"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. All are ugly except the woman in [4]. [1] 'Morality'. Sourly sanctimonious parsons sit together, each with clasped hands. They say: "Sad times sad times Friend Nicodemus, this Crim Con Business is quite shocking," and Ah it is of no use talking to them--they will have their own way--shocking doings indeed." [2] 'A Kitchen Scene'. A hideous and fashionably dressed old woman (? a cook) reclines in an arm-chair while (?) a steward or clerk of the kitchen stands before her adjusting her large ear-rings. They say: "Do my sweet Creature let me fasten on your ear rings" and "Oh fie Mr Clerk you are really too bad." [3] 'A Lecture'. Two elderly and ugly women stand glaring angrily at each other. They say: "Mrs Amelia Caroline Skeggs [one of the courtesans in 'The Vicar of Wakefield']--I am afraid you give too much encouragement to Mr Spriggins" and "Take care what you say Maam my Character is not to be sported with." The first speaker holds a fan, her breasts are immodestly bare, the other wears a wide straw hat, her hands in a muff. [4] 'An Affair on the Dickey'. A couple embrace on the box-seat of a carriage; the young woman is comely, the other is a coachman in livery. They say: "O you Angel" and "I'm afraid my love you will get the whip hand of me." [5] 'Information'. Two hideous men stand facing each other, one uses an ear-trumpet, and wears spectacles and a night-cap. They say: "Speak louder;, only one shilling damages --why I shall be ruined--" and: "Never mind--you have lost a bad wife, and got a good shilling." [6] 'A Compromise'. A burly fellow threatens with his fists a smaller one who cowers in terror. They say: "you little Scoundrel did not I catch you with my wife--I'll break every bone in your skin" and "Dont be so obstropolous Ill give thee a quartern of gin to make it up and thats better than going to La--"."--British Museum online catalogue
Description:
Title etched below image., Probably a reissue; beginning of imprint statement has been burnished from plate., Date of publication from Grego., Sheet trimmed to plate mark on top and bottom edges., Plate numbered "161" in upper right corner., and Temporary local subject terms: Parsons -- Domestic service -- Coachman, in livery -- Ear-trumpets -- Male costume: Night-cap.
"Miss Gunning sits astride a cannon directed against the façade of 'Blenheim'. Her mother (right) fires the cannon by putting her pen to the touch-hole; from its muzzle issue flames an letters inscribed : 'forged Love letter', 'Letter from Marq: of Blan[dford] written by myself', 'Letter written by my Daddy', 'Letter forged by my Mother', 'Letter forged by myself', 'Letters in Answer to my self''. In the central window in the portico of Blenheim are the bare posteriors of a figure emitting a bias excrement which strikes Miss Gunning, knocking her backwards, reaches Mrs. Gunning. The former, terrified, says, "O Mother! Mother! my mask'd Battery is discovered, & we shall be blown up! - O Mother, Mother, we must raise the Siege immediately, & take refuge under the Duchess's cover'd way, & there act on the defensive: O Mother: Mother, its all your fault, say what you will:" Mrs. Gunning says, her left hand raised in horror, "Good Heavens! who could have thought that the Seige of a Coronet would have ended in smoke & stink! - well I'll take my affidavit that I know nothing at all about the matter". An aged crone, the Duchess of Bedford, stands on the extreme right, raising her hooped petticoat to form a shelter; she says, "Come under my Protection, deary's I'll hide you in Bedfordshire; & find one of my little Granny-boys, to play with Missy". On the extreme left General Gunning, wearing regimentals, walks off, stooping furtively; he says, "I find our Stratagem wont take effect, & therefore I'll be off; & menœvre; - any common Soldier can lead on, to an attack, but it requires the skill of a General to bring off his forces with honor after a defeat - "."--British Museum online catalogue
Alternative Title:
Siege of Blenheim and New system of gunning discovered
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Text following title: Vide, A bold stroke for a husband., and Text in lower right corner: Dedicated to the Duke of A- [Argyll].
Publisher:
Pubd. March 5th, 1791, by H. Humphrey, No. 18 Old Bond St.
Subject (Geographic):
England
Subject (Name):
Bedford, Gertrude Leveson Gower, Duchess of, 1715-1794, Gunning, Miss (Elizabeth), 1769-1823, Gunning, Mrs. 1740?-1800 (Susannah),, and Gunning, John, -1797
"A man walks away from the spectator, slightly to the right, showing a whiskered right cheek. He wears a high round hat with a curved brim, sparrow-tail coat, and spurred top-boots. His shoulders are sprinkled with hair-powder (see BMSat 8190, &c). In his right hand is a riding-switch. He is in shadow. On the extreme right is the arm and left leg of a man in the exact position of his shadow, dressed in the same way."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Male dress, 1795., and Mounted to 47 x 32 cm.
Publisher:
Pubd. June 25th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Geographic):
England
Subject (Name):
Hamilton, Douglas Hamilton, Duke of, 1756-1799 and Thornton, Thomas, 1757-1823
Interior view; a barber has covered his client with soap; prints and wigs hang on the wall
Description:
Title etched in bottom part of image., Printmaker identified as Rowlandson by Grego., Publisher and date of publication from the British Museum online catalogue., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Sheet trimmed within plate mark on right edge., and A reduced copy in reverse of no. 4756 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four realistic figures stand in niches divided by slender pillars. Below each is the title, supported on an emblematic carving; above are his words. [1] 'The King'; he stands arrogantly, wearing crown and robes and holding sceptre and orb. Above: 'I reign over all'. [2] 'The Bishop', in robes and mitre, holding a crosier, his fingers together, is gross and sanctimonious. Above: 'I pray for all'. [3] 'The Soldier', an officer, wearing cocked hat and gorget, draws his sword. Above: 'I fight for all'. [4] 'Farmer Bull', wearing a smock, elderly and careworn, though sturdy, holds out a bag of 'Hard Earnings'; in his left hand are his hat and pitchfork; while behind him is his dog, barking angrily. Above: 'But I pay for All'."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered in upper left corner: No. 13., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., and Mounted to 28 x 39 cm, matted to 30 x 41cm.
Publisher:
Thomas Tegg
Subject (Geographic):
England. and British
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
John Bull (Symbolic character), Bishops, Farmers, and Military officers
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four realistic figures stand in niches divided by slender pillars. Below each is the title, supported on an emblematic carving; above are his words. [1] 'The King'; he stands arrogantly, wearing crown and robes and holding sceptre and orb. Above: 'I reign over all'. [2] 'The Bishop', in robes and mitre, holding a crosier, his fingers together, is gross and sanctimonious. Above: 'I pray for all'. [3] 'The Soldier', an officer, wearing cocked hat and gorget, draws his sword. Above: 'I fight for all'. [4] 'Farmer Bull', wearing a smock, elderly and careworn, though sturdy, holds out a bag of 'Hard Earnings'; in his left hand are his hat and pitchfork; while behind him is his dog, barking angrily. Above: 'But I pay for All'."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered in upper left corner: No. 13., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 12 in volume 1.
Publisher:
Thomas Tegg
Subject (Geographic):
England. and British
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
John Bull (Symbolic character), Bishops, Farmers, and Military officers
"Pitt, fast asleep, wearing only nightcap and night-shirt, walks down a staircase holding up a lighted candle in his right hand. On his right only are banisters, on his left the steps abut on a gulf indicated by the top of an arch supporting the stair; he is about to descend the first step, perilously near the left edge. Behind him, in a wall of heavy masonry, is an open door surmounted by a crown. A tall gothic window pierces the wall of the building."--British Museum online catalogue
Alternative Title:
Sleepwalker
Description:
Title etched below image., Printmaker from British Museum catalogue., Possibly etched from a drawing by Sneyd. See British Museum catalogue., and Mounted to 48 x 34 cm.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Candlesticks, Castles & palaces, Interiors, Quatrefoils, Sleepwear, Somnambulism, and Stairways
"The head and shoulders of Fox (like Christian in 'The Pilgrim's Progress') emerge from a pool of liquid mire; he looks despairingly up and to the right, his (half-submerged) hands raised in supplication. On his back is a bundle inscribed 'Contents French Gold, French Loyalty, French Daggers [cf. BMSat 8285, &c.], And Crimes, more num'rous than the sands, upon the Ocean's shore.' His hat has fallen off, the tricolour cockade and motto 'Ca ira' are half submerged. His large club rises from the slough: 'Patriots Staff - i.e. Whig Club' [cf. BMSat 8987, &c.]. Before him floats an open book: 'Gospel of Liberty by the four Evangelists St Paine St Price St Priestly St Petion [see BMSat 8122] \ Fly to the Wrath to come." Fox says: "Help! Help! - will no kind Power lend a hand to deliver me ? - Oh! what will become of me ? - all my former Friends have forsaken me! - if I try to go on, I sink deeper in the Filth; & my feet are stuck so fast in the Mire, that I can not get back, 'tho I try; - Ah me! - this Burden upon my Back overwhelm's me, & presses me down! - I shall Rise no more! - I am lost for ever, & shall never see the Promis'd Land!!" From the slough a hill ascends up which a straight path leads to a fortified gateway in a castellated wall inscribed: 'Knock, & it shall be opened. The Straight Gate: or the way to the Patriots Paradise.' From it flies a flag of 'Libertas', surmounted with the cap of Liberty. Within the wall is a ladder slanting towards a waning moon. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text from Bunyan's Pilgrim's Progress quoted to the right of title: "This miry slough is such a place as can not be mended ...", and Sheet partially trimmed within plate mark.
Publisher:
Pubd. Jany. 2d, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806, Paine, Thomas, 1737-1809., Priestley, Joseph, 1733-1804., Pétion, J. 1756-1794. (Jérôme),, and Price, RIchard, 1723-1791.
"The Duke of York and his bride walk arm in arm, in the manner of a tramping soldier and his wife. A large bundle on his back is inscribed 'L. 300000'; he uses his sabre as a walking-stick. She is pregnant, and carries a large money-bag: 'Pin Money £50000 Pr Annm'. Behind them (left) in the distance is a castle with a flag inscribed 'Berlin'. The Duke wears regimentals with his star; the Duchess wears a simple straw hat, tilted back to show a tiara."--British Museum online catalogue
Alternative Title:
Rare news for Old England
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of text below title: "See the conquering hero comes., and Temporary local subject terms: Marriages: Duke of York's, 1791 -- Crowns: tiaras -- Dowry -- Bags of money -- Military uniforms: regimentals -- Castles: Berlin -- Literature: quotation from Nathaniel Lee's Alexander the Great, iv, 2 -- Weapons: sabre as a walking staff.
Publisher:
Pubd. Novr. 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
