Title etched below image., Printmaker from description in the British Museum catalogue of a later state., Early state with variant title, with the central figure bearing the Duke of Brunswick's head instead of that of William of Orange, and with the sabre lacking an inscription. Cf. No. 7181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark and mutilated in lower left corner, with partial loss of imprint; remainder of imprint mostly erased from sheet. Imprint from the impression at the Beinecke Library.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A tall, thin, elderly military officer, ugly but elegant, stoops to embrace a fat woman, short and hideous. She wears a countrified straw bonnet, apron, and high pattens, but is very decolletee. There is a rustic background with a cottage (right). He says, the words etched across the upper part of the design: My Friends all declare that my time is mispent [sic] While in rural Contentment I rove, I ask no more Wealth than Dame Fortune has sent And the sweet little Girl that I love. The rose on her cheeks my delight She's soft as the down, the down of the dove No Lilly was ever so fair As the sweet little girl that I love!"--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. June 4, 1808, by Thos. Tegg, N. 111 Cheapside." Cf. No. 11138 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "167" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 88., and Leaf 91 in volume 3.
"A man with a long moustache, standing to right, holding a scimitar in a jewelled sheath against his right shoulder, wearing a suit of embroidered silk with a long skirt and long strips hanging from the shoulders, a tall fluted hat with tassels; in a double frame."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray. See Briitsh Museum online catalogue, registration no.: 1851,0901.693., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: Turkish court costume -- Turkish officers: sword-bearer.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A design in two compartments. [1] 'Billy, in the Devil's claws'. Fox as the Devil (left) grasps the thin and terrified Pitt round the waist, pointing with his left arm to a serried rank of French soldiers, landed from the boats of French men-of-war and marching up the steep coast. He is a grotesque hairy creature, short and heavy, with webbed wings attached to his ragged coat, a barbed tail and talons, and wearing a bonnet-rouge. He says, turning a glaring eye-ball on Pitt: "Ha! Traitor! - there's the French landed in Wales! what d'ye think of that, Traitor?" [2] 'Billy, sending the Devil packing'. Pitt kneels on one knee in profile to the right, holding up a paper: 'Gazette Defeat of the Spanish Fleet; by Sir John Jarvis.' He looks up at Fox with a contemptuous gesture and a subtly triumphant smile, saying: "Ha! Mr Devil! - we've Beat the Spanish Fleet what d'ye think of that Mr Devil?" Fox springs upwards with a terrified expression, his hands held up as if asking for mercy, his cap falls off and his tail is between his legs. On the right is the sea, with a naval battle in progress."--British Museum online catalogue
Alternative Title:
Table's turned, Billy in the Devil's claws, and Billy sending the Devil packing
Description:
Title etched below image and enclosed within curly brackets. and Temporary local subject terms: Invasions: French landing in Wales -- Spain: Spanish Fleet -- Reference to the battle of Cape St. Vincent, February 14, 1797 -- Newspapers: Gazette Extraordinary.
Publisher:
Pubd. March 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"John Palmer (left), striding across a miniature circular tower surrounded by a moat, falls back under the attacks of two men on the other side of the moat. He wears pseudo-Elizabethan dress, with a cloak; his feathered hat falls off. On his arm, in place of a shield, is a document inscribed 'Licence . . . Wild-moat'; he drops from his right hand a paper inscribed 'Tower Privilege'. Cornwallis, saying, "I am down again". Miniature cannon are firing from the tower. Facing him, one foot on an upturned tub inscribed 'For the Use of Cov: Gar. Wardrobe', is a man wearing nightcap, dressing-gown, and slippers, with an apron, who is about to hurl a bar inscribed 'Castile Soap', saying, "I am a Gentleman, you Vagabond"; on his left arm, in place of a shield, is a paper inscribed 'An Act for regulating the Stage'. He is probably George Colman. Beside him, his left arm in a sling, a young man (? Colman the younger) discharges at Palmer a blast from a pistol inscribed 'Breach of Articles'. Three spectators stand close together on the right, saying, "Mr Palmer, we must oppose: we told you so at Christmas!" They are Sheridan and probably his partners, Linley and Dr. Ford. In the background (right) is a building inscribed 'Circus', in front of which a man stands on one toe on the back of a galloping horse, while a monkey stands on its head on the back of a pig; the pig's saddle is inscribed 'Jacko'; from its mouth issues 'ABC', representing Astley's, General Jacko, and the Learned Pig (see BMSat 6715, &c); a scroll issuing in a curve from Astley and Jacko is inscribed 'We shall all Play'. In the moat are frogs and the bodies of two tiny women, Tragedy and Comedy, one holding a cup and dagger, the other a mask."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7171 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark on one side., and Temporary local subject terms: Male costume: Pseudo-Elizabethan -- Male costume: night clothes -- Unlicensed theatres: Royalty Theatre -- Allusion to Covent Garden -- Learned pigs -- Castile soap -- Lighting: rushlights -- Slings -- Body of Tragedy -- Body of Comedy -- Moats -- Guns: Pistols -- Miniature cannons -- Stage properties: tub -- Horace Walpole refers to print -- Towers -- Circuses: Astley's Circus -- Performing monkies: General Jacko.
Publisher:
Pubd. June 30, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Palmer, John, 1742?-1798, Astley, Philip, 1742-1814., Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Colman, George, 1732-1794, Colman, George, 1762-1836, Sheridan, Richard Brinsley, 1751-1816, Linley, Thomas, 1733-1795, and Ford, Edward, 1746-1809
"Three handsome young men, stooping slightly, walk languidly arm-in-arm along a pavement in profile to the left. They have a strong family resemblance, with variations in profile and in the size of their whiskers. They are dressed alike, except for differently curving hat-brims, in tail-coats with sleeves gathered at the shoulder, but without the clumsy bulk of the Jean-de-Bry, cf. BMSat 9425, stocks resembling those worn by Skeffington, see BMSat 9557, but less extravagantly swathed, frilled shirts, double-breasted outer waitcoats, riding-breeches, and boots with deep tops. Their long powdered hair is tied, and their coats are thickly frosted with powder, cf. BMSat 8190. They do not carry canes."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Mounted to 38 x 26 cm.
Publisher:
Pubd. June 16th, 1803, by H. Humphrey, 27 St. James's Street
Outside a tavern called The Whirligig, Col. Tarleton brandishes his sword while making a boastful speech about his military exploits. Behind him stands the Prince of Wales, headless, but identifiable by the ostrich plumes which replace his features. Above the tavern door the figure of a prostitute serves as the sign of the house
Description:
Title from item., Printmaker from British Museum catalogue., Text following title: Vide: Every man in his humour, alter'd from Ben Johnson., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 20th, 1782, by Eh. D'Achery, St. James's Street
Subject (Geographic):
England
Subject (Name):
Tarleton, Lieutenant-General 1754-1833 (Banastre), and George IV, King of Great Britain, 1762-1830
"In the centre of the design is the Coronation Chair (in Westminster Abbey), raised on four steps. Britannia on the right of the Chair takes the hand of the Prince of Wales, who is on the left, to lead him up to it; each rests a foot on the lowest step, inscribed 'Voice of the People'. The other steps are 'Public Safety', 'Patriotism', 'Virtue'. Britannia points with her left hand at Pitt and three maniacal and screaming Furies on the right whom she is putting to flight. She says: "I have been long deceiv'd by Hypocrisy but have at last discovered an Intention of sacrifising the rights of my people to satisfy a private ambition". Pitt, fleeing terror-struck, turns his head to say: A long farewell to all my greatness. From his pocket protrude papers inscribed 'Shop Tax' and Commutation. The Furies are half-naked hags with writhing serpents for hair; one, whose belt is inscribed 'Falshood', holds in one hand serpents, in the other a flaming torch inscribed 'Rebellion'; 'Envy' tears her hair, shrieking. The British lion, beside Pitt, looks from behind Britannia's shield at his mistress, roaring angrily. The Prince is being ushered to the throne by 'Liberty' and Justice, who are pretty young women carrying their accustomed symbols. Commerce reclines on the extreme left, leaning on a bale inscribed 'Commerce', and looking admiringly up at her two companions. The Lord Mayor, followed by other citizens, advances from the left, carrying the mace; the arms of the City decorate his gown. He says: "Whilst we mourn the occasion we must feel ourselves happy in reflecting that we are blessed by a Prince whose wisdom will protect our liberties, whose Virtues will afford stability to Empire". The background is a wall with Gothic mouldings and windows. A crown is suspended above the Chair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; a questionable date of 1783 is given by Grego., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Pitt, William, 1759-1806
On the right, John Bull, standing next to a broken anchor, raises his arms in despair saying, "'Tis lost! Irrecoverably lost!" Above his head, a demon flies away with a partially rolled up map of America while a Frenchman standing to his right offers him snuff as consolation. Behind the Frenchman, an angry Spaniard points to the rock of Gibraltar in the background and the exploding ships below it. On the far left, a Dutchman watches the scene in front of him
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 42 cm.
Publisher:
Pubd. Aprl. 14th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Gibraltar and Great Britain
Subject (Topic):
John Bull (Symbolic character), Dutch, French, Spanish, History, Foreign relations, Anchors, Demons, and Clothing & dress
