"An elderly man, holding his umbrella in front of him to form a sail, cannonades into another skater, who falls, the apex of the umbrella entering his mouth, while his foot strikes the stomach of the aggressor. The ice cracks beneath them. The latter wears wrinkled ankle-boots; the victim resembles the more fashionable skater of BMSat 10474. In the background a boy with a basket laughs at the collision; near him a man falls forward, his umbrella and hat torn from him by a gust, whose strength is indicated by a wind-swept tree (r.)."--British Museum online catalogue
Alternative Title:
Elements of skateing : the consequence of going before the wind and Elements of skating : the consequence of going before the wind
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., and Sheet trimmed within plate mark.
Publisher:
Publish'd November 24th, 1805, by H. Humphrey, 27 St. James's Street
"George III, dressed like a farmer, rides a sorry horse towards Windsor. Queen Charlotte sits pillion behind him like a farmer's wife; he is in profile, she full-face, both feet in a wide stirrup or platform. He points awkwardly with his stick towards Windsor. A dog walks before them, its collar inscribed 'G.R. Windsor Castle' (left) is among trees; a signpost (left) points 'To Windsor' and 'To Slough'. On the extreme right is a milestone, 'XX Miles from St James's'."--British Museum online catalogue
Description:
Title etched below image., The title is an allusion to George Farquhar's Constant Couple., Possibly by: W. Mansell, Conrad Martin or Gillray. See British Museum catalogue., Proof? Without artist's initials and date in lower left corner as in other impressions., Sheet trimmed within plate mark., and For another state see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6918.
Publisher:
Publish'd Feb. 24, 1786, by J. Phillips, No. 164 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"Six doughty doctors standing together in discussion, wearing wigs, tailcoats and carrying tricorne hats and walking canes; one at left thoughtfully taps his mouth with the handle of his cane, one at centre, seen from behind, holds his hat behind his back in both hands, a sword at his side; another at right leans forward solidly, resting his folded arms on his cane."--British Museum online catalogue
Description:
Title etched below image., Probably a later state of the plate, with additional aquatint shading added. For a probable earlier state with the imprint "London, Pubd. Septr. 1785 by S. Alken ....", see Metropolitan Museum of Art, accession no.: 59.533.100., Date of publication from the British Museum online catalogue, registration no.: 1943,1113.254., Sheet trimmed within plate mark with possible loss of imprint from lower edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Consultation., 1 print : etching and aquatint, hand-colored ; sheet 272 x 332 mm., and Mounted; sheet trimmed within plate mark with possible loss of imprint from lower edge.
"Six doughty doctors standing together in discussion, wearing wigs, tailcoats and carrying tricorne hats and walking canes; one at left thoughtfully taps his mouth with the handle of his cane, one at centre, seen from behind, holds his hat behind his back in both hands, a sword at his side; another at right leans forward solidly, resting his folded arms on his cane."--British Museum online catalogue
Description:
Title etched below image., Probably a later state of the plate, with additional aquatint shading added. For a probable earlier state with the imprint "London, Pubd. Septr. 1785 by S. Alken ....", see Metropolitan Museum of Art, accession no.: 59.533.100., Date of publication from the British Museum online catalogue, registration no.: 1943,1113.254., Sheet trimmed within plate mark with possible loss of imprint from lower edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Consultation.
"The interior of a library, the walls lined with heavy folio volumes. Johnson attacks Lord Auchinleck (left) with three books inscribed 'Liturgy', held between his upraised hands which conceal his face. Auchinleck shrinks back in alarm; he has dropped two volumes, 'Calvin' and 'Whiggism', to the floor. Medals lie on the ground. Boswell (right) stands in the doorway behind Johnson, biting his thumbs and gazing upwards in consternation; his 'Journal' falls to the ground. He wears his Scots cap, and his ink-pot dangles from his buttonhole. Auchinleck is an elderly man wearing a judge's wig and bands."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Four lines of verse below title: "The context began whilst my father was shewing hima his collection of medals ..." Vide Journal p. 482., Sheet trimmed within plate mark., Temporary local subject terms: Library -- Folio volumes -- Scots cap -- Calvin -- Liturgy., and In mss in lower left corner: E-160.
Publisher:
Pubd. June 10th, 1786, by E. Jackson, No.14 Marylebone Street, Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, and Boswell, James, 1740-1795.
"Two medallions placed side by side illustrate 'British Liberty' and 'French Liberty', these titles being inscribed on the borders of the medallions. [1] Britannia seated in profile to the right under an oak with her shield and the staff and cap of Liberty; in her right hand is 'Magna Charta', in her left she holds out the scales of Justice. The British lion crouches at her feet. Behind (right) is the sea with a ship in full sail. [2] A ragged Fury runs forward in profile to the left, trampling on a decapitated body; in her right hand is a trident on which is a bleeding head flanked by two hearts. In her left hand is a long dagger. Writhing serpents form her hair and her girdle. Behind (right) a body hangs from a lamp-bracket. Beneath each medallion is an inscription in large letters: 'Religion. Morality. Loyalty Obedience to the Laws Independance Personal Security Justice Inheritance Protection Property. Industry. National Prosperity Happiness. Atheism Periury Rebellion. Treason. Anarchy Murder Equality. Madness. Cruelty. Injustice Treachery Ingratitude Idleness Famine National & Private Ruin. Misery WHICH IS BEST?'."--British Museum online catalogue
Description:
Title etched above images., Printmaker, artist, and publication date from British Museum catalogue., Later state; commas and a hyphen added to text below leftmost image and a question mark added to text "Which is best?" at bottom of plate. See British Museum catalogue., Text in lower right corner of plate, preceded by the word "Price" that has been mostly burnished out: Plain 3d coloured 6., and Temporary local subject terms: British Lion -- Liberty: allusion to Magna Charta -- Symbols: scales of Justice -- Ships -- Symbols: ship with the Union Jack as symbol of power -- Personifications: Medusa as personification of French liberty -- Hangings: Street lantern as gibbet -- Lighting: street light -- Executions: decapitations -- Weapons: daggers -- Cap of liberty -- Britannia (Symbolic character).
A gallows separates the design into two compartments. A sign in the center reads "Roberspierre, Marat, Santerre." The crossbar reads "Held up to infamy and posterity." Another sign hangs from the left arm and reads "Paine's Rights of Man." The sign on the right side reads "Classical lectures on the Roman History.", The scene on the left half is labelled at the top "Old England" and depicts naval and commercial prosperity under the bright skies. Three columns labelled Virtue, Honor and Loyalty stand over the words British Constitution; at the base of the drawing are the words "is basis, the happiness of the people.", and The scene on the right half is labelled at the top "New France", and in contrast, all is death and destruction: cities in ruins, bodies hanging from gallows, a bloody guillotine along with other instruments of torture. Flowing from the guillotine into a shaft underground are discarded fragments: religion, pubk. credit, monarchy, laws, trade, honor, loyality, virtue, art ...
Alternative Title:
Things as they are
Description:
Title etched below image., Sheet trimmed within plate mark., On verso: offset impression of Opening of the budget, or, John Bull giving his breeches to save his bacon / James Gillary. Cf. 796.11.17.01+., and Mounted to 45 x 64 cm.
Publisher:
Pubd. Novr. 12th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
France
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Democracy, Gallows, Guillotines (Punishment), Liberty cap, Revolutions, French, Ruins, Ships, and History
A pretty, well-dressed young woman stands in the center of a well-furnished room in front of a sofa and between two doors. A disconcerted man backs out of the door to our left, while the girl looks to the right where a maid is opening the door and ushering in a large, older man
Description:
Title etched below image., Questionable attribution to Rowlandson from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 21st April 1786, by S.W. Fores, at the Caricature Warehouse, No. 3, Piccadilly
"A scene in a vaccine institution; poor patients crowd in through a doorway on the left; in the room are those whose treatment has had dire consequences. A comely and frightened young woman sits in an armchair in the centre, the doctor (Jenner, a good portrait, see British Museum Satires No. 9925) holds her right arm and gashes it with his knife, while a deformed and ragged boy holds up a bucket of 'Vaccine Pock hot from ye Cow'. A charity-schoolboy's oval badge on his sleeve is inscribed 'St Pancras'; from his coat pocket projects a pamphlet: 'Benefits of the Vaccine Process'. From the patients miniature cows sprout or leap. A pregnant woman (right) stands in profile to the right, a cow issues from her mouth, another from below her ragged petticoat. A man dressed as a butcher registers despair at the horns which sprout from his forehead. A labourer with a pitchfork sees a cow bursting from a swelling on his arm while another breaks through his breeches; cows struggle through huge swellings on nose, ear, and cheek. Another patient has only reached the stage of large carbuncles on forehead and chin. The doctor's medicine-chest and a close-stool stand on the left. On the chest are bottles, a syringe, &c, and a tub of 'Opening Mixture'. This a haughty assistant ladles contemptuously into the mouths of the patients as they crowd into the room. On the wall is a picture: a crowd of kneeling worshippers pay homage to the statue of the golden calf. The scene combines fantasy and realism."--British Museum online catalogue
Alternative Title:
Wonderful effects of the new inoculation
Description:
Title etched below image., Text following title: Vide, the publications of [the] Anti-Vaccine Society., Temporary local Medical Library subject terms: St. Pancras., and 1 print : etching with aquatint, hand-colored ; plate mark 25.0 x 35.3 cm.
Publisher:
Pubd. June 12th, 1802, by H. Humphrey, St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Jenner, Edward, 1749-1823
Subject (Topic):
Vaccination, Hospitals, Interiors, and Vaccinations
