"A caricature portrait of General Arabin. He is dressed as an army officer, wearing epaulettes, sword, and gorget; he stands with his hands on his hips, his cocked hat in his left hand, and turns his head to the left, with a broad ogling grin, showing a Jewish profile. On his head is a spotted foulard or nightcap, its peak on his shoulders."--British Museum online catalogue
Alternative Title:
(Sir Call. O'Brall.)
Description:
Title etched above image., Printmaker from British Museum catalogue., Text following title: See Love a la mode., and Mounted on leaf 69 of volume 10 of 12.
Publisher:
Pubd. March 5th, 1802, by H. Humphrey, 27 St. James's Street
"A caricature portrait of General Arabin. He is dressed as an army officer, wearing epaulettes, sword, and gorget; he stands with his hands on his hips, his cocked hat in his left hand, and turns his head to the left, with a broad ogling grin, showing a Jewish profile. On his head is a spotted foulard or nightcap, its peak on his shoulders."--British Museum online catalogue
Alternative Title:
(Sir Call. O'Brall.)
Description:
Title etched above image., Printmaker from British Museum catalogue., Text following title: See Love a la mode., 1 print : etching & stipple engraving with roulette on wove paper, hand-colored ; sheet 25.7 x 20.1 cm., Sheet trimmed to plate mark on three edges., Watermark: 1801 J. Whatman., and Mounted on leaf 69a (i.e. verso of leaf 68) of volume 10 of 12.
Publisher:
Pubd. March 5th, 1802, by H. Humphrey, 27 St. James's Street
"The design simulates a pyramidal monument in bas relief against a stone wall, supported on short Corinthian pilasters between which is an inscription. On the face of the pyramid Lady Cecilia Johnston, is seated in profile to the right on a round close-stool. She is thin and witch-like, her chin is support by her left hand, the elbow resting on her knee. In her right hand is a torn paper inscribed 'Tranquility'. Behind the stool stands a little cupid holding his nose; in his left hand is a torch, reversed. On the ground (right) are bones and two skulls which gaze at Lady Cecilia. Beneath is the inscription: "By Patience, minds an equal temper know, Nor swell too high, nor sink too low; Patience the fiercest grief can charm, And fate's severest rage disarm: Patience can soften pain to ease, And make despair and madness please, This the divine Cecilia found, And to her Husbands ears, confind the sound." Vide St Cecilias Day."--British Museum online catalogue and The allusions are to St. Cecilia (died 177) and to Cecilla's husband General James Johnston. Also allusion to Shakespeare's Othello, iv.2.61-3 and Shakespeare's Twelfth Night, ii.4.111
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 34 x 24 cm.
Publisher:
Pubd. Septr. 19th, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Johnston, Henrietta Cecilia, Lady, 1727-1817 and Johnston, James Lesslie, 1697 or 1698-1789.
Subject (Topic):
Defecation, Monuments & memorials, Putti, and Skull & crossbones
"The design simulates a pyramidal monument in bas relief against a stone wall, supported on short Corinthian pilasters between which is an inscription. On the face of the pyramid Lady Cecilia Johnston, is seated in profile to the right on a round close-stool. She is thin and witch-like, her chin is support by her left hand, the elbow resting on her knee. In her right hand is a torn paper inscribed 'Tranquility'. Behind the stool stands a little cupid holding his nose; in his left hand is a torch, reversed. On the ground (right) are bones and two skulls which gaze at Lady Cecilia. Beneath is the inscription: "By Patience, minds an equal temper know, Nor swell too high, nor sink too low; Patience the fiercest grief can charm, And fate's severest rage disarm: Patience can soften pain to ease, And make despair and madness please, This the divine Cecilia found, And to her Husbands ears, confind the sound." Vide St Cecilias Day."--British Museum online catalogue and The allusions are to St. Cecilia (died 177) and to Cecilla's husband General James Johnston. Also allusion to Shakespeare's Othello, iv.2.61-3 and Shakespeare's Twelfth Night, ii.4.111
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 30.8 x 20.8 cm, on sheet 32.6 x 22.7 cm., and Mounted on leaf 10 of volume 8 of 12.
Publisher:
Pubd. Septr. 19th, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Johnston, Henrietta Cecilia, Lady, 1727-1817 and Johnston, James Lesslie, 1697 or 1698-1789.
Subject (Topic):
Defecation, Monuments & memorials, Putti, and Skull & crossbones
"Burke (left) as a shambling beggar, holds out his hat towards the Duke of Bedford who looks between the folding gates of Bedford House, holding one side to keep them almost closed. Their words float upwards from their mouths: Burke says: ""Pity the Sorrows of a poor old Man, add a trifle to what has been bestowed by Ministry to stop my Complaints: - O give me opportunity of recanting once more! - Ah! remember me in your Golden Dreams! - great Leviathan of liberty, let me but play & frolick in the Ocean of your royal Bounty, & I will be for ever your Creature; - my Hands, - Brains, - my Soul & Body, - the very Pen through which I have spouted a torrent of Gall against my original Friends, and cover'd you all over with the Spray, every thing of me, & about me, shall be yours - dispence but a little of your Golden store to a desolate Old Man". Bedford says: "Hark'ee, old double Face, - its no use use [sic] for you to stand Jawing there, if you gull other people, you won't bother us out a single Shilling, with all your canting-rant, - no, no, it wo'nt do, old Humbug! - let them bribe you, who are afraid of you, or want your help, - your Gossip wont do here: -" Burke wears the red and blue of the Windsor uniform, his dress is tattered, one foot protrudes through his shoe. In his right hand is a sheaf of broadsides: 'Last Dying Speech of Old Honesty the Jesuit' [cf. BMSat 6026, &c.]. On his back is a sack inscribed '£4000 pr Annum' indicating his two pensions. From his back protrudes a book inscribed 'Reflections upon Political Apostacy'. The design is framed by the stone gateway of Bedford House, each side surmounted by a sphinx (cf. BMSat 8639)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Buildings: Bedford House, London -- Architectural details: stone gateways -- Sphinxes -- Pensioners: Burke as a pensioner -- Military uniforms: Windsor uniform -- Begging -- Allusion to Burke's pensions -- Allusion to Burke's Letter to a Noble Lord, 1796., and Mounted to 48 x 34 cm.
Publisher:
Pubd. Feby. 25th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Burke, Edmund, 1729-1797 and Bedford, Francis Russell, Duke of, 1765-1802
"Burke (left) as a shambling beggar, holds out his hat towards the Duke of Bedford who looks between the folding gates of Bedford House, holding one side to keep them almost closed. Their words float upwards from their mouths: Burke says: ""Pity the Sorrows of a poor old Man, add a trifle to what has been bestowed by Ministry to stop my Complaints: - O give me opportunity of recanting once more! - Ah! remember me in your Golden Dreams! - great Leviathan of liberty, let me but play & frolick in the Ocean of your royal Bounty, & I will be for ever your Creature; - my Hands, - Brains, - my Soul & Body, - the very Pen through which I have spouted a torrent of Gall against my original Friends, and cover'd you all over with the Spray, every thing of me, & about me, shall be yours - dispence but a little of your Golden store to a desolate Old Man". Bedford says: "Hark'ee, old double Face, - its no use use [sic] for you to stand Jawing there, if you gull other people, you won't bother us out a single Shilling, with all your canting-rant, - no, no, it wo'nt do, old Humbug! - let them bribe you, who are afraid of you, or want your help, - your Gossip wont do here: -" Burke wears the red and blue of the Windsor uniform, his dress is tattered, one foot protrudes through his shoe. In his right hand is a sheaf of broadsides: 'Last Dying Speech of Old Honesty the Jesuit' [cf. BMSat 6026, &c.]. On his back is a sack inscribed '£4000 pr Annum' indicating his two pensions. From his back protrudes a book inscribed 'Reflections upon Political Apostacy'. The design is framed by the stone gateway of Bedford House, each side surmounted by a sphinx (cf. BMSat 8639)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Buildings: Bedford House, London -- Architectural details: stone gateways -- Sphinxes -- Pensioners: Burke as a pensioner -- Military uniforms: Windsor uniform -- Begging -- Allusion to Burke's pensions -- Allusion to Burke's Letter to a Noble Lord, 1796., 1 print : etching on wove paper, hand-colored ; plate mark 35.0 x 24.6 cm, on sheet 38.9 x 27.8 cm., and Mounted on leaf 4 of volume 4 of 12.
Publisher:
Pubd. Feby. 25th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Burke, Edmund, 1729-1797 and Bedford, Francis Russell, Duke of, 1765-1802
"A grotesque, obese, and negroid Copt, holding a mace or staff, rides (right to left) an ass which, though led procession-ally by a Copt, proceeds on account of the bayonet with which a grinning French soldier stabs its hind quarters. The 'Mayor' wears a French military coat and breeches, with a tricolour scarf and cocked hat with large tricolour plumes. He is otherwise naked, and a heavy chain of beads hangs from his ear. The 'Procureur' is naked except for a cocked hat and tricolour scarf; he carries a (?) goad as a staff of office. Behind his ear is a pen."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- French soldiers -- Military uniforms: French army, 1798 -- Asses -- Inaugurations: Coptic Mayor of Cairo -- Copts -- Procurers -- Staves: goad as a staff of office -- Allusion to Copies of Original Letters From the Army of General Bonapart in Egypt, Intercepted by the Fleet.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. James's Street
"A grotesque, obese, and negroid Copt, holding a mace or staff, rides (right to left) an ass which, though led procession-ally by a Copt, proceeds on account of the bayonet with which a grinning French soldier stabs its hind quarters. The 'Mayor' wears a French military coat and breeches, with a tricolour scarf and cocked hat with large tricolour plumes. He is otherwise naked, and a heavy chain of beads hangs from his ear. The 'Procureur' is naked except for a cocked hat and tricolour scarf; he carries a (?) goad as a staff of office. Behind his ear is a pen."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., Temporary local subject terms: Egyptian campaign, 1798-1801-- French soldiers -- Military uniforms: French army, 1798 -- Asses -- Inaugurations: Coptic Mayor of Cairo -- Copts -- Procurers -- Staves: goad as a staff of office -- Allusion to Copies of Original Letters From the Army of General Bonapart in Egypt, Intercepted by the Fleet., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 37.7 cm, on sheet 30.4 x 42.3 cm., Watermark: Russell & Co., and Mounted on leaf 6 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. James's Street
"Skeffington skips forward (left to right); his sharp-featured profile emerges, grinning, from a sharp-pointed collar and swathed cravat. His hair is swept forward in careful disarray, which, with his heavy whisker, goes ill with the black bag which flies outwards. His dress is a curious hybrid of embroidered court dress and knee-breeches, with the recent fashions of gathered sleeves ('Jean de Bry', see BMSat 9425), bulky neck-cloth, and cut-away tails showing bunches of seals. Below the neck-cloth is a double lace shirt-frill. See BMSat 9440."--British Museum online catalogue
Alternative Title:
So Skiffy skipped on with his wonted grace
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Vide Birthday Ball. See Morning Herald, Jany. 20th, 1800., and Temporary local subject terms: Male dress: Jean de Bry coat -- Wigs: bag wig.
Publisher:
Pubd. Feby. 1st, 1800, by H. Humphrey, 27 St. James's Street
"Skeffington skips forward (left to right); his sharp-featured profile emerges, grinning, from a sharp-pointed collar and swathed cravat. His hair is swept forward in careful disarray, which, with his heavy whisker, goes ill with the black bag which flies outwards. His dress is a curious hybrid of embroidered court dress and knee-breeches, with the recent fashions of gathered sleeves ('Jean de Bry', see BMSat 9425), bulky neck-cloth, and cut-away tails showing bunches of seals. Below the neck-cloth is a double lace shirt-frill. See BMSat 9440."--British Museum online catalogue
Alternative Title:
So Skiffy skipped on with his wonted grace
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Vide Birthday Ball. See Morning Herald, Jany. 20th, 1800., Temporary local subject terms: Male dress: Jean de Bry coat -- Wigs: bag wig., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25.7 x 20.0 cm, on sheet 34.1 x 24.0 cm., and Mounted on leaf 21 of volume 10 of 12.
Publisher:
Pubd. Feby. 1st, 1800, by H. Humphrey, 27 St. James's Street
