"Caricature on the trial of Queen Caroline with her accusers on the stage of St Stephens with a cast of witnesses from the trial, addressing John Bull."--British Museum online catalogue
Description:
Title etched below image., Attribution to William Heath from unverified data in local card catalog record., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Walking sticks -- Hampton Court -- Male costume: 1820 -- Italians., and Manuscript "266" in upper center of plate.
Publisher:
Pub. July 22, 1820, by S.W. Fores, 41 Picadilli [sic], London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and St. Stephen's Chapel (Westminster, London, England),
Subject (Topic):
John Bull (Symbolic character), Stages (Platforms), Horns (Communication devices), Ethnic stereotypes, Witnesses, Staffs (Sticks), and Signs (Notices)
"Caricature on the trial of Queen Caroline with her accusers on the stage of St Stephens with a cast of witnesses from the trial, addressing John Bull."--British Museum online catalogue
Description:
Title etched below image., Attribution to William Heath from unverified data in local card catalog record., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Walking sticks -- Hampton Court -- Male costume: 1820 -- Italians., 1 print : etching ; sheet 24.2 x 33.9 cm., Prited on laid paper with watermark; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 48 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Castlereigh [sic]," "Londonderry," and "Sidmouth" identified in pencil below image; date "23 [sic] July 1820" writted in ink in lower right.
Publisher:
Pub. July 22, 1820, by S.W. Fores, 41 Picadilli [sic], London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and St. Stephen's Chapel (Westminster, London, England),
Subject (Topic):
John Bull (Symbolic character), Stages (Platforms), Horns (Communication devices), Ethnic stereotypes, Witnesses, Staffs (Sticks), and Signs (Notices)
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 1 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of figures depicted in the print are written at bottom of sheet and on mounting leaf, in red ink and pencil, in two different hands; date "Jan. 1820" written in black ink in lower right corner of sheet.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
Subject (Topic):
Politicians, Adultery, Scandals, Thrones, Ships, Devil, Gallows, and Shackles
"Caricature of Queen Caroline held by Bergami, who kisses her on the lips in front of a French inn observed by astonished locals."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Three lines of text etched below title: Adieu, adieu, my dearest love, my people call me from thee. Remember thou'rt a Q----s gallant, those tears but ill become thee. Fare thee well, and if for ever, still for ever fare thee well., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 77 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Ald. Wood" identified in pencil at bottom of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
France.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Bergami and the Princess of Wales dance vigorously, hand in hand, her right hand in his left; he flourishes his peaked and tasselled courier's cap and heavy whip. He wears smart postilion's dress with jack-boots, as in No. 14176. The Princess is very décolletée, with quasi-Turkish trousers, patterned with roses. Behind, her coach and four stands in a country road, a man and woman attendant stand by it, watching in astonishment. There is a background of low mountains. Below the title: 'How I'd love you all the day, Every Night we'd Kiss and Play, If with me you'd fondly stray, Over the Hills and far away.'"--British Museum online catalogue
Alternative Title:
Love at first sight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Digit "7" in publisher's street address "27" etched backwards in imprint., Sheet trimmed within plate mark., and Mounted on page 6 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"Bergami and the Princess of Wales dance vigorously, hand in hand, her right hand in his left; he flourishes his peaked and tasselled courier's cap and heavy whip. He wears smart postilion's dress with jack-boots, as in No. 14176. The Princess is very décolletée, with quasi-Turkish trousers, patterned with roses. Behind, her coach and four stands in a country road, a man and woman attendant stand by it, watching in astonishment. There is a background of low mountains. Below the title: 'How I'd love you all the day, Every Night we'd Kiss and Play, If with me you'd fondly stray, Over the Hills and far away.'"--British Museum online catalogue
Alternative Title:
Love at first sight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Digit "7" in publisher's street address "27" etched backwards in imprint., Sheet trimmed within plate mark., 1 print : etching with stipple ; plate mark 27.3 x 22.3 cm, on sheet 27.5 x 22.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 72 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in ink below image; date "14 May 1821" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"Heading to a broadside printed in two columns. In a coop (right) are cocks and hens with human heads, the foreign witnesses against Queen Caroline. Sidmouth empties coins from a large green bag into their feeding trough, resting one foot on an apothecary's pestle and mortar. On the extreme left is a countryman in a smock who hands a letter to Castlereagh, saying: "Your Servent Sirs, I be com'd from a great fat Gentleman at W--d--r who wishes to know whether your Foreign Brood feeds well and if they are likely to pay for their keeping and he hopes, you'll keep a strict Eye over 'em and not let 'em take Flight as he understands they are very shy--and he says you shou'd look to their Plumage as he dont know but they may soon be made a Show of." Castlereagh, who holds a scourge, answers: "They thrive so fast they'll soon be fit for use--The Napoleons are more fattening than Caroline Rice but I'm rather afraid of that Rastellian Capon he seems to wish to peck his way out and be off--I'm afraid he's drank too much from the Po-Well as the water at present is rather Stagnated and now he's in good condition the Milan Springs [see British Museum Satires No. 13755, &c.] must be more palatable." Liverpool stands with a hand on Castlereagh's shoulder, silently holding a large purse inscribed 'Treasury Grain'. His back is to Sidmouth, who says: "True good C--r--gh I do declare they have Molted well already what a wonderful change--& if Brougham dont clip their Wings they'll amply repay us for our trouble for they can (according to the Old Proverb) Lie as fast as a Cock pecks Barley." Majocchi looks out through the bars, saying: "I am Cock of the Walk. If you wish more to know I'm the Infamous Segnior Non mi Ri cor do" [see British Museum Satires No. 13827]. Louise Demont looks up pertly: "Once Femme De Chambre To the Queen Now I support Sids Bag of Green [see British Museum Satires No. 13735] Doodle doo." Rastelli: "I think I've had too much good living--and as I've a great weight in my Chest a Complain [sic] incidental to Cotton Yard I'll take the earliest opportunity of leaving the Coop-- besides who knows but that Phisicians Brougham and Co. might prescribe Rue and other obnoxious drugs as a remedy for the Complain." ...."--British Museum online catalogue
Alternative Title:
Peep into Cotton Yard Aviary, with the peculiar method of feeding to suit a Royal palate
Description:
Title from letterpress text below image., Questionable attribution to Robert Cruikshank from the British Museum catalogue., Date of publication from the British Museum catalogue., Sheet trimmed to plate mark at top edge., Eight stanzas of verse in two columns beneath title, printed in letterpress: Most Noble Lords, cried G-e the Great, I have a cause of wond'rous weight ..., "Price one shilling. Entered at Stationers' Hall"--Below imprint., Publisher's advertisement at bottom of sheet: N.B. Just published, price sixpence, The cock of Cotton Walk, and the maid of all work., Watermark: J. Budgen 1819., Mounted to 58 x 39 cm., Mounted on leaf 67 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Liverpool," and "Sidmouth" identified in ink below image; date "Aug. 1820" written beneath lower right corner of image. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by C.E. Pritchard, Islington Green
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Majocchi, Theodore, active 1820, Demont, Louisa, active 1814-1820, Rastelli, Giuseppe, active 1820, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
"From slits in a huge green bag, labelled 'Evidence against the Q...n', peer the heads of five witnesses against the Queen. Round it stand puzzled and apprehensive Ministers discussing their plans. Castlereagh, on the extreme left, faces Sidmouth who stands with flexed knees holding a constable's staff, one hand on the bag. He says: "Well Gentlemen! we are pretty well in for it now--we must lie through thick and thin to do any good, and get as many as we can to do the same, or it is all up with us; what say you Doctor have you any specific for the occasion." Sidmouth: "Friend Derry I could as soon produce the Philosophers stone or Elixir of Life but if your brazen face can't bring us through it is a forlorn hope, however here is some chance in the Bag!" The head of a man crouching in the Bag looks up to say: "Yes I have some choice Tales to communicate what with Bargemen--Chambermaids--W....s and Rogues, whom I have had the honor to associate with. I shall be able to COOK up a high seasoned dish that his M.....y will relish." On the right of the Bag stands Canning, scratching his head with a puzzled expression; he says: "Curse that City Hop Merchant [Wood] he has thrown bitter into this Brewing with a vengeance! I'll try what a dash of my wit will do, or we shall be obliged to swallow it ourselves!" A pretty female head looks up at him from the Bag, to say: "I say Mr. Flashman! don't stand scratching your head in that manner but hear what I have to tell you when a woman is determined on revenge she will stick at nothing to accomplish it--turn me away indeed for a little amusement with Peter, when my husband was out I hate such scrupulous Modesty. I'll swear any thing you wish." Three faces appear at smaller slits, saying respectively: "I'll swear!"; "So will I!"; "So will I to any lie." Eldon (right) in Chancellor's wig and gown, walks off to the right, holding a rolled document: 'Rex [vers]us Regina'. He says with a meditative frown: "Well Gentlemen I shall go home and consult about it. I dont like to decide too hastily Look before you leap ought to be the Motto of my Seal" [cf. British Museum Satires No. 15139, &c.]. Behind Castlereagh (left) is a table with writing materials; at his feet are bundles of papers labelled 'Foreign Newspapers' and 'Foreign Correspondence private'.."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 24 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by J. Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Wood, Matthew, Sir, 1768-1843., Demont, Louisa, active 1814-1820., Cooke, William, 1757-1832., Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Bags, Witnesses, Documents, Newspapers, and Tables
"From slits in a huge green bag, labelled 'Evidence against the Q...n', peer the heads of five witnesses against the Queen. Round it stand puzzled and apprehensive Ministers discussing their plans. Castlereagh, on the extreme left, faces Sidmouth who stands with flexed knees holding a constable's staff, one hand on the bag. He says: "Well Gentlemen! we are pretty well in for it now--we must lie through thick and thin to do any good, and get as many as we can to do the same, or it is all up with us; what say you Doctor have you any specific for the occasion." Sidmouth: "Friend Derry I could as soon produce the Philosophers stone or Elixir of Life but if your brazen face can't bring us through it is a forlorn hope, however here is some chance in the Bag!" The head of a man crouching in the Bag looks up to say: "Yes I have some choice Tales to communicate what with Bargemen--Chambermaids--W....s and Rogues, whom I have had the honor to associate with. I shall be able to COOK up a high seasoned dish that his M.....y will relish." On the right of the Bag stands Canning, scratching his head with a puzzled expression; he says: "Curse that City Hop Merchant [Wood] he has thrown bitter into this Brewing with a vengeance! I'll try what a dash of my wit will do, or we shall be obliged to swallow it ourselves!" A pretty female head looks up at him from the Bag, to say: "I say Mr. Flashman! don't stand scratching your head in that manner but hear what I have to tell you when a woman is determined on revenge she will stick at nothing to accomplish it--turn me away indeed for a little amusement with Peter, when my husband was out I hate such scrupulous Modesty. I'll swear any thing you wish." Three faces appear at smaller slits, saying respectively: "I'll swear!"; "So will I!"; "So will I to any lie." Eldon (right) in Chancellor's wig and gown, walks off to the right, holding a rolled document: 'Rex [vers]us Regina'. He says with a meditative frown: "Well Gentlemen I shall go home and consult about it. I dont like to decide too hastily Look before you leap ought to be the Motto of my Seal" [cf. British Museum Satires No. 15139, &c.]. Behind Castlereagh (left) is a table with writing materials; at his feet are bundles of papers labelled 'Foreign Newspapers' and 'Foreign Correspondence private'.."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.7 x 35.1 cm, on sheet 25 x 35.5 cm., Printed on wove paper; hand-colored., Mounted (with one other print) to 58 x 39 cm., Mounted on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Canning," and "Eldon" identified in black ink above title; date "June 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by J. Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Wood, Matthew, Sir, 1768-1843., Demont, Louisa, active 1814-1820., Cooke, William, 1757-1832., Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Bags, Witnesses, Documents, Newspapers, and Tables
