Kemble, in tattered theatrical dress, stands at the gate of Northumberland House in the Strand, holding out his hat and bowing to the obese and oafish-looking Duke of Northumberland, who is placing a "Draft for 10,000 Pounds" in the hat; in his right hand he holds a paper which lists donations. Kemble is followed by his brother Charles and his sister Mrs. Siddons, both of whom are weeping. Her reticule is stuffed with papers and is inscribed "Humble solicitations..."
Alternative Title:
New dramatic resource : "a begging we will go! A scene from Covent Garden Theatre after the conflagration
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Publishd. Jany. 15, 1809, by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kemble, Charles, 1775-1854, Kemble, John Philip, 1757-1823, Northumberland, Hugh Percy, Duke of, 1742-1817, Siddons, Sarah, 1755-1831, Strand, The (London, England), and Covent Garden Theatre.
Subject (Topic):
Fires, Fools & jesters, and Harlequin (Fictitious character)
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1772]
Call Number:
772.00.00.06 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"From the first page of the second part of 'The Theatres', see British Museum Satires No. 5063, which is an attack on Colman and Covent Garden. Colman sits on the lap of Mother Shipton, in his right hand is a harlequin's sword, in his left, a paper inscribed "For wooden Sword I've chang'd my useless Pen I ne'er could Write & Hate all writing Men". A ribbon sash with long ends is round his waist from which hangs a child's coral and bells. At his feet lies a bundle of pens. He looks towards Harlequin (left) who is trampling on three books inscribed "Shak ...", "Johns ..." [Jonson], and "Shake..." "Mother Shipton", in conical hat and ruff, has a walking-stick in her left hand, her right. is over Colman's shoulder; she says: "Oh my Coly my Coly oh my Coly my Deary". Across the engraving is printed, "Bad has begun and worse remains behind". On the back is part of the poem: "See curious Colman negligent of merit, Of Tragic energy and comic spirit Palm on his servile partners, and the town, Abject and vile dependents of his own"."--British Museum online catalogue
Description:
Title from item., Publication place and date inferred from that of the book for which this plate was an illustration., Image cut out of the page., Illustration from: The theatres. A poetical dissection. By Sir Nicholas Nipclose, Baronet / Francis Gentleman (1728-1784). London : printed for John Bell, and C. Etherington, at York, 1772, page 63., and Temporary local subject terms: Toys: coral and bells -- Quill pens -- Theater: Covent Garden -- Allusion to William Shakespeare plays -- Allusion to Samuel Johnson's edition of Shakespeare's plays -- Literature: quotation from Shakespeare's Hamlet, iii.4.
Publisher:
publisher not identified
Subject (Name):
Colman, George, 1732-1794 and Shipton, Mother (Ursula)
Subject (Topic):
Harlequin (Fictitious character), Toys, and Writing materials
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue, description of a variant state
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Variant state lacking "London" at beginning of imprint statement. Cf. No. 14120 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 6 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Temporary local subject terms: Female costume: over-dress, drawers -- Wigs: queue -- Postilion whips -- French windows -- Trellises -- Couriers -- Guns: pistols -- Powder flasks -- Holsters -- Saddles -- Portmanteaus -- Male costume: spurs., and Manuscript "1." in upper left corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
The three characters walk to the right, with the harlequin wearing his traditional outfit in the lead, pointing forward with his left hand and holding a batte in his right hand. The pantaloon comes next, wearing pantaloons and a cape and holding a dagger. Pierrot brings up the rear, bounding along with outstretched arms, holding his hat in his right hand. A house, a fence, and a tree are seen in the background
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
