Volume 2, page 78. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: Cavat lapidem non vi, sed saepe cadendo., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 78 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published March 25th, 1791, by W. Dickinson, No. 24 Old Bond Street
Three figures on horseback, riding right to left. Closest to the viewer is large man holding a whip at his side and wearing a hat; next is the figure of Death as a skeleton, wearing a crown and with head turned towards the large man, grinning; and farthest away is a scowling undertaker, holding a whip and with a broad ribbon on his hat
Description:
Title etched below image., Attribution to Richard Newton is suggested in local catalog record., Approximate date of publication supplied by cataloger., Sheet trimmed within plate mark., Reversed version of print published by S.W. Fores in 1796; see British Museum online catalogue, registration no.: 1948,0214.393. See also the reduced copy by Charles Williams that was published in 1806 (No. 10665 in the Catalogue of prints and drawings in the British Museum, v. 8)., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification), Skeletons, Undertakers, Horseback riding, Whips, and Crowns
Volume 2, page 76. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 76 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25, 1791, by W. Dickinson, No. 24 Old Bond Street
A view of Tyburn Turnpike (now where Marble Arch is located) showing street life in London including a man accepting a toll payment from a man on horse back with another man on horseback, a dog running ahead, approaches the gate from the left. Another man with a basket over his arm and a walking stick, a dog by his side, looks over to the right as his young female companion gestures. On the left a begger leans against the rails. Along the road beyond the gate and to the left are several carriages; a small hut on the right is identified as "illegible Water Works 1812". The gate is shown with lamp posts
Description:
Title etched below image. and "Plate 3. Vol. 9"--Upper right edge above image.
Publisher:
No. 49 of R. Ackermann's Repository of Arts &c. Pub. 1 Jany. 1813, at 101 Strand, London
Subject (Geographic):
London (England)
Subject (Topic):
Carriages & coaches, City & town life, Dogs, Horseback riding, Lampposts, Pedestrians, Pleading (Begging), and Toll roads
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A couple of equestrian riders in Essex Warley Heath. The woman rides side-saddle; her companion follows behind struggling to control his horse and remain astride
Description:
Title etched below image., Publication date from the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Reduced and reversed copy of no. 4761 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., No. 2 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 January 1782] and [ca. 1799]
Call Number:
Bunbury 782.01.23.01+
Image Count:
1
Resource Type:
still image
Abstract:
A couple of equestrians ride in Essex Warley Heath. The woman rides side-saddle; her companion follows behind struggling to control his horse and remain astride
Description:
Title from caption below image., Later printing. Date of printing based on watermark., Companion print to: Coxheath ho!, and Watermark: J. Ruse 1799.
"William IV rides (left to right) on a country road, with a large document under his arm: 'Plan Bridge over Canal for Public'; Wellington sits insecurely behind the saddle. Both are in civilian dress. The King: 'Now I've got him up behind I'll just do as I like'. Wellington (slyly): 'This is a very bad Seat, not such a one as I have been used to lately. I am afraid I shall be off.--Open the Park indeed for the Public: I don't like giving way to the Public!!!' A signpost (left) points (right) 'To Holland House'."--British Museum online catalogue
Alternative Title:
When 2 ride upon one horse one must ride behind
Description:
Title etched below image., Approximate month of publication from the British Museum catalogue., and Offsetting on verso. Paper watermarked "J. Whatman Turkey Mill 1827."
Publisher:
Published 1830 by S.W. Fores, 41 Piccadilly, London
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Horseback riding, Documents, Dirt roads, and Traffic signs & signals
A lady in quasi-military dress rides a sorry horse on the road to Coxheath. She is followed by her husband, dressed as a militia officer for auxilliary forces that frequently encamped on Cox Heath. A dog trots panting at the side of the group
Alternative Title:
Sir Horatio Mann returning from Linton to Barham Court having lost his way, is escorted by a farmer's wife returning from Maidstone market
Description:
Title devised by cataloger based on title of published print based on this drawing., Date based on publication date of James Bretherton's etching., A pen and ink copy of an etching after Bunbury., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, British, Militias, and Dogs
