Plate 71. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title etched below image., Second state as described by Paulson, with 'HERMIONE' and the door and doorway to the house with the burning globe have been darkened with added seriese of diagonal lines. For other changes to the design, see Paulson., Sheet trimmed within plate mar., Ms. note in pencil in Steevens's hand above print: 2d impression., and On page 192 in volume 2.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
Plate 71. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title etched below image., Second state as described by Paulson, with 'HERMIONE' and the door and doorway to the house with the burning globe have been darkened with added seriese of diagonal lines. For other changes to the design, see Paulson., Sheet trimmed within plate mar., 1 print : etching and engraving on laid paper ; plate mark 24.6 x 30.5 cm, on sheet 28.5 x 36.9 cm., Mounted on leaf 59 x 46 cm., and Plate 71 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
"Interior; a great hall with figures in Elizabethan dress, the women in balconies around the side, men standing below, a procession approaching from the right towards Henry VIII who sits enthroned at the far end, below a coffered ceiling with pendants"--British Museum online catalogue
Description:
Title from dedication etched below image. and Sheet trimmed within plate mark.
Plate [92] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; Catherine of Aragon on her knees before the King seated at right, watched by council and clerics seated behind."--British Museum online catalogue
Alternative Title:
Trial of the marriage of Henry the Eighth
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [92] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery
Subject (Name):
Henry VIII, King of England, 1491-1547, and Catherine, of Aragon, Queen, consort of Henry VIII, King of England, 1485-1536,
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Watercolor drawing of a design on a pane of glass that was formerly in the Green Closet at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 59 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Henry VIII, King of England, 1491-1547. and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Stained glass, and Seals (Insignia)
View of the clock and the couple's initials "HA" above a love knot
Description:
Title devised by curator., Unsigned; artist unidentified., Date inferred from that of the plate on which the drawing is mounted; the plate, which depicts the clock with a detail of the inscription on it, was engraved for the 1842 Strawberry Hill sale catalogue., The watercolor drawing is pasted in the lower right corner of the larger sheet of the print, beneath the wood-engraved image., and With embossed ownership stamp of Thomas Mackinlay.
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., and Strawberry Hill (Twickenham, London, England)
Two views of the dagger believed by Horace Walpole to have been formerly owned by King Henry VIII. The first, at bottom, shows the dagger in its jeweled scabbard; the second, above, shows the dagger without the scabbard. A third image, at the top of the sheet, shows a mace, possibly the one described in the 1842 Strawberry Hill sale catalogue, day 19, lot 80 -- "A beautiful Italian steel mace, of exquisite workmanship, inlaid with gold, from the collection of M. Julienne."
Description:
Title devised by curator., Unsigned; artist unidentified., Date inferred from that of the plate on which the drawing is mounted; the plate, which depicts the dagger in its scabbard, was engraved for the 1842 Strawberry Hill sale catalogue., The watercolor drawing is pasted on the top half of the larger sheet of the print, above the wood-engraved image., and With embossed ownership stamp of Thomas Mackinlay.
Subject (Name):
Henry VIII, King of England, 1491-1547. and Strawberry Hill (Twickenham, London, England)
Drawing of three objects kept by Horace Walpole in the Tribune at Strawberry Hill. In the upper left is a depiction of Henry VIII's dagger, a Turkish work having a case and handle of chalcedonyx set with diamonds and rubies; the blade of steel damasked with gold is hidden here by the case. In the upper right is a depiction of a silver Turkish ornament, long and narrow with ornamentation in gold and blue on both ends. At the bottom is a depiction of the ornate prayer book supposedly made for Claude, Queen of France, wife of Francis I; visible is the spine of gold enamelled and adorned with rubies and turquoises, as well as the cover of cornelian that was engraved with religious subjects
Alternative Title:
(These subjects slightly sketch'd from the originals)
Description:
Title devised by curator; alternative title written in ink below images., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 182 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Henry VIII, King of England, 1491-1547., Claude, Queen, consort of Francis I, King of France, 1499-1524., and Strawberry Hill (Twickenham, London, England)
Volume 1, page 19. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Date supplied by cataloger., A grid has been added in pencil, presumably to assist with proportions while copying. Fourteen small sketches in ink, representing details within the image, are present in the margins., and Mounted on page 19 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
