Scrapbook kept by Anne Scafe, containing clippings from London newspapers and magazines, with some clippings from regional and Scottish publications as well as manuscripts and letters from the Spencer and Devonshire family members, including a letter from Georgiana, Duchess of Devonshire; from Lady Sarah Lyttelton announcing her marriage; a manuscript poem written by "Caroline Lamb's page" with a watercolor portrait, dated 1807 at Holywell House; a letter recounting the visit of the Grand Duke Nicholas to Chatsworth in December 1816; an account of the death of Lady Charlotte Finch. Many of the clippings center around the announcements of births, marriages, deaths, and the settlement of the estates of these two families and their circle as well as announcements of their social engagements, political activities, scandals, etc. The clippings include references to Horace Walpole; the theatrical world; new inventions; style; foreign travel; domestic and foreign politics, especially the revolution in France and reports on the French royal family and later the Bonaparte family. Also included are autographs of prominent British nobility, including the King, and foreign dignitaries and royalty, In addition to the clippings, the scrapbook includes a variety of ephermal items given to Scafe by members of the extended family such as as well as ephemeral items from their travels, political, and social activities; calling cards and letters of introduction given to Sir William Ponsonby by members of the Russian aristocracy in 1805 and similar items from his trip to Spain in 1809; autographs of foreign royalty; invitations to the funeral of William Pitt a memorial to Lord Nelson, and the trial of Lord Viscount Melville (1805)., Scafe also includes clippings and ephemera of a more general nature: humorous anecdotes, reports on curious events, jokes, odd behaviors; epitaphs, poems, epigrams; advertisements for employment as well advertisements by tradespeople; announcements and broadsides of events such as lottery drawings; several promissary notes; and etchings, Scafe includes two lengthy test: one from The Morning Post's account of the writing of "Modern characters by Shakespear" (published later the same year); and, a transcription of "The butterfy's ball and The grasshopper's feast"., and An engraving entitled "Sunday's amusement" is mounted on a leaf tipped in opposite the front paste-down, a note in pencil indicating that it was formerly pasted over the material on the lining of the front cover (but moved by bookbinder G. Bissell in 1966). Depicted in this satirical print is a family (man, woman, and boy) riding to the left in a carriage in the countryside, a mile marker seen in the lower right; verses are etched on either side of title, beginning "The wealthy cit grown rich by trade ...". Pasted on the following leaf, which is tipped in before the front free endpaper, are trimmed portions of various plates, including plate III (page 805) from Gentleman's magazine, v. 59 (September 1789), which depicts coins and other antiquarian items. Several additional prints are pasted on the verso of the front free endpaper, including four plates (plates 1, 3, 6, and 16) from "The talking bird: or, Dame Trudge and her parrot" which show an old woman's pet parrot being mischievous in various situations; the first plate has the title "The talking bird" at top and the imprint "Publish'd August 20, 1806, by J. Harris, corner of St. Pauls Church Yard, London" at bottom
Description:
Anne Scafe, maidservant of Georgiana Spencer Cavendish, Duchess of Devonshire (1757-1806)., Signed by "A. Scafe" on last leaf with a note stating that the volume had been given to her by "the Marquis of Hartingdon", i.e., William George Spencer Cavendish (1790-1858), 6th duke of Devonshire, who also signed and dated the first leaf: "Hartington 1803.", and For further information, consult library staff.
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821., Lamb, Caroline, Lady, 1785-1828., Finch, Charlotte, Lady, 1725-1813., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., Devonshire, Margaret Georgiana Poyntz, Duchess of, 1736-1814., Devonshire, William Spencer Cavendish, Duke of, 1790-1858., Lyttelton, William Henry Lyttelton, Baron, 1782-1837., Lyttelton, Sarah Spencer, Lady, 1787-1870., Melville, Robert Saunders Dundas, Viscount, 1771-1851., Nelson, Horatio Nelson, Viscount, 1758-1805., Ponsonby, Frederick Cavendish, 1783-1838., Ponsonby, William, Sir, 1772-1815., Scafe, Anne., Bonaparte family., and Roscoe, William, 1753-1831.
Subject (Topic):
Nobility, Social life and customs, and Politics and government
Fairholt, F. W. (Frederick William), 1814-1866, printmaker
Published / Created:
[1868?]
Call Number:
868.00.00.02 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
Dr. Price, seated in a armchair at a writing desk strewn with papers and quill pens, turns his head, a startled look on his face, as he confronts the enormous spectacled face of Edmund Burke peering at him, his long nose resting on the back of Price's chair. Burke holds in his hands a crucifix and crown and balances on his head a copy of his book "Reflections on the revolution in France". Two books lay on the floor-- "Treatise on the ill effects of Order & governance in Society" and "Sermon preached Novr. 4, 1789 ... before the Revolution Society."
Alternative Title:
Atheistical-revolutionist disturbed in his midnight "calculations"
Description:
Title from caption below image., Plate from: Caricature history of the Georges ... / by Thomas Wright .... London : J.C. Hotten, [1868], p. 452., Reduced copy of a print with the same title by Gillray, published by H. Humphrey in 1790. See no. 7686 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Figure of Richard Price identified by ms. note in pencil below image.
Publisher:
J.C. Hotten?
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., and Price, Richard, 1723-1791
Subject (Topic):
Sermons, Criticism and interpretation, Politics and government, Crowns, Crucifixes, Ghosts, and Studies (Rooms)
Dr. Price, seated in a armchair at a writing desk strewn with papers and quill pens, turns his head, a startled look on his face, as he confronts the enormous spectacled face of Edmund Burke peering at him, his long nose resting on the back of Price's chair. Burke holds in his hands a crucifix and crown and balances on his head a copy of his book "Reflections on the revolution in France". Two books lay on the floor-- "Treatise on the ill effects of Order & governance in Society" and "Sermon preached Novr. 4, 1789 ... before the Revolution Society."
Alternative Title:
Atheistical revolutionist disturbed in his midnight calculations
Description:
Title etched below image., Printmaker from British Museum catalogue., and Watermark: fleur-de-lis on crowned shield.
Publisher:
Pubd. Decr. 3d, 1790, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., and Price, Richard, 1723-1791
Subject (Topic):
Sermons, Criticism and interpretation, Politics and government, Crowns, Crucifixes, Ghosts, and Studies (Rooms)
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on page 87 with one other print.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "4" in upper left corner., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on leaf 67 of James Sayers's Folio album of 144 caricatures.
"Roads diverge in three directions from a posting-inn. A signpost (left) points left. 'To London'; another (right) points 'to Rochester' and 'To Aylesbury', these roads converging in an acute angle. In the centre foreground is a round well-head. A post-chaise on the extreme left gallops off to London; three passengers wearing election favours in their hats exclaim respectively: "Dead or alive we'll have him I'll Barber him"; "Provided nevertheless, if he does not we will have his son"; "I'll Butcher him if he wont come Dam him." A horseman, who has lost his stirrups, gallops after the coach, saying, "Dam Mr G-----s & Mr R------ns too I'll see if the Eloquence of a Bishop will not bring him." A man sprawling on the ground by the inn shouts towards the horseman, saying, "Stop him hes stole the Horse". A man lounges at the door of the inn holding the reins of several saddle-horses. The inn is inscribed 'Beef Steak House'; over the door is 'John Dickins'; an election flag inscribed 'Gregory' flies from a first-floor window. On the Rochester road in the foreground a post-chaise proceeds slowly with shuttered windows, but flying two flags. Words come from two invisible occupants: "Tho Smith's the best friend I have I'll oppose him Bob for fun's sake" and "This will Kill me Quite Matt". Two horsemen follow, saying, "I'll be ashamed to go into Town Tho its allmost Dark" and "I'll say I have been to Gravesend on business." In front of the chaise a horseman with a flag gallops, saying, "As I am the Manager I must haste to the Hall & nominate him tho' I know he wont come." In the distance two riders proceed on the Aylesbury road, saying, "I'll go this way that they may not laugh at me", and "friend so will I". A man lounging by the inn says "I should like to go to supper but I suppose they that go must pay". On each post-chaise is the letter 'A'."--British Museum online catalogue
Description:
Title etched below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following the imprint: " ... where may be seen the compleatest collection of caricatures in the Kingdom, admittance 1 shilling [admittance 1 shilling crossed out] also the head & hand of Count Struenzee. Admittance one shilling.", Temporary local subject terms: Elections: Rochester Borough, 1790, Watermark: fleur-de-lis., and Mounted to 32 x 48 cm.
Publisher:
Pub. May 20 for the proprieter by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Gregory, Robert, 1729?-1810, Smith, Nathaniel, 1730-1794, and Great Britain. Parliament
Subject (Topic):
Elections, 1790, Politics and government, Carriages & coaches, Crowds, Taverns (Inns), and Traffic signs & signals
"Cornwallis, [It has been suggested that he is William Monson (1760-1807), then serving under Cornwallis, but as a captain in the 52nd he was not of sufficient note in England for caricature and Cornwallis's star removes all doubt of his identity. 'Monsoon' is not a pun, see BMSat 7938.] mounted on an ass, flees terror-stricken from a fortess (right) from behind the battlements of which the grinning Tipu Sultan, holding a sabre, urinates a devastating stream upon the fleeing British soldiers (right). Two cannon belch fire and smoke from loopholes. Cornwallis, wearing his Garter star, gallops past the bodies of dead soldiers, he drops his sabre and his reins, holding up his arms; his hat flies off. His ass is muzzled by a long nose-bag."--British Museum online catalogue
Alternative Title:
Retreat from Seringapatam
Description:
Title from text in top part of image., Printmaker from British Museum catalogue., Three lines of text below image: "Whats the matter, Falstaff." What's the matter! Here be four of us, have taken a city this morning. ..., and Temporary local subject terms: India -- Wars: 3rd Mysore War, 1790-1792 -- Cornwallis's retreat from Seringapatam, December 1791 -- Newspapers: satire on Cornwallis's letter in Gazette, Dec. 2, 1791 -- Literature: altered quotation from Shakespeare's Henry IV, Part I, ii, 4, 177 -- Military uniforms: general's uniform -- Soldiers -- Flags: Union Jack -- Fortresses -- Gun salutes -- Weapons: swords -- Asses -- Nose-bags.
Publisher:
Pubd. Decr. 6th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Cornwallis, Charles Cornwallis, Marquis, 1738-1805 and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Allusion to Cardinal Thomas Wolsey, 1475-1530 -- Nicknames: 'Old Nobbs' (George III) -- Expressions of speech: George III's 'what, what, what' -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792 -- Great Seal -- Tug-of-war -- Containers: woolsack., and Mounted to 30 x 40 cm.
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Plate numbered "112[?]" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 8096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With an impression on the verso of a reprint of James Gillray's, with number in upper right '80': Vices overlook'd in the new proclamation. [London] : Pubd. May 24th 1792 by H. Humphrey, N. 18, Old Bond Street, [24 May 1792].
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
