"A bearded Jew (left) points out to Fox and North the high price of stocks; he holds out to North (right) a paper inscribed '3 Per Cents Consol done at 75 for ye next opening'. North holds out his hands in dismay. Fox stands between and behind them, looking gloomily at North. The Jew stands behind a counter on which hangs a paper, 'India Stock 162 Bank Stock 241 India Bonds 50 [ ? or 59] Prem. Navy & Victualg Bills Per Cent Discount Exchequer Bills Prem Per Cent Scrip'. At North's feet lies a paper headed 'Mr Sheridans Speech upon Mr Pitts Plan of Finance'. The background is the wall of a room with arched recesses or alcoves."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., The Lewis Walpole Library: Horace Walpole refers to subject., and Mounted on page 53 with one other print.
Publisher:
Published 29th May 1786 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Sheridan, Richard Brinsley, 1751-1816., and East India Company.
A short and obese Demosthenes (Charles Fox) with a worried expression on his face, appears to be delivering a pledge. He stands between tall and thin figures of Themistocles (Admiral Hood) on the left and Judas Iscariot (Sir Cecil Wray) on the right, who watch him with a condescending smile
Description:
Title etched below image., Printmaker from British Museum catalogue., and Publisher's name and address at end of imprint statement are stipple engraved and fainter than the text at the beginning of imprint, which is etched.
Publisher:
Pubd. April 8th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Politics and government, Political elections, Public speaking, and Clothing & dress
A short and obese Demosthenes (Charles Fox) with a worried expression on his face, appears to be delivering a pledge. He stands between tall and thin figures of Themistocles (Admiral Hood) on the left and Judas Iscariot (Sir Cecil Wray) on the right, who watch him with a condescending smile
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Reissue for the History of the Westminster election, 1784. See British Museum catalogue.
Publisher:
Pubd April 8th, 1784 by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Politics and government, Political elections, Public speaking, and Clothing & dress
Two quack doctors address the crowd from raised platforms with the help of their zanies. On the left, Dr. Pittardo (Pitt) is aided by the Duke of Richmond, and George Rose, the new Secretary of the Treasury. On the right, Dr. Renardo (Fox) is helped by Burke holding an address "To the independent electors of West[minster]" and Lord North distributing "motion pills for members." In the crowd below Fox's stage is his staunch supporter, Sam House ("an MT house"). Two of the buildings in the background are inscribed, "India House" and "St. Stephens" [i.e., The House of Commons].
Description:
Title from item. and Mounted to 27 x 39 cm.
Publisher:
Pubd. as [the] Act directs Feby 2, 1784 by B. Walwyn No. 2 Pedlars Acre West Bridge
Subject (Geographic):
Great Britain
Subject (Name):
Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., Rose, George, 1744-1818., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., and House, Samuel, -1785.
Subject (Topic):
Politics and government, Public speaking, Quacks, and Crowds
A picture puzzle engraving of a patriotic posy, the leaves of which frame voids in the shape of the profiles of eight British and European leaders in coalition against Napoleon. It may have been produced as a response to the Bonapartist "Corporal Violette," whose flower included profiles of the Emperor Napoleon, Maria Louisa, and the young King of Rome
Alternative Title:
Rose, shamrock, and thistle
Description:
"To general union, this plate containing profiles of eight illustrious personages is most humbly inscribed, by a friend of liberty.", "Left side: Prince Regent, King of Prussia, Marshall Blucher. Right side: King of England, Emperor of Austria, Duke of Wellington. Center: Louis XVIII, Emperor of Russia.", BAC: British Art Center copy is hand-colored. Trimmed to plate mark., 1 print : etching ; plate mark 16.3 x 12.3 cm, on sheet 16.9 x 12.9 cm., and Printed on thin card; hand-colored.
Publisher:
publisher not identified
Subject (Geographic):
Europe. and Great Britain
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825., Blücher, Gebhard Leberecht von, 1742-1819., Francis I, Emperor of Austria, 1768-1835., Frederick William III, King of Prussia, 1770-1840., George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Louis XVIII, King of France, 1755-1824., and Wellington, Arthur Wellesley, Duke of, 1769-1852.
Subject (Topic):
Napoleon, Elba and the Hundred Days, 1814-1815, Napoleonic Wars, 1800-1815, Signs and symbols, Political aspects, and Politics and government
George III is shown in two images in profile: the one facing left (not a good likeness), is directed toward North and Fox, the other a portrait of the King turned towards Shelburne and another figure, possibly Pitt, Lord Gower or the Duke of Richmond
Alternative Title:
Two faces under a hood
Description:
Title from item. and Mounted to 31 x 46 cm.
Publisher:
Pubd. as [the] act directs Jany 4, 1784 by E.D. Achery, St James's Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Lansdowne, William Petty, Marquis of, 1737-1805., and Janus (Roman deity),
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image., A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt., and Uncolored impression. Trimmed to plate mark 250 x 360 mm.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image. and A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
"A scene in Carlton House. The Prince of Wales, seated in a chair, holds a stout, good-looking lady (Mrs. Sawbridge) across his knees and chastises her with upraised hand; she holds out her arms imploringly. Alderman Sawbridge (right) faces her in profile to the left, playing a fiddle and dancing; from his pocket hangs a piece of music inscribed 'The Reform', a new Motion. On the extreme left Lady Archer stands in profile to the right, holding a driving-whip, and pointing angrily at the injured lady. A little girl (Sawbridge) stands full-face, clasping her hands in horror at the treatment of her mother. Behind are a number of onlookers: a very fat lady in profile to the left is Miss Vanneck. Mrs. Fitzherbert watches, not displeased; Fox, his arm round her shoulder, gazes amorously at her. George Hanger stands in profile to the left. The other figures are less characterized but a profile head (right) resembles Lord Derby. On the wall (right) is part of a three quarter length portrait, the head cut off by the upper edge of the design, inscribed 'Sir G° Van-Ne[ck]'. Beside it is a stag's head on which hangs a man's hat, just above Sawbridge. After the title is etched 'A Hint for a new Reform'. 'Black Jack' is Sawbridge, who was swarthy, and a consistent advocate of Parliamentary Reform. In the background (right) are persons dancing."--British Museum online catalogue
Alternative Title:
Black Jacks delight
Description:
Title etched below image. and Attributed to Gillray in the British Museum catalogue and by Wright.
Publisher:
Pub'd April 25, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Smith-Stanley, Edward, 1752-1834, Fitzherbert, Maria Anne, 1756-1837, Sawbridge, John, 1732?-1795, Sawbridge, Anne Stephenson, Archer, Sarah West, Lady, 1741-1801, Neck, Gertrude van, -1798, Neck, John, 1732-1795, and Fox, Charles James, 1749-1806
Subject (Topic):
Couples, Dance, Musical instruments, Pleading (Begging), Spanking, and Politics and government
