Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
"Louis XVIII, grotesquely obese (left), and the Tsar kiss, their lips touching. Louis, whose head is much the larger, grasps the back of Alexander's head; the Tsar bends from the waist to reach beyond the King's paunch. Louis, with the gouty legs and old-fashioned gold-embroidered coat and waistcoat of English caricature, wears the order of the Saint Esprit. The Tsar, in uniform, has the high pinched waist and bulging breast of the dandy (cf. British Museum Satires No. 13029) with enormous cavalry boots to the thigh, huge epaulets, and a sash, but no sword. He says: "My Dear Legitimate Brother (tho I believe I call Boney the same) I am happy to serve you tho your cursed Country Men almost destroyed my country--" Louis answers: "Ma Chere [sic] Ami, I am so rejoiced at your Brotherly Kindness in putting off our payment & takeing off your Troops that I could Devour you." The embrace is watched by two Frenchmen on the left, and on the right by the King of Prussia, the Emperor of Austria, and a young man (? Napoleon's son). Frederick William wears dandified uniform like that of the Tsar but with long trousers; he supports a large sword hanging from a belt, and holds a huge cocked hat; he watches the embrace with distaste, saying, "I am obliged to follow the Leaders at Present." Francis I says: "I must agree for the moment but I have a Grandson." One Frenchman wears uniform with top-boots; he says: "De Legitimate francais be too much for John Bull de manoeuvre by Gar ve want de Time & we show dem vat ve intend." His companion, an elderly man wearing a court suit with a powdered wig (Richelieu attended the Conference on behalf of France) says delightedly: "Ah-ha he do him vid Compliments & den we do them out of the Money." Behind them is a row of melancholy knock-kneed Grenadiers."--British Museum online catalogue
Alternative Title:
Political-dandies
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Sheet trimmed to plate mark on top edge.
Publisher:
Pub. Nov. 18, 1818, by S.W. Fores, 50 Piccadilli [sic] & 114 Oxford Street
Subject (Name):
Louis XVIII, King of France, 1755-1824, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, and Richelieu, Armand-Emmanuel du Plessis, duc de, 1766-1822
Subject (Topic):
Congress of Aix-la-Chapelle, Heads of state, Kings, Summit meetings, Kissing, Obesity, and Dandies
A large fist inscribed with the words "Manpower, Conservation, America's increased war production" punches a devil-horned Adolph Hitler in the chin
Description:
Title, publisher, and date from item., In lower margin: Litho. in U.S.A. ; Form SPN-299-A., and World War II poster from series "Eat to Beat the Devil" promoting healthy eating for victory. These posters were posted in the Servel Inc. cafeteria.
Publisher:
Copyright 1942, by Servel, Inc. makers of the Servel Gas Refrigerator
Subject (Geographic):
United States.
Subject (Name):
Hitler, Adolf, 1889-1945.
Subject (Topic):
Hygiene, Nutrition, World War, 1939-1945, Heads of state, Meat, Chickens, and Fish
A large fist inscribed with the words "Manpower, Conservation, America's increased war production" punches a devil-horned Adolph Hitler in the chin
Description:
Title, publisher, and date from item., In lower margin: Litho. in U.S.A. ; Form SPN-299-D., and World War II poster from series "Eat to Beat the Devil" promoting healthy eating for victory. These posters were posted in the Servel Inc. cafeteria.
Publisher:
Copyright 1942, by Servel, Inc. makers of the Servel Gas Refrigerator
Subject (Geographic):
United States.
Subject (Name):
Hitler, Adolf, 1889-1945,
Subject (Topic):
Hygiene, Nutrition, World War, 1939-1945, Heads of state, and Fists
"European sovereigns (wearing crowns) and others, watch a game of billiards between the Tsar, the principal figure, and the Sultan. Nicholas (left), a dandy in uniform, is about to make a stroke which will inevitably pocket the Turkish ball; in the pocket beside him is a ball inscribed 'Greece'. He registers complacent satisfaction. The Turk (right), in ornate Turkish dress and jewelled turban with two aigrettes, stamps furiously, tearing his long white beard. Greece (or the pro-Russian President of the Republic, Capodistrias) stands behind Nicholas on the extreme left, gloomily smoking a long pipe. He wears elaborate national costume, and a cone-shaped cap from which project two long ass's ears; this is surmounted by a chain and padlock and inscribed 'Cap of Liberty presented by Russia'. Charles X bends excitedly towards him, both hands raised; he says: 'By Gar he has pocket your Ball--dat is no good for you.' On the wall a framed map of the globe serves as marking board; the east, north, and west sides are respectively: 'Greece', 'Turkey', and 'India', the last being 'Game'. The pointer is a bayoneted musket. Francis I is marking, his finger on the pointer which has just passed "Turkey" on its way to "India"; he looks down at the table, saying, 'I may as well mark Game.' Frederick William III puts his hand on his shoulder, saying, 'I say Brother Marker, you and I must go snacks.' Seated under this map is Francis I of the Two Sicilies, his arms folded; he holds his crown which is 'Wrapped up--to preserve the NAP'. Between the map and Charles X stands an American, presumably President Jackson, a tall man in civilian dress with a jauntily worn high-crowned hat. He says: 'Pretty considerable--that is I guess how the game will be' [see British Museum Satires No. 14714]. Between the King of Prussia and the Sultan stands Ferdinand VII, as the "Spanish Mule" of British Museum Satires No. 12508, &c., an ass's head, with blinkers and a muzzle, and long ears projecting through his crown. He wears ruff, slashed doublet, &c, and reads a paper: 'Map of Sou[th] Amer[ica]'. In the foreground Wellington (right) sits in a small chair, in profile to the left, his eyes looking apprehensively behind him, his mouth pursed. He wears blue coat and white trousers and holds a cue, the butt resting on the ground; under his chair lies a British bull-dog, gazing up with melancholy intentness. The Duke's shadow forms the silhouette of a soldier standing with folded arms. In the middle distance are notabilities, less directly concerned. The Duke of Brunswick in the uniform of a Death's Head Hussar, with a conical fool's cap with bells poised above his crown, says, 'I'll see Hanover d--n before I ask his pardon.' O'Connell, with a big bag of 'Rent' under his arm (see British Museum Satires No. 14766, &c), says to the Pope, holding out a ticket inscribed 'MP, By der powers father I won two games' [his two returns for Clare, see British Museum Satires Nos. 15538, 15847]. On the extreme right Dom Miguel, wearing the Order of the Tower and Sword, clutches his crown, saying, 'I must hold tight now--my little Wife that was to be--is gone home.'"--British Museum online catalogue
Description:
Title etched below image., Imprint continues: ... sole publisher of W. Heaths etchings., Sheet trimmed within plate mark., Mounted to: 33 x 43 cm., and Mounted on a sheet, on the verso of which is an offset impression of: Heath, William. High & mighty queen recieving an address from the most loyal subjects in the world.
Publisher:
Pub. Sep. 30, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855, Mahmud II, Sultan of the Turks, 1784-1839, Kapodistrias, Iōannēs Antōniou, 1776-1831, Charles X, King of France, 1757-1836, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Francesco I, King of the Two Sicilies, 1777-1830, Jackson, Andrew, 1767-1845, Ferdinand VII, King of Spain, 1784-1833, Wellington, Arthur Wellesley, Duke of, 1769-1852, Karl II, Duke of Brunswick-Lüneburg-Wolfenbüttel, 1804-1873, O'Connell, Daniel, 1775-1847, Pius VIII, Pope, 1761-1830, and Miguel I, King of Portugal, 1802-1866
Subject (Topic):
Billiards, Heads of state, Dandies, Pipes (Smoking), and Maps
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
