A lady sits at her dressing table, her elaborate mountain of hair being combed by her equally coiffed hair-dresser who stands behind her. The lady turns to see her husband who has just entered the room in riding dress, his whip upraised. Behind him in the doorway, the housemaid, winking at the viewer, raises two fingers above his head. Two portraits hang on the wall in the background
Alternative Title:
Hint to the husbands and Dresser properly dressed
Description:
Title from item. and A reduced copy of no. 5467 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; tentatively attributed by George to P. Dawe.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the act directs
Subject (Geographic):
England
Subject (Topic):
Cuckolds, Couples, Hairdressing, Dressing tables, Boudoirs, and Clothing & dress
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., and For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '22' in upper left and '12' in upper right corner., Another state, with two plate numbers and by a different publisher. Cf. No. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: countermark IV.
Publisher:
Pub. according to act June 26th 1772, by MDarly, (39) Strand
Subject (Topic):
Black people, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., On leaf 18., and 1 print : etching with engraving on laid paper ; plate mark 25.3 x 35.2 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
