"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue
Description:
Title from text at top of image., Sheet trimmed within plate mark., Watermark: J. Whatman., and Figures within image numbered 1 to 13 in a contemporary hand.
Publisher:
Pubd. April 6th, 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, St. Vincent, John Jervis, Viscount, 1735-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Pius VII, Pope, 1742-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Fitzpatrick, Richard, 1747-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Lauderdale, James Maitland, Earl of, 1759-1839
"The Duke of Bedford, a stalwart, handsome and smiling farmer, strides (left to right) across a newly ploughed field, scattering guineas from a pouch slung to his shoulder; on his back is a large sack inscribed '£'. As he sows the tips of bonnets-rouges and daggers sprout up; behind him (left) they progressively emerge more completely, and appear as little Jacobins, a raised dagger in each hand, crowding in close ranks towards the horizon, where they hail (or are smitten by) thunderbolts which dart from clouds in the upper left corner of the design and explode on reaching the ground. The soil is prepared by Fox, Sheridan, and Lauderdale: Fox's smiling face is the centre of a sun which issues from clouds and shines on Bedford. A bull (John Bull) is harnessed to a plough which is guided by Sheridan wearing a bonnet-rouge. Lauderdale (bare-headed) raises a whip to flog the weary bull."--British Museum online catalogue
Alternative Title:
Bloomsbury farmer planting Bedfordshire wheat
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Jacobins -- Farms: satire on Bedfordshire -- Ploughs -- Sowings -- Money: coins as seeds -- Symbols: bonnets rouges.
Publisher:
Pubd. Feby. 3d, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Bedford, Francis Russell, Duke of, 1765-1802, Lauderdale, James Maitland, Earl of, 1759-1839, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Britannia (left) grovels before a monster (right) representing the French Republic. Behind her stand Fox, Sheridan, and Stanhope, as sansculottes, joyfully hailing the apparition. Britannia on her knees, and bending forward, holds out her arms in a gesture of abject submission, pointing to her shield and spear, the crown and sceptre, and 'Magna Charta' which lie on the ground before her. She is on the edge of a cliff. The monster is supported on dark clouds; he is a man seated with arms and legs akimbo, one jack-boot is planted on the sun, a face in its disk looking from the corners of the eyes at Britannia with a dismayed expression; the other is on a crescent enclosing the old moon. His seat is the point of a huge bomb-shaped cap of 'Li-ber-tas'. His head is a black cloud on which grotesquely fierce features are indicated. Above his head rises a guillotine emitting rays of light. His dress is that of a ragged sansculotte with a dagger thrust in his belt. The British sansculottes are also bare-legged and wear belts in which a dagger is thrust; but they have nothing of the fierce arrogance of France. Fox, his stockings ungartered, and Sheridan, shambling forward with propitiatory gestures, remove their bonnets-rouges. Fox holds out two large keys labelled 'Keys of the Bank of England'; Sheridan proffers a document: 'We Promise the Surrender of the Navy of Great Brita[in] - of Corsica [see BMSat 8516] - of the East & West Indias [see BMSat 8599] - & to abolish the Worship of a God' [cf. BMSat 8350]. Stanhope, less deprecating, stands behind the others, waving his bonnet-rouge and a rolled document inscribed 'Destruction of Parliament'."--British Museum online catalogue
Alternative Title:
Britannia petitioning for peace
Description:
Title etched below image., Dedication etched below title: To the patriotic advocates for peace, this seemly sight is dedicated., Sheet trimmed within plate mark., and Temporary local subject terms: Monsters: French Republic as a monster -- Opposition: members of the Opposition -- Keys to the Bank of England -- Magna Charta -- Sansculottes -- Bonnet-rouges -- Sceptres -- Shields -- Crowns.
Publisher:
Pubd. Feby. 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
"Pitt arrogantly bestrides the Speaker's chair, towering high above the galleries of the House. He plays cup (or rather spike) and ball with the globe, on which 'France' is disproportionately large, the British Isles small and obscure. His head is turned to the left towards his own followers, who crowd obsequiously towards his huge right foot which rests on the head of Wilberforce (papers inscribed 'Slave Trade' issuing from his pocket) and on the shoulder of the bulky and truculent Dundas, who wears Highland dress. Canning (the 'Trial of Betty Canning' projecting from his pocket) kneels to kiss the toe of his shoe. His left foot crushes the leaders of the Opposition: Erskine, Sheridan, Fox (all prostrate), and a fourth (? Grey) with upstretched arms. M. A. Taylor, a tiny figure, with the legs of a chicken (see BMSat 6777) and wearing a bonnet-rouge, sprawls on the floor near Fox. The rest of the party raise their arms in dismay. The Speaker (Addington) looks up (raising his hat), as do the Clerks. Pitt's coat-pockets bulge like sacks; in one (left) are papers: 'Volunteers, 200000 Seamen, 150000 Regulars, Militia'; the other is stuffed with guineas, on this his left hand rests, holding a paper 'Resources for supporting the War'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Parliamentary debates: House of Commons, 30 Dec. 1796 -- Reference to war with France -- Globes -- Games: cup and ball -- Reference to slave trade., and Mounted to 43 x 31 cm.
Publisher:
Pubd. Jan. 21st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a dance-room, which is roughly panelled, has a low platform across one end, and a small gallery (right) with a fiddler and a man blowing a French horn; it is lit by a hanging chandelier. In the centre two men face each other in boxing attitudes; one is stripped to the waist, the other to the shirt. Women stand behind them, alarmed or interested. A woman has fainted and is supported by a man who administers smelling-salts. On the right a wild scuffle is going on: two termagants seize each other by the hair, a third, on the ground, pulls down one of the combatants; they resemble prostitutes of St. Giles. Others are comelier and better dressed. Women and men stand on the platform watching with amused interest; one or two women register alarm or concern; on the right are two ugly old bawds."--British Museum online catalogue, description of an earlier state
Alternative Title:
Kicking up a breeze at Nell Hammiltons hop
Description:
Title etched below image; the letter "z" in "breeze" is etched backwards., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Febry. 16, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 199-200., Temporary local subject terms: Chandelier -- Violin., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 6 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a dance-room, which is roughly panelled, has a low platform across one end, and a small gallery (right) with a fiddler and a man blowing a French horn; it is lit by a hanging chandelier. In the centre two men face each other in boxing attitudes; one is stripped to the waist, the other to the shirt. Women stand behind them, alarmed or interested. A woman has fainted and is supported by a man who administers smelling-salts. On the right a wild scuffle is going on: two termagants seize each other by the hair, a third, on the ground, pulls down one of the combatants; they resemble prostitutes of St. Giles. Others are comelier and better dressed. Women and men stand on the platform watching with amused interest; one or two women register alarm or concern; on the right are two ugly old bawds."--British Museum online catalogue, description of an earlier state
Alternative Title:
Kicking up a breeze at Nell Hammiltons hop
Description:
Title etched below image; the letter "z" in "breeze" is etched backwards., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. Febry. 16, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 199-200., Temporary local subject terms: Chandelier -- Violin., and Watermark: Charles Wise.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Cruet -- Night cap., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 37 in volume 5.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local subject terms: Cruet -- Night cap.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
"Head of an old woman in profile to the left, tilted upwards. She wears a cap which conceals her hair. ... She is evidently the Betty of the famous fruit shop in St. James's Street, the 'patriot Betty' of Mason's 'Heroic Epistle', 1773. 'Betty's' was a fashionable 'lounge' and centre of gossip, often mentioned by H. Walpole and others. She was Elizabeth Munro or Neale, 1730-97, called 'the Queen of apple-women' by the 'Gentleman's Magazine' (obituary)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Identified in an unknown contemporary hand as "Mrs. Eliz. Neale" on plate below the title and "Who kept a noted fruit shop in St. James's Street" added below on the mounting sheet., and Mounted to 15 x 10 cm.
Publisher:
Pub. 9th Feby. 1783 by H. Humphrey, No. 51 New Bond Street
