Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
May 1831.
Call Number:
831.05.00.02+
Image Count:
1
Resource Type:
still image
Abstract:
Grey stands in the center pulling back a curtain on the large painting (right) addressing the three men (probably Peel, Cumberland, and Wellington) who look on in amazement. Grey says, "Gentlemen this is a fine color'd picture representing Futurity. The idea of which was concieved [sic] by an injured people and painted by a new and promising artist. Reform." Reading from the left Peel looks at himself in the painting seated in a chair at a loom, "Why if there a'nt me at a spinning Jenny." Cumberland, hat flying off, looking at himself depicted in the painting on his backside, "And me dying on a dunghill." And Wellington closest to the painting that depicts him as a wounded soldier holding a broom and begging with his cap in hand, observes "And me begging." In the painting is a tower with the British and French flags the former with the year 1814, referencing the Wellington's successful campaign to end the Peninsular War
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by G. Tregear, Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Great Britain. Parliament, Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, Peel, Robert, 1788-1850, and Grey, Charles Grey, Earl, 1764-1845
Subject (Topic):
Reform, Politics and government, Begging, Spinning machinery, and Paintings
The opponents of parliamentary reform, including Wellington and Peel, attempt to pull down a column topped by Lord John Russell, a portrait of William IV on the plinth. The "Explanation of the engraving": This spirited sketch was originally designed by George Cruikshank. Esq., of Pentouville, London. The column in the centre is dedicated to the "King and Constitution," on the base of which is a portrait of his present Majesty, William IV. On the top of the columnn [sic] stands Lord John Russell, holding in his hand the Mirror of Truth. On the left of the pillar the Duke of Wellington, Sir R. Peel, and others are attempting with cords, axes, &c. to overturn the column; while on on [sic] the right, Lord Chancellor Brougham and Earl Grey stand in a calm and dignfied position, smiling at the futile attempts of the Boroughmongers to overturn the People's Rights. On the same side Lord Althorp is seen bearing a banner, representing the future prosperity of England, and the Attorney General (Sir Thomas Denman) is supporting the Flag of Victory
Description:
Title from letterpress text above image., Designed by George Cruikshank according to the text below image., Date of publication from dealer's description., Printer's advertisement following imprint: ... where may be had, the Reformer's Attack on the Old Rotten Tree., Woodcut with letterpress text, including "Explanation of the engraving" below the image followed five columns with two verses: "William and reform!!!" and King William and Liberty for ever! by J.C. Walters"., Woodcut with letterpress text framed with printers devices and between columns of verse., and Mounted on blue paper.
Publisher:
Printed by R. Heppel, 113 Coleshill-Street, Birmingham ...
Subject (Geographic):
Great Britain
Subject (Name):
Denman, Thomas Denman, Baron, 1779-1854, Grey, Charles, 2nd Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, William IV, King of Great Britain, 1765-1837, Spencer, John Charles Spencer, Earl, 1782-1845, and Great Britain. Parliament.
Subject (Topic):
Reform, Politics and government, Banners, Flags, and British
A satire of the 1832 Reform Bill, with a see-saw with the Crown as the fulcrum. At the center is William IV, waving the Union flag; to the right is Lord Grey, seated on the lever, helping William balance with a scroll marked 'Union', with John Bull standing underneath, wedging the lever up with the 'Reform Bill'; and to the right the Duke of Wellington tumbles backwards as the lever breaks under the weight of him and two huge scrolls marked 'Anti Reform'.
Description:
Title from text below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Laid on canvas backing.
Publisher:
Pubd. by O. Hodgson, 10 Cloth Fair
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Grey, Charles Grey, Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, John Bull (Symbolic character), Seesaws, Crowns, Flags, and British
A thin cat with the head of Charles Grey walks on top of a wall. In his mourn is a fish labeled "First Lord of the Treasury 6000". His long tail, curving around the design and ending at the bottom right, is covered in white patches that are labeled with the names of his relations, their positions, and the amount of their pay. A stick figure of Wellington, with sword raised, appears in the right corner above the end of the tail. Posted on the wall are two signs: "Commit no nuisance" and "Reform in Parliament meeting will be [illegible scrawl]."
Alternative Title:
Tommy Grey with the tail of his order!!!
Description:
Title from caption etched below image. and Sheet trimmed within plate mark.
Publisher:
Pub. Feb. 15, 1831, by T. McLean, 26 Haymarke [sic]
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Grey, Charles Grey, Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Great Britain. Parliament
Subject (Topic):
Nepotism, Reform, History, Politics and government, and Cats
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
March 26th, 1831.
Call Number:
831.03.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the electoral Reform Bill of 1831, which was passed soon after this print was issued. Grant shows the figure of blind Justice leaning out from a mass of billowing clouds and holding her scales labelled "Reform 1813". The load on the left side labeled "People', though containing fewer documents -- Magna Carta, Economy & Retrenchment, Peace of Plenty, Extension of the Electi[c] Franchise, Cheap Government -- is heavier than the other plate "Oligarchy" which is weighted down by: Bribes, Corruption, Six Acts, Corn Law, Church, Rotten Boroughs, Corporation Charters, Law & Iniquity, Taxes, Imposts, Holy Alliance, [F?]onal Debt. A group of four men in the left foreground include a judge; the one man says "Behold! a mere feather turns the ballance in our favour and saves us from revolution & disgrace." Just beyond them in the middle distance the King stands firmly and says "The triumph of this great & vital cause will fix my crown more firm upon my head." On the right a group of over six men including a clergyman who wipes his brow and cries "The draft is in their favor. Our cause is lost. Oh dictatorium, dictatorium, dic-". Another gentleman behind him cries "They may vainly recken on a paltry unit, we have yet power to rent it peicemeal [sic]." In the distance a crowd cheers, and some hold signs for "Reform" and "Support the King & his ministers", etc
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Cabinet officers, Clergy, Crowds, Demonstrations, Judges, Justice, and Scales
A series of crude (and in some cases explicitly racist) lithographed cards numbered 1-16, with scenes relating to political reform on both sides of the Atlantic. On British side, they cover the reforms to the franchise made by the 1832 Reform Act, poking fun at 'poor distress'd turn'd out Boroughmongers' (No. 1), the rural squirearchy (No. 7), Taxes (No. 9), the established Church (No. 10) and Irishmen (no. 12), among others. United States political issues are shown in the second card which reuses - with added racist slurs - the design of Edward Williams Clay (1799-1857) entitled 'Hurrah! hurrah for Genl. Jackson!!' under the caption 'Life in Philadelphia'. Cards nos. 4 and 7, with yet more overt racism, use references to American segregationism to caricature British political positions
Description:
Title from dealer's description., Approximate date of publication based on publisher's street address; the York stationer and lithographer William Fletcher Wodson (1801-1860) operated from his "2 Pavement" location only between 1830 and 1833. Additional evidence comes from references to the 1832 Reform Act and the presidency of Andrew Jackson., and For further information, consult library staff.
Publisher:
W.F. Wodson, lith., Pavement, York
Subject (Geographic):
Great Britain and United States
Subject (Name):
Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Ethnic stereotypes, Poverty, and Racism
A satire of William IV's involvement in the debate leading up to the Reform Act of 1832: A cat with the face of William IV is being persuaded to pull a hot chestnut from a blazing fire by a bewigged monkey (Lord Chancellor Henry Brougham). The fire is labelled with words such as 'rights', 'reform', and 'popularity'. A portrait of Whig Prime Minister Charles Grey, 2nd Earl Grey, hangs above the fireplace
Description:
Title etched below image., Publication date inferred from the subject matter of the print. Publisher Marianne Humphrey, the widow of George Humphrey, operated her late husband's publishing business from 1831 to 1835; see British Museum online catalogue., Five lines of verse below title: A cat and a monkey tired of play ..., For an 1821 print of similar composition, entitled "The man of the woods & the cat-o'-mountain" and satirizing the relationship between Queen Caroline and Sir Matthew Wood, see no. 14131 in the Catalogue of prints and drawings in the British Museum, v. 10., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by Marianne Humphreys, St. James's Stt
Subject (Name):
Great Britain. Parliament, William IV, King of Great Britain, 1765-1837, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Grey, Charles Grey, Earl, 1764-1845,
Subject (Topic):
Reform, Cats, Monkeys, Fireplaces, Bookcases, Irons (Pressing), and Portraits
"William IV stands, very erect and stern, in profile to the right, holding at arm's length a birch-rod inscribed 'Reform'. Behind him, as ushers, on the extreme left, Brougham and Grey stand in consultation. The King says to a body of discomfited schoolboys (right): 'Get you gone and never let me see your faces again till you are Reformed'. The boys are (left to right) Wellington, wearing a peaked cap and an old, over-large, military coat, and carrying a bag, walks hand in hand with Peel who wears an ill-fitting policeman's tunic and holds a slate on which is scrawled the figure of a policeman (see British Museum satires no. 15768, &c). Beside and behind them are Sadler and Wetherell. In front of Peel walks Twiss with a book under his arm; next him is the small Sugden wearing a pinafore. Taller than the others are Hunt wearing a hunting-cap and holding ajar of his blacking (see British Museum satires no. 16575) and Sir R. Wilson wearing a smock and a cap and holding a slate inscribed 'Bob Wilson'. Wellington to Peel: 'Oh Bobby--Bobby what shall we do now?' Wetherell, looking back, says (as late M.P. for Boroughbridge, cf. British Museum Satires No. 16602): 'I am afraid I shall never be admitted into the school again'. Hunt: 'Who would have thought I should have been Hunt-ed out already'. Wilson: 'Its a shocking bad Job' [cf. British Museum Satires No. 16646]."--British Museum online catalogue
Alternative Title:
Headmaster turning out the incorrigibles
Description:
Title etched below image., Signed with Henry Heath's monogram in lower right corner., and Month of publication from the British Museum catalogue.
Publisher:
Pubd. 1831 by S. Gans, Southampton Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Grey, Charles Grey, Earl, 1764-1845, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sadler, Michael Thomas, 1780-1835, Wetherell, Charles, Sir, 1770-1846, Twiss, Horace, 1787-1849, Sugden, Edward Burtenshaw, 1781-1875, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Taxation, School principals, School children, and Punishment devices
"Wetherell (left), an invalid in dressing-gown and night-cap, reclines in an arm-chair, exhausted but laughing. Facing him stands Eldon in deep dejection, saying, with both hands raised, 'Poor Boroughbridge! how is it with you?' Cumberland, on the extreme right, stands behind Eldon, covering his face with his handkerchief; he says: 'Facetious to the last!--It is quite affecting!' Horace Twiss leans on the back of Wetherell's chair; Chandos, dressed as a woman, stoops over the patient; both are smiling. Wetherell: 'All over my friends! just in time to hear my "last speech and dying words"! But dont look so grave about it, I assure you we treat the matter in our house as if it was an excellent joke--to be sent out of the world with a dose of Russell's purge"! is so droll; & then, we are to have such a merry funeral'. On a commode is a bottle labelled 'Russell's purge'. Peel, smiling, and Goulburn, holding a handkerchief to his face and leaning on Peel, watch from the background."--British Museum online catalogue, description of the original version of the print
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Probably a piracy of a print published 7 March 1831 by T. McLean. The publisher S. Gans was known to issue piracies of McLean prints; see British Museum online catalogue., For the original version of the print, see no. 16602 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., and Imperfect; sheet trimmed with loss of imprint statement from bottom edge. Imprint supplied from impression in the John Johnson Collection, Bodleian Library, University of Oxford, shelfmark: Political Cartoons 5 (101).
Publisher:
Pub. by S. Gans, Southampton Street, Strand
Subject (Geographic):
Great Britain
Subject (Name):
Wetherell, Charles, Sir, 1770-1846, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Twiss, Horace, 1787-1849, Peel, Robert, 1788-1850, Goulburn, Henry, 1784-1856, Russell, John Russell, Earl, 1792-1878., and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Commodes, Crying, Deathbeds, Government officials, and British
"Wetherell (left), an invalid in dressing-gown and night-cap, reclines in an arm-chair, exhausted but laughing. Facing him stands Eldon in deep dejection, saying, with both hands raised, 'Poor Boroughbridge! how is it with you?' Cumberland, on the extreme right, stands behind Eldon, covering his face with his handkerchief; he says: 'Facetious to the last!--It is quite affecting!' Horace Twiss leans on the back of Wetherell's chair; Chandos, dressed as a woman, stoops over the patient; both are smiling. Wetherell: 'All over my friends! just in time to hear my "last speech and dying words"! But dont look so grave about it, I assure you we treat the matter in our house as if it was an excellent joke--to be sent out of the world with a dose of Russell's purge"! is so droll; & then, we are to have such a merry funeral'. On a commode is a bottle labelled 'Russell's purge'. Peel, smiling, and Goulburn, holding a handkerchief to his face and leaning on Peel, watch from the background."--British Museum online catalogue
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., and Series title and number at top right.
Publisher:
Published by Thos. McLean, 26 Haymarket and Printed by C. Motte, 25 Leicester Sqre
Subject (Geographic):
Great Britain
Subject (Name):
Wetherell, Charles, Sir, 1770-1846, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Twiss, Horace, 1787-1849, Peel, Robert, 1788-1850, Goulburn, Henry, 1784-1856, Russell, John Russell, Earl, 1792-1878., and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Commodes, Crying, Deathbeds, Government officials, and British
