"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. The words round the circle are the same as in BMSat 6903. Beneath the circle is inscribed 'Prudence produceth esteem'."--British Museum catalogue., The first three words of the title at the top and "Prudence produceth Esteem" below, followed by four lines of verse. The whole title appears around the circumference of the circle., Four verses of four lines begins: Instead of cards my fair-one look, (I beg you'll take it kind) Into some learned author's book, And cultivate your mind. ..., Companion print to: Keep within Compass and you shall be sure, to avoid many troubles which others endure., and Reissue of No. 6907 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Lacks series numbering.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. ..."--British Museum online catalogue, description of a larger version of the same design
Alternative Title:
Prudence produceth esteem and Keep within compass and you shall be sure, to avoid many troubles which others endure
Description:
Title from text above and below circular image at center of design., Alternative title from text etched within circular border of center image: Keep within compass and you shall be sure, to avoid many troubles which others endure., After a watercolor drawing by Robert Dighton; see British Museum online catalogue, registration no.: 1859,0709.57., Reissue, with new imprint and date removed, of a print published by Carington Bowles in 1785; see no. 6908 in the Catalogue of prints and drawings in the British Museum, v. 6. For a larger mezzotint version of the same design with more extensive verses below, see no. 6907 in the Catalogue of prints and drawings in the British Museum, v. 6., Date based on the partnership of Bowles and Carver from 1793 until 1832., Sheet trimmed to plate mark., Four lines of verse in two columns at bottom of plate: Attend unto this simple fact, as thro' this life you rove, that virtuous and prudent ways, will gain esteem and love., and Plate numbered "347" in lower left corner.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Paul's Church Yard, London
Title from item., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
bei G.N. Renner u. Co.
Subject (Topic):
Death (Personification)., Mortality, Painters (Artists)., Handicraft, Hourglasses, Christmas decorations, Clocks & watches, and Skeletons
A full-length view of a pretty young woman in rustic dress with a straw bonnet, braiding corn with a sheaf in her apron, the end of which is tucked into her waistband. She stands in the center of the image under a grove of trees, with a river in the background on the left and a thatched cottage in the background on the right. In front of the door of the cottage, a man in a farmer's smock relaxes in a chair and smoking a pipe and a mud on a small table at his elbow
Description:
Title etched below image., Illustration to ballad The Cottagers Daughter. Text of the ballad is printed below the image, in three columns., Text begins: Ah tell me ye swains have you seen my Pastora, O say have you met the sweet Numph in your way ..., Numbered '311' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Published 16th Decr. 1793, by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Corn, Daughters, Dwellings, Farmers, Fathers, Handicraft, and Young adults