On a long table representing the table at the House of Commons, lie the heads of Charles Fox (left) and Lord North (right) brought in according to the mock decision of the House inscribed above the image. There is no background, but the upper part of the design is covered by an inscription: 'Cui bono - ? - publico bono - Die Lunae 9° Februarii 1784. In a Committee on the Sense of the Nation - Moved - That for preventing future Disorders and Dissentions, the Heads of the Mutiny Act be brought in, and suffered to lie on the Table tomorrow - Ordered That all further proceedings upon the Act for dividing the Commons &ca be adjourned sine die - Ordered \ Vox Populi \ Cler. Par'.
Alternative Title:
Cui bono? Publico bono
Description:
Title from British Museum catalogue.
Publisher:
Published as the act directs by Thomas Cornell Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806. and North, Frederick, Lord, 1732-1792.
On a long table representing the table at the House of Commons, lie the heads of Charles Fox (left) and Lord North (right) brought in according to the mock decision of the House inscribed above the image. There is no background, but the upper part of the design is covered by an inscription: 'Cui bono - ? - publico bono - Die Lunae 9° Februarii 1784. In a Committee on the Sense of the Nation - Moved - That for preventing future Disorders and Dissentions, the Heads of the Mutiny Act be brought in, and suffered to lie on the Table tomorrow - Ordered That all further proceedings upon the Act for dividing the Commons &ca be adjourned sine die - Ordered \ Vox Populi \ Cler. Par'.
Alternative Title:
Cui bono? Publico bono
Description:
Title from British Museum catalogue. and Mounted on page 37 with two other prints.
Publisher:
Published as the act directs by Thomas Cornell Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806. and North, Frederick, Lord, 1732-1792.
On a long table representing the table at the House of Commons, lie the heads of Charles Fox (left) and Lord North (right) brought in according to the mock decision of the House inscribed above the image. There is no background, but the upper part of the design is covered by an inscription: 'Cui bono, publico bono. Die Lunae 9 Februarii 1784. In a Committee on the Sense of the Nation - Moved That for preventing future Disorders and Dissentions the Heads of the Mutiny Act be brought in and suffered to lie on the Table tomorrow - Ordered That all further proceedings upon the Act for dividing the Commons &ca be adjourned sine die - Ordered, Vox Populi, Cler. Par'.
Alternative Title:
Cui bono, publico bono
Description:
Title from description of another version of the design in the British Museum catalogue., Signed with the monogram of James Sayers., Another version, with only minute differences in text and image, of no. 8244 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted with one other print on leaf 24 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [as] the act directs by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Manuscript journal of a London wine merchant's travels in France, Germany, Switzerland and the Low Countries during the summer and fall of 1835, accompanied as far as Switzerland by a boy, Alfonzo Pipon. The diary documents travel and hotel conditions; social events and contacts with British residents in various cities; business plans and trade fairs; and encounters with members of the British and Continental aristocracy, Although they witnessed part of the "Grand Review" by Louis Philippe on July 28, 1835, Collins and Pipon only heard reports of Fieschi's assassination attempt shortly after. The entries for the following week include descriptions of the mood of Paris, the lying in state of the assassination victims, and a brief interview between a deputation of British residents and the King, who spoke in English "expressing great affection for the English Nation.", Entries for the Swiss and German portion of the tour are illustrated with printed scenes and describe the natural beauties of the region in detail, comparing Berne to Somersetshire; a difficult and storm-plagued boat trip to see the Griesenbach Falls; the arrival of the Queen of Naples in Zurich; and an archery contest at the William Tell school, The journal concludes with lists of the letters of introduction carried by Collins; his addresses while traveling; and a chart of distances and conveyances for the entire journey, and Tipped in: folding lithograph with scenes concerning the Fileschi assassination attempt, printed August 12, 1835; 8 sepia aquatints of Swiss views; 2 prints of Lucerne; plan of Karlsruhe; small map of Low Countries
Description:
Inscribed "To Mrs. Collins, Bramford" (his mother) with a letter dated "25th December 1835.", Inside front pastedown has illuminated coat of arms with the motto "Dum spiro spero.", and Binding: crimson half-morocco with marbled boards.
Subject (Geographic):
Europe., Belgium, France, Germany, Great Britain, Germany., France., Netherlands, and Switzerland
Subject (Name):
Fieschi, Giuseppe Marco, 1790-1836. and Louis Philippe, King of the French, 1773-1850.
Subject (Topic):
Tourism, Travelers' writings, English, Wine and wine making, Description and travel, Politics and government, Commerce, and Views
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20., Ms. note in Steevens's hand below print: See Nichols's book, 3d edit p. 167., and On page 50 in volume 1. Sheet trimmed to: 49.3 x 37.3 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
"Lord Sackville advances in profile to the left, declaiming, left knee raised as if climbing a citadel, left hand on his breast, holding up in his right hand a cylindrical roll resembling a document, but inscribed 'Telum imbelle', symbolizing his unsoldierly conduct at Minden. His feet are cut off by the lower margin. Behind and below him (right) are the grinning heads of Lord Stormont and Lord Derby, saying "Hear Hear Hear". Sackville faces a flag inscribed 'Irish [P]ropositions', above which is a dove with an olive-branch, symbolizing the reconciliation between the Opposition and Sackville, who is supposed to be acting under their orders."--British Museum online catalogue
Alternative Title:
Head Quarters Brookess 18th July 1785 ... and Opposed to France on Minden's plain ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Text immediately below image: Head Quarters Brookess 18th July 1785. You are to attack the enemy's propositions at six o'clock this evening - Fox [scored through]. To Sackville [scored through]., Two columns of verse at bottom of plate: Opposed to France on Minden's plain, when Brunswick gave the word ..., Alternative (later?) version of the design executed on a larger plate, with the addition of etched verse and other slight changes. For the version on a smaller plate, see no. 6802 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper ; sheet 26.2 x 15.9 cm., Sheet trimmed to plate mark on top and left edges., and Mounted on verso of leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
Great Britain, Ireland, and Ireland.
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Great Britain. Parliament. House of Commons.
"Lord Sackville advances in profile to the left, declaiming, left knee raised as if climbing a citadel, left hand on his breast, holding up in his right hand a cylindrical roll resembling a document, but inscribed 'Telum imbelle', symbolizing his unsoldierly conduct at Minden. His feet are cut off by the lower margin. Behind and below him (right) are the grinning heads of Lord Stormont and Lord Derby, saying "Hear Hear Hear". Sackville faces a flag inscribed 'Irish [P]ropositions', above which is a dove with an olive-branch, symbolizing the reconciliation between the Opposition and Sackville, who is supposed to be acting under their orders."--British Museum online catalogue
Alternative Title:
Head Quarters Brookess 18th July 1785 ... and Opposed to France on Minden's plain ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Text immediately below image: Head Quarters Brookess 18th July 1785. You are to attack the enemy's propositions at six o'clock this evening - Fox [scored through]. To Sackville [scored through]., Two columns of verse at bottom of plate: Opposed to France on Minden's plain, when Brunswick gave the word ..., Alternative (later?) version of the design executed on a larger plate, with the addition of etched verse and other slight changes. For the version on a smaller plate, see no. 6802 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 37 x 27 cm.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
Great Britain, Ireland, and Ireland.
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Great Britain. Parliament. House of Commons.
Manuscript, on parchment, containing copies of several treatises: 1) Tractatus de Sacramento Corpus Christi, by Baldwin, Archbishop of Canterbury (ff. 1-26); 2) De Vero Sapientia, Dialogus I and II, attributed here to Petrarch (now believed to be by Nicholas of Cusa) (ff. 27-50v); 3) De Invidia, Niccolò Perotti's translation of a sermon by Basil the Great, with a preface addressed to Pope Nicholas V (ff. 51-63); 4) De invidia et odio, Niccolò Perotti's translation of a work by Petrarch, with a preface addressed to Pope Nicholas V (ff. 63v-68v); 5) De fortuna virtute ve nominum: ad Nicolaum quintum pontificem maximum, by Niccolò Perotti (69-73v); 6) Epistle LXVII to Simplician, by St. Ambrose (ff. 74-79v); 7) Ex sermonibus quadragesimalibus: Sermone de correctione fraterna, by Leonardo di Utino, O.P. (80-86v); 8) Speculum regis Edwardii tercii, attributed here to Simon Islip, Archbishop of Canterbury (now recognized as the work of William Pagula) (ff. 87-148, with skip from 89 to 100); 9) De tenenda obedientia et evitanda superbia, by St. Augustine (ff. 148-152).
Description:
Peter Meghen (d. 1537), of 's-Hertogenbosch in Brabant; scribe who copied works for several English clients, including Christopher Urswick and John Colet, and served as a courier for Erasmus and Sir Thomas More. Meghen's other patrons included Cardinal Wolsey, and he became Writer of the King's Books in the 1520s and served until his death in 1537. His nickname, "Cyclops," referred to his having only one eye., In Latin., In a humanistic script., Original foliation in red, from i to clii, skips from lxxix to c., Rubrics and foliation in red. Historiated initial and full-page border on ff 1v.; seven large and twenty-two small illuminated initials, all in a Northern Netherlandish style ("Masters of the Dark Eyes")., Colophon (ff. 142v) in red states that the manuscript was written for Christopher Urswick by "Petrus Meghen monoculus.", Spine label: Vrsyke de sacra: euch:. Spine date at foot: MCCCCCII., and Binding: 19 century full paneled brown calf, blind-stamped. Five-compartmented spine.
Subject (Geographic):
Connecticut, New Haven., England, and Great Britain
Subject (Name):
Meghen, Peter,, Nicholas V, Pope, 1397-1455., and Urswick, Christopher, 1448?-1522.
Subject (Topic):
Conduct of life, Envy, Kings and rulers, Duties, Lord's Supper, Sermons, Wisdom, Manuscripts, Medieval, Economic conditions, Intellectual life, and Politics and government
"Pitt's 'Propositions' for freedom of commerce between England and Ireland are supported on an Irish harp which rests on a rectangular framework above a fire which is being made to blaze by North and Fox. North (left, as Boreas), on hands and knees, his cheeks inflated, blows at the flames; Fox (right), seated on a bulky roll inscribed 'Petition from the Cotton Manufacture[rs]', plies a pair of bellows. The fuel of the fire consists of papers inscribed 'Rumour', 'Evidence at the Bar' (2), 'Pamphlets', 'Pleadings at ye Bar' (2), 'Arguments'. The flames and smoke which extend above their heads are inscribed 'Distrust', 'To Scotland', 'Discontent', 'To the Chamber of Commerce', 'Objections', 'Jealousy', 'To Manchester'."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 47 with one other print.
Publisher:
Published 12th April 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Great Britain. Parliament. House of Commons, and Ireland. Parliament. House of Commons
Subject (Topic):
Resolutions, Politics and government, Bellows, Bonfires, Harps, and Musical instruments
