Title from caption below image., Printmaker from another issue. See British Museum catalogue., Cf. Another state without imprint statement, no. 6777 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Money: guineas as grain -- Door of Treasury -- Signs: "Cockpit Barn Door" on Treasury -- Nicknames: "Chick of the Law."
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
England and London.
Subject (Name):
Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Lee, John, 1733-1793, Mansfield, James, Sir, 1733-1821, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, and Great Britain. Parliament
"North as Mother Cole is seated full-face in an arm-chair, the tips of his fingers sanctimoniously together. Beside him sits Fox, as Loader, a handkerchief in his right hand, his left pointing upwards. North says, "Ay I am agoing; a wasting and a wasting - what will become of the House when I am gone Heaven knows - No - When people are Missed then theyre Mourn'd - Sixteen years have I lived in St Stephens Chaple comfortably and creditably; and tho I say it, could have got bail any hour of the day! no knock me down doings in my house, a set of regular sedate sober Customers - no rioters - Sixteen did I say - Ay, eighteen years have I paid Scott and Lot - and during the whole time nobody have said Mrs North Why do you so? unless twice that I was threatned with impeachment and three times with a Halter!" Fox says, "May I lose deal, with an honour at bottom, if Old Moll does not bring tears in my Eyes." Mother Cole wears a hood and loose gown over her petticoat, her shoes are slashed to ease her bulging feet. By her side is a bottle labelled 'Constitution Cordial'. Fox is dressed in his customary manner; at his side is an overturned dice-box and dice."--British Museum online catalogue and "North is represented as the sanctimonious bawd (for whom Mother Douglas (d. 1761) was the supposed original) who became a follower of Whitefleld, Fox as the sharping gamester. The words of the play are cleverly parodied, the indictments of Mother Cole being changed into the threats of impeachment which Fox had made against North."--British Museum curator's comments, online catalogue
Alternative Title:
Mother Cole and Loader
Description:
Title etched below image., Printmaker from British Museum catalogue., and Text following title, "See Foots Minor page 29," is an allusion to Samuel Foote's Minor.
Publisher:
Pubd. April 10th, 1784, by W. Humphrey, No. 227 Strand
Subject (Name):
Great Britain. Parliament, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Leaf 17. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"North as Mother Cole is seated full-face in an arm-chair, the tips of his fingers sanctimoniously together. Beside him sits Fox, as Loader, a handkerchief in his right hand, his left pointing upwards. North says, "Ay I am agoing; a wasting and a wasting - what will become of the House when I am gone Heaven knows - No - When people are Missed then theyre Mourn'd - Sixteen years have I lived in St Stephens Chaple comfortably and creditably; and tho I say it, could have got bail any hour of the day! no knock me down doings in my house, a set of regular sedate sober Customers - no rioters - Sixteen did I say - Ay, eighteen years have I paid Scott and Lot - and during the whole time nobody have said Mrs North Why do you so? unless twice that I was threatned with impeachment and three times with a Halter!" Fox says, "May I lose deal, with an honour at bottom, if Old Moll does not bring tears in my Eyes." Mother Cole wears a hood and loose gown over her petticoat, her shoes are slashed to ease her bulging feet. By her side is a bottle labelled 'Constitution Cordial'. Fox is dressed in his customary manner; at his side is an overturned dice-box and dice."--British Museum online catalogue and "North is represented as the sanctimonious bawd (for whom Mother Douglas (d. 1761) was the supposed original) who became a follower of Whitefleld, Fox as the sharping gamester. The words of the play are cleverly parodied, the indictments of Mother Cole being changed into the threats of impeachment which Fox had made against North."--British Museum online catalogue, curator's comments
Alternative Title:
Mother Cole and Loader
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6514 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text following title, "See Foots Minor page 29," is an allusion to Samuel Foote's Minor., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 125-6., and On leaf 17 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 10th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Name):
Great Britain. Parliament, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Queen Adelaide, side-saddle on a horse with a man's face, Lord Grey, using spurs and a riding crop to press him into the 'Slough of Despond', joining other politicians including Wellington. Grey says, " Don't drive so hard; you will worry me to death." A signpost 'To Reform' points the other way. A group behind her cry, "Go it, Addy, push him on, don't let him make any, without he first makes us."
Description:
Title from text below image., Series title and numbering in upper right., Imperfect; sheet trimmed with loss of imprint statement from bottom edge. Imprint supplied from impression at the Library of Congress., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed, with loss of imprint.
Publisher:
Published by S.W. Fores, 41 Piccadilly, London
Subject (Geographic):
Great Britain
Subject (Name):
Great Britain. Parliament, William IV, King of Great Britain, 1765-1837., Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Grey, Charles Grey, Earl, 1764-1845, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Reform, Politics and government, and Horseback riding
"A see-saw representing the state of the poll between Fox and Wray, Mrs. Hobart (left) seated on one end, the Duchess of Devonshire (right) on the other, in front of the polling-booth in Covent Garden. Mrs. Hobart, enormously fat, quite out-weighs the Duchess, and is, moreover, held down by Lord Hood who kneels behind her (left), while Sir Cecil Wray stands beside him watching the contest with an enigmatical expression. Fox stands behind the Duchess trying to hold down her end of the plank, but in vain; his uplifted left arm and closed eyes express the despair which he actually felt in the early days of polling (Russell, 'Corr. of Fox', ii. 267). The ladies face each other astride the plank, their arms outstretched, their bosoms bare. The plank rests on an irregular stone post. An excited crowd, very freely sketched, watches from the hustings and from below them; they scream encouragement to the rivals, waving their hats. Over the head of Wray is a playbill, 'The Rival Candidates Farce'; behind the Duchess is another, 'Duke and no Duke Play'. The former was a comic opera by Henry Bate (afterwards Bate-Dudley), first played 1775, the latter a farce by Tate, 1605."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue by Humphrey of a plate originally published by Elizabeth Darchery; previous imprint statement has been burnished from plate and a new one etched in its place., Date of publication based on earlier state with the imprint "Pub. April 27th, 1784, by E. Darchery, St. James's Street." Cf. New York Public Library, Caricatures collected by Horace Walpole (catalog ID: b16513354), Walpole 64., Temporary local subject terms: Election favors -- Polls -- See-saws -- Playbills -- Hustings -- Literature: Sir Henry Bate Dudley, Bt, 1745-1824, The rival candidates -- Literature: Tate, fl. 1605, Duke and no duke., and Mounted to 31 x 43 cm.
Publisher:
Publishd. by Wm. Humphrey, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, and Great Britain. Parliament
Leaf 19. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike, with etched lines added to plate to cover the bosoms of both women. For an early reissue of the plate by William Humphrey, see no. 6526 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally issued with the imprint "Pub. April 27th, 1784, by E. Darchery, St. James's Street". Cf. New York Public Library, Caricatures collected by Horace Walpole (catalog ID: b16513354), Walpole 64., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 127-8., Temporary local subject terms: Prudery: Plate altered., and On leaf 19 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publishd. by Wm. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, and Great Britain. Parliament
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 44 cm., and Dated '1722' in unknown contemporary hand after title.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", and Imperfect impression: sheet trimmed to 162 x 175 mm.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
Five men stand round six chamber-pots, arranged in two piles of three, each inscribed 'Poll Book 1784' and supported on a rectangular block or table on which the title is engraved. Each man holds his nose. One (left) in profile to the right, who holds a spoon, is vomiting; he says: "I already am sick Of this poisonous trick The busines so thick T'would weary old Nick With spoon or stick Right from wrong to pick." His vis-à-vis (right), who stirs the contents of a pot with a spoon, says: "The cause I may gain, Though with labour and pain I can hardly refrain From puking amain Thro such fillth for to tag Is wares [sic] than euphorbium bag" (an allusion to the bag thrown at Fox in Westminster Hall, see BMSat 6426, &c). The other three stand together behind the table; the central one says, "A hogo here is. Worse than Cats pis Than Devils Spew. Or Asafoetida." Two demons hold out a net which stretches behind the scrutineers. One (left) says: "Ay Brother and by my tail, The Sheriffs shall admit no bail." The other (right) says: "Spread the net and you shall see Many a false oath will come to me."
Alternative Title:
Examination of the filth
Description:
Title etched in image., Attributed to printmaker only identified as 'Phillips' in the British Museum catalogue., and Temporary local subject terms: Plinths -- Nets -- Demons -- Scrutiny: Westminster election, 1784, begun on April 23, 1784 -- Allusion to the euphorbium bag thrown at Fox in Westminster Hall on February 14, 1784 -- Poll books as chamber pots -- Cutlery: Spoons.
Publisher:
Publish'd by S. Fores, No. 3, Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Wilkes, John, 1725-1797, and Great Britain. Parliament
"A lion with the profile of the Duke of York rests his forepaws on the bank of a pool in which his hindquarters are submerged. He looks towards three asses (left) who flourish their heels at him, kicking viciously. They say (left to right) Now brothers we can kick away. he has no strength left to hurt us, & we have nothing to hope from him so we will work him to an oil.; Aye Aye I'll be at him Speedily and soon; Hoot mon I'se left off Booing to him now, for he'll never be able to pull me by the lugs after this [cf. No. 11309]. The lion says: To be insulted in my distress by all the Other Beasts of the Forrest I could bear; but to be kicked by Jack Asses- who when I was in Health & Vigor were the most servile of the Creatures-wounds me to the Soul. A signpost (right), Slough of Despond, points downwards to the lion's pool. On a hill behind are the tents of a fair, the largest flying a flag inscribed Vanity Fair. Beside them tiny figures dance, officers and women; Mrs. Clarke, with a beckoning gesture, flourishes a flag inscribed Places."--British Museum online catalogue
Alternative Title:
Ungratefull jack asses
Description:
Title from caption below item., Printmaker identified in British Museum catalogue., Sheet trimmed within plate mark on two sides., and Mounted to 29 x 43 cm.
Publisher:
Pubd. by S.W. Fores No. 50 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne Thompson, 1776-1852, and Great Britain. Parliament.
