Hudibras and Ralpho encounter a mob armed with sticks; in the foreground, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Alternative Title:
Hudibras's first adventure
Description:
Title engraved above image., After Hogarth., From a series of twelve prints issued by Robert Sayer., Date of publication based on publisher's name and address in imprint statement. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '3' in upper left corner; "Part 1 Canto 1 l. 1." in upper right corner above image., Verse in three columns below image: "The Catalogue and Character of th' enemies best men of war Whom in a bold Harangue the Knight Defies and challenges to fight; H' encounters Talgol routs the bear, And takes the fidler prisoner; Conveys him to enchanted castle There shuts him fast in wooden bastile.", Copy of no. 506 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 84., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Printed & sold by Robt. Sayer, map & printseller at No. 53 in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
Description:
Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., and Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth).
Publisher:
M. Cooper
Subject (Geographic):
Great Britain
Subject (Name):
Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
Subject (Topic):
Taxation, History, Defecation, Donkeys, and Politicians
Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
Description:
Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth)., Ms. note in Steevens's hand above print: See Mr. Nichols's book, 3d edit., p. 449., and On page 122 in volume 2. Sheet trimmed within plate to: 16 x 8.3 cm.
Publisher:
M. Cooper
Subject (Geographic):
Great Britain
Subject (Name):
Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
Subject (Topic):
Taxation, History, Defecation, Donkeys, and Politicians
Manuscript on parchment of Fragments of a Brut Chronicle. Begins imperfectly in chapter 36 (Constantine) and has several lacunae. The work ends in chapter 86 (beginning on f. 11r) with the thirty-first year of Edward III. With art. 3) A note (in Latin) stating that King Henry IV was consecrated in 1399 and documenting his descent from Adam. 4) A list (in Latin) of 86 kings (each numbered) from Brutus to Edward III. 5) Names of prisoners captured and killed at the battle of Poitiers (19 Sept. 1356). 6) Terms of the treaty of Bretigny (8 May 1360). 7) Parliamentary text
Description:
In Anglo-Norman., Script: Written in Anglicana bookhand by one scribe., Decorative initials, blue with red penwork, appear only on ff. 1-12; initial strokes and headings, in red, throughout., and Binding: 18th-19th centuries. Stab sewn to a vellum folder made up of a legal document (trimmed with some loss of text) dated 1766 and involving the manors of Whitechurch and Milbourne in Wiltshire. The outside has an inscription, 19th century, "Some leaves of early English History in Norman French supposed to have come from Malmesbury Abbey." A similar inscription occurs on f. i verso.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
England.
Subject (Topic):
Anglo-Norman literature, Manuscripts, Medieval, and History
Manuscript on parchment (thick) of 1) Notes on the baronial Clare family of Gloucester, in chart format, from a manuscript contemporary with or slightly earlier than the main text (art. 3). Name of the appropriate King of England appears on the left in a red circle [concludes with King Edward IV, 1327-77], and a short history of certain members of the Clare family are added on the right. 2) Genealogical tree, added between 1450 and 1500, establishing the claims of King Edward IV (1461-83) to the kingdoms of England, France, Castile and Leon. 3) Brut Chronicle, up to 1419, but the final leaf of text has been torn out
Description:
In Middle English., Script: Written by a single scribe in neat Anglicana formata. Running titles and marginal notes added by later hands., Illuminated initial, 6-line, on f. 1r, pink on gold ground, with blue, green, and pink acanthus leaves, and white highlights; full bar-border with swirling acanthus leaves in same colors as for initial; black hair-spray in outer margins. Heading and chapter numbers in red. Small initials, 2-line, blue with red flourishes, for most chapters. Paragraph marks alternate red and blue., Parchment is well thumbed and worn, especially f. 1r; some loss of text., and Binding: 17th-18th centuries. Covered in brown calf, blind-tooled, with a brick-colored, gold-tooled label, probably a later addition.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Clare family. and Edward IV, King of England, 1442-1483.
Subject (Topic):
English literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and On page 38 in volume 1. Plate trimmed to: 27.3 x 50.2 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Alternative Title:
Burning the rumps at Temple-barr
Description:
Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., and One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
