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1. Burlesque sur le burlesque, ou, le grand progres du doguin dans l'arts de peinture ... [graphic].
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- priuilege du Roy decembr. 1753.
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on Hogarth's 'Analysis of Beauty'.
- Description:
- Title etched above image., Printmaker from British Museum catalogue., The first state of this plate; in the second state the title changed to 'The Burlesquer burlesqued'. See Bindman, D. Hogarth and his times., Sheet trimmed to plate mark., and On page 290 in volume 3.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764
- Found in:
- Lewis Walpole Library > Burlesque sur le burlesque, ou, le grand progres du doguin dans l'arts de peinture ... [graphic].
2. Farewell Old Gripe! they work is done ... [graphic].
- Published / Created:
- [not before 1735]
- Call Number:
- Hogarth 735.00.00.16+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A loose plagiary (reversed) after Hogarth's first plate in the Rake's Progress series; the interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a bag of coins to the pregnant Sarah Young; to the right a table with the papers related to the estate and coins; on the floor are boxes of miscellaneous goods; an upholsterer attaching fabric to the wall reveals a hiding place for coins which tumble out
- Description:
- Title from verses below image. Verses (in four columns, each with six lines) continue: " ... And thou hast left graceless son to wast thy fund of ill got stores .... plate, gloves and hoarded cash descend.", See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2259-2272., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 132., and Mounted to 358 x 435 mm.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
- Subject (Topic):
- Avarice, Corruption, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
- Found in:
- Lewis Walpole Library > Farewell Old Gripe! they work is done ... [graphic].
3. Going to court he's arrested at St. James's Gate [graphic].
- Creator:
- Bowles, Thomas, -1767, printmaker
- Published / Created:
- [1735]
- Call Number:
- Hogarth 735.00.00.20+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
- Description:
- Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
- Publisher:
- John Bowles
- Subject (Geographic):
- Saint James Westminster, London, England : Parish),
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
- Found in:
- Lewis Walpole Library > Going to court he's arrested at St. James's Gate [graphic].
4. He and his drunken companions raise a riot in Covent Garden [graphic].
- Creator:
- Bowles, Thomas, -1767, printmaker
- Published / Created:
- [1735]
- Call Number:
- Hogarth 735.00.00.19+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are accosting women passers-by and the watch has arrived to set about them with staves."--British Museum online catalogue
- Description:
- Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38341i., Date of publication from Paulson and the British Museum catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title: Young Ramble, without witt or dread, Does non a drunken party head ... Uplifted staves, drawn swords oppose, And stabs are well repaid with blows., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 43 cm.
- Publisher:
- John Bowles
- Subject (Geographic):
- Covent Garden (London, England),, England, and London.
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Fighting, Intoxication, Rake's progress, Watchmen, and Women
- Found in:
- Lewis Walpole Library > He and his drunken companions raise a riot in Covent Garden [graphic].
5. O' the roast beef of old England &c. [graphic]
- Published / Created:
- [not before 1766]
- Call Number:
- Hogarth 766.00.00.03+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding a large sirloin of beef carried by a cook, on either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef; on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier’s hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais
- Description:
- Title engraved below image., Date of publication based on publisher's street address; Sayer's premises in Fleet Street were not numbered until ca. 1766. See British Museum online catalogue., Text of Theodosius Forrest’s cantata 'The Roast Beef of Old England' printed in letterpress beneath image in two columns., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 180., and Watermark.
- Publisher:
- Printed for Robt. Sayer, No. 53 Fleet Street
- Subject (Geographic):
- England
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Foreign public opinion, French, Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O' the roast beef of old England &c. [graphic]
6. The b**utifyer a touch upon The Times. Plate 1. [graphic]
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- published as the act directs Sepr. 1762.
- Call Number:
- Hogarth 762.09.23.01.2 Impression 2 Box 111
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on Hogarth's plate of 'The Times', attacking him as an apologist for Lord Bute, showing the gatehouse of St. James's Palace
- Alternative Title:
- Butifyer
- Description:
- Title etched above image., Attributed to Paul Sandby. See British Museum catalogue., "With what judgement ye judge, ye shall be judged. Matt. Chap. 7.2"--Centered immediately below image., "Mr. Hogarth, In justice to [blank space] the engraver of this plate: declares to the publick, he took the hint of the B**utifyer, from a print of Mr. Pope White washing Lord Burlingtons Gate, at the same time bespatring the rest of the nobility.", "Price 1s"--Lower right edge., and Sheet trimmed within plate mark.
- Publisher:
- publisher not identified
- Subject (Name):
- Bute, John Stuart, Earl of, 1713-1792, Hogarth, William, 1697-1764, Murphy, Arthur, 1727-1805, Newcastle, Henry Fiennes Pelham-Clinton, Duke of, 1720-1794., Pitt, William, 1759-1806, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Smollett, T. 1721-1771 (Tobias),
- Subject (Topic):
- Crowds
- Found in:
- Lewis Walpole Library > The b**utifyer a touch upon The Times. Plate 1. [graphic]
7. The b**utifyer a touch upon The Times. Plate 1. [graphic]
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- published as the act directs Sepr. 1762.
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on Hogarth's plate of 'The Times', attacking him as an apologist for Lord Bute, showing the gatehouse of St. James's Palace
- Alternative Title:
- Butifyer
- Description:
- Title etched above image., Attributed to Paul Sandby. See British Museum catalogue., "With what judgement ye judge, ye shall be judged. Matt. Chap. 7.2"--Centered immediately below image., "Mr. Hogarth, In justice to [blank space] the engraver of this plate: declares to the publick, he took the hint of the B**utifyer, from a print of Mr. Pope White washing Lord Burlingtons Gate, at the same time bespatring the rest of the nobility.", "Price 1s"--Lower right edge., Sheet trimmed within plate mark., and On page 288 in volume 3. Sheet trimmed to: 25.3 x 19.5 cm.
- Publisher:
- publisher not identified
- Subject (Name):
- Bute, John Stuart, Earl of, 1713-1792, Hogarth, William, 1697-1764, Murphy, Arthur, 1727-1805, Newcastle, Henry Fiennes Pelham-Clinton, Duke of, 1720-1794., Pitt, William, 1759-1806, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Smollett, T. 1721-1771 (Tobias),
- Subject (Topic):
- Crowds
- Found in:
- Lewis Walpole Library > The b**utifyer a touch upon The Times. Plate 1. [graphic]
8. The last stage of cruelty, or, A mercifull example of Quaerism [sic] at Brighton dedicated to the Society of Quakers. [graphic]
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [September 1806]
- Call Number:
- 806.09.00.02+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A plainly dressed man with lank hair falling on his shoulders, bends over a dog, placing his left hand on the head of the trustful animal. With a large brush he applies a smoking liquid to its side saying, "Come here poor Dog! Thee shalt not say I called thee names, or beat thee, for that would be cruel!! but I will anoint thee with Oil, and moisten thy sides with my pure Linnement." The scene is in a yard with a high paling, outside an open door leading to the dispensing-room of the Quaker, evidently an apothecary. Just within the room is a large smoking jar of 'Oil of Vitriol'; on the door-step is a dish of smoking vitriol. Above are the neatly ranged jars, bottles, and drawers of an apothecary, with a pestle and mortar. A woman in an upper window of an adjacent house looks down into the yard; she shouts: "Ah Obadiah, that decietfull whining Cant, to allure the poor Animal, in order to inflict the most Diabolical unheard of Cruelty on him, shall not go unpunished"."--British Museum online catalogue
- Alternative Title:
- Mercifull example of Quaerism at Brighton and Merciful example of Quakerism at Brighton
- Description:
- Title etched below image., Printmaker from British Museum catalogue., Text below title: NB. the side of the poor animal was entirely burned through the next day and his bowels actuall [sic] fell out on the ground., Sheet trimmed within plate mark., and Ms. note in pencil below plate line.
- Publisher:
- Pubd. Septr. 1806 by S.W. Fores, 50 Piccadilly
- Subject (Geographic):
- England.
- Subject (Name):
- Hogarth, William, 1697-1764
- Subject (Topic):
- Quakers, Dogs, Drugstores, Ethnic stereotypes, and Punishment & torture
- Found in:
- Lewis Walpole Library > The last stage of cruelty, or, A mercifull example of Quaerism [sic] at Brighton dedicated to the Society of Quakers. [graphic]
9. [A satire on Hogarth and the Rev. C. Churchill] [graphic].
- Published / Created:
- [1763]
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Churchill (right) in the form of a huge bear, wearing clerical neck-bands, as in Hogarth's "The Bruiser", turns a snarling fiercely at a small dog (Hogarth) like his Trump. The bear has one raised paw and the other rests on a piece of paper entitled "Epistle to Wm. Hogarth", beside a pen and ink well. The dog barks back at the bear, his front paws rest on an artist's palette with the words "Line of beauty" written across it. Etching in the left background, are the words "Pannel Painting."
- Alternative Title:
- Poet and the painter
- Description:
- Title and date from British Museum catalogue., Additional title from local card catalog., Sheet trimmed to plate mark., and On page 291 in volume 3.
- Publisher:
- publisher not identified
- Subject (Name):
- Churchill, Charles, 1731-1764 and Hogarth, William, 1697-1764
- Subject (Topic):
- Artists' materials, Bears, and Dogs
- Found in:
- Lewis Walpole Library > [A satire on Hogarth and the Rev. C. Churchill] [graphic].
