"A glutton lies in bed, asleep, assailed by the fish, flesh, and fowl of a City dinner. A huge turtle is on top of him, a lobster pinches his nose, a pheasant swoops to peck an eye. He holds in each hand a bottle labelled 'Wrights Cham[pagne]' [see British Museum Satires No. 15478], squirting the explosive contents at his assailants. A big frog points a spear on which three small frogs are spitted. On his bedside table besides candle, box of 'Dixon's Pills', basin, &c, is a bill of fare: 'Turtle & fresh Cod'; 'Roast beef & à la mode'; 'Veal and Mutton'; 'Pork and Venison'; 'Pheasants & Pigeons'; 'Lobster & Sturgeon'; 'Turkey and Capon'; 'Goose and Salmon'; 'Turbot & Ducks'; 'Shrimps in Pots'; 'Frogs à la Crapodine'; 'Anguille &c à la diabletine' [sic]. All these, shrimps excepted, are depicted; there is also a hare."--British Museum online catalogue
Alternative Title:
Lord Mayor's Day nightmare and Fatal effects of gluttony
Description:
Title from text below image., Description based on impression in the British Museum., Text below title: Dedicated to all the city gourmands, to be had at all the taverns in the United Kingdom., The Lewis Walpole Library impression: Imperfect, sheet trimmed with loss of title above image and imprint; printmaker's intitials and printer information erased from sheet., and Window mounted to 28 x 37 cm.
Publisher:
Published by Thos. McLean, 26, Haymarket and Printed by C. Motte, 23 Leicester Sqre
Subject (Topic):
Gluttony, Nightmares, Beds, Animals, and Champagne (Wine)
A young, rotund friar sits at a table well-set with carafes, one each of red and white, and with plates of lushious fruit. He smiles as he raises his glass and looks at the viewer. Through the window (left) peeps a pretty young woman with a shawl over her head; she smiles slightly
Description:
Title etched below image., Two numbered columns of verse below title: I am a friar of orders grey, And down the vallies I take my way; I pull not blackberry, haw or hip, Good store of ven'son does fill my scrip, My long bead roll I merrily chaunt, Wherever I walk no money I want; And why I'm so plump the reason I'll tell ... "Who leads a good life, is sure to live well." What baron, or squire, or knight of the shire, Lives so well as a holy friar ..., Verses may be a parody of Thomas Percy's Reliques of See British Museum catalogue., Plate numbered '428' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd June 4, 1806 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Eating & drinking, Fruit, Gluttony, Lust, and Monks
"The Prince of Wales, languid with repletion, leans back in an arm-chair, holding a fork to his mouth. His waistcoat is held together by a single button across his distended stomach. On his right a circular table covered with the remains of a meal, with decanters of 'Port' and 'Brandy', a castor of 'Chian'. Under the table, partly covered by the cloth, are empty wine-bottles. Behind the chair (right) a brimming chamber-pot stands on a table or commode on which are long bills: 'Poulterers Bill . . . unpaid, Butcher's Bill . . . unpaid, Baker's Bill . . . unpaid', and (on the ground) 'Doctors Bill'. In the foreground (right) lie a dice-box and dice with three books: 'Debts of Honor Unpaid', 'Newmarket List', and 'Faro Partnership Account Self Archer Hobart & Co.' On a shelf behind the Prince (right) is a triple stand of jelly-glasses, among which is a small pot: 'For the Piles', and a bottle: 'Drops for a Stinking Breath'. Beside it are a box of 'Leakes Pills', and a bottle of 'Velnos Vegetable Syrup' (see BMSat 7592). On the wall above is a candle-sconce with a burlesque coat of arms for the Prince: a plate with a crossed knife and fork, with his motto, coronet, and feathers; one candle is stuck in a wine-bottle, the other in a wine-glass. Above the Prince's head is a round picture in an elaborate frame inscribed 'L. Comoro, Ætat. 199 [sic]': a half length portrait of a man with a long beard drinking from a glass inscribed 'Aqua'. (Luigi Cornaro of Padua, 1467-1566, published 'Discorri della vita sobria . . .', a treatise on the means of living to extreme old age, describing the ascetic diet by which he had recovered health and vitality when in danger of death at the age of forty. Portrait by Tintoretto, Pitti Palace.) A carpet covers the floor. Through the window is seen the (unfinished) colonnade of Carlton House."--British Museum online catalogue
Description:
Title engraved below image., Companion print to: Temperance enjoying a frugal meal., Sheet trimmed to plate mark., Temporary local Medical Library subject terms: Gastronomy., and 1 print : stipple engraving with etching, hand-colored ; plate mark 36.2 x 29.1 cm.
Publisher:
Pubd. July 2d, 1792, by H. Humphrey, No. 18 Old Bond Street
"The Prince of Wales, languid with repletion, leans back in an arm-chair, holding a fork to his mouth. His waistcoat is held together by a single button across his distended stomach. On his right a circular table covered with the remains of a meal, with decanters of 'Port' and 'Brandy', a castor of 'Chian'. Under the table, partly covered by the cloth, are empty wine-bottles. Behind the chair (right) a brimming chamber-pot stands on a table or commode on which are long bills: 'Poulterers Bill . . . unpaid, Butcher's Bill . . . unpaid, Baker's Bill . . . unpaid', and (on the ground) 'Doctors Bill'. In the foreground (right) lie a dice-box and dice with three books: 'Debts of Honor Unpaid', 'Newmarket List', and 'Faro Partnership Account Self Archer Hobart & Co.' On a shelf behind the Prince (right) is a triple stand of jelly-glasses, among which is a small pot: 'For the Piles', and a bottle: 'Drops for a Stinking Breath'. Beside it are a box of 'Leakes Pills', and a bottle of 'Velnos Vegetable Syrup' (see BMSat 7592). On the wall above is a candle-sconce with a burlesque coat of arms for the Prince: a plate with a crossed knife and fork, with his motto, coronet, and feathers; one candle is stuck in a wine-bottle, the other in a wine-glass. Above the Prince's head is a round picture in an elaborate frame inscribed 'L. Comoro, Ætat. 199 [sic]': a half length portrait of a man with a long beard drinking from a glass inscribed 'Aqua'. (Luigi Cornaro of Padua, 1467-1566, published 'Discorri della vita sobria . . .', a treatise on the means of living to extreme old age, describing the ascetic diet by which he had recovered health and vitality when in danger of death at the age of forty. Portrait by Tintoretto, Pitti Palace.) A carpet covers the floor. Through the window is seen the (unfinished) colonnade of Carlton House."--British Museum online catalogue
Description:
Title engraved below image., Companion print to: Temperance enjoying a frugal meal., Sheet trimmed to plate mark., and Temporary local Medical Library subject terms: Gastronomy.
Publisher:
Pubd. July 2d, 1792, by H. Humphrey, No. 18 Old Bond Street
A very fat man (Councellor Wollop), wearing a silk robe and cap sits at a well-laid table, his large napkin tucked in at his neck. He leans back in his chair while a thin man pours wine down his throat. Two other men smile as they offer him more food, as the one carves a joint. The table has contains platters with bread and plum pudding as well as a decanter of spirits. They are a well-appointed room arches and a portrait of a man in a wig hanging on the wall behind the councellor
Alternative Title:
Another slice of plum pudding for Councellor Wollop
Description:
Title engraved below image., Sheet trimmed to plate mark with thread margin on top and bottom., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd April 20, 1774, by I. Sledge, Henrietta Street, Covent Garden
Subject (Topic):
Dining rooms, Food, Interiors, Gluttony, Obesity, and Servants
Title etched below image., Date supplied by curator., Place of publication derived from language of text., In margin upper right: No. VIII., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title engraved below image., Date supplied by curator., Above image: Satyrisches Bild.; No.52, and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
im Bureau der Theaterzeitung, Rauhensteingasse No.926
Subject (Topic):
Gluttony, Swine, Soldiers, Eating & drinking, Dead persons, Food, and Satires (Visual works).
Bouttats, Gerard, born 1630, active 1658, printmaker
Published / Created:
[ca. 1658]
Call Number:
Print01378
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date derived from printmaker's active date., Place of publication from item., Sheet trimmed to plate mark., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Alcohol; Greed; Politics; Poverty.
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers