four columns, with the first and second as well as the third and fourth columns separated by ornamental rules; the title and first woodcut are above the first two columns while the second woodcut is above the third and fourth columns., Mounted on leaf 69. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
A man, whose face shows an expression of both fear and surprise, holds a lantern up to a gown hanging on a clothesline. The gown appears to have a human face with a snarling expression
Description:
Title from published print based on this drawing., In ink lower left: Drawing by I. Cruikshank., Basis for print published as: A gown metamorphose'd into a ghost!!., See description in British Museum's Catalogue of Political and Personal Satires, v. 7, No. 9124., Isaac Cruikshank, English caricaturist and painter, 1756?-1811?., and For further information, consult library staff.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the vision of Alphonso looming large over the courtyard of the castle, the other characters in the foreground either bowing down or looking up in astonishment. The form of Alphonso, dressed in full armor, floats in front of a crumbling section of the castle. The moon occupies the cloud-filled sky above; an angelic figure is visible within a break in the clouds at the top of the image
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 239 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
On the left the ghost of Samuel Johnson, in a great swirl of billowing clouds, appears before a startled James Boswell, right hand raised in alarm, who is seated at a table strewn with papers and remnants. In his hand he holds a cushion labeled "Hebrides." Behind him on the wall are two shelves of books, many of which are identified by author and title, or numbered, perhaps a reference to his journals that were the basis of his Life of Samuel Johnson. Below the shelves is a framed portrait of Boswell. A quotation from William Congreve's The Way of the World, Act iv, Scene 9 is engraved below the image
Description:
Title and imprint from British Museum catalogue., Sheet trimmed within plate mark., Three lines of verse from "Congreve's Way of the world, Act IV, Scene 9", below title, beginning: Thou art a retailer of phrases ..., and A later copy of No. 8281 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
publisher not identified
Subject (Name):
Boswell, James, 1740-1795., Boswell, James, 1740-1795, and Johnson, Samuel, 1709-1784
Frederic in search of Hippolita enters her oratory only to recoil in horror at the sight of a specter wrapped in a hermit's cowl. The specter rests its hand on a book laid open on the altar above which hangs a crucifix. Behind them, two shelves built into the wall are filled with books and an ink well with two feather pens
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
Title from manuscript caption added to mount., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 31 cm.
Title supplied by curator., Date from version in Museum of Fine Arts, Boston, accession number 11.35347., Place of publication based on printmaker's place of residence., Scene from the play: Irohagan Yotsuya Kaidan 1/1826., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with Manfred, Theodore, and several other characters in the foreground drawing back in fear from the vision appearing behind them, shielding themselves with their arms. This vision, apperaring within the ruins of a castle wall that has been toppled, includes the ghostly form of Alphonso, in full armor, surrounded by smoke and accompanied by a monk
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 239., and Bound in opposite page 239 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
