"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
Title and date from item., Published: The Illustrated London News, 4 September 1886., Illustration for "The World Went Very Well Then" by Walter Besant., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks.
Publisher:
publisher not identified
Subject (Name):
Quacks and quackery.
Subject (Topic):
Medicine shows, Spectators, Patent medicines, Clowns, Stages (Platforms)., Horses, Mortars & pestles, and Musicians
Title from item., From: Aegidius Ranbeck, Calendarium annale Benedictinum, Augsburg: Simon Utzschneider, 1677., In image upper right: 20 January., Saint Féchin, -665, was an Irish saint and founder of the monastery at Fore. His saint's day is 20 January., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Simon Utzschneider
Subject (Topic):
Abbots, Christian saints, Saints, Sick persons, Miracles, Kings, and Horses
"Social satire; two sailors on horseback, one with a pipe in his hatband on a small white horse with a spotted handkerchief on a stick attached to its bridle, the other smoking a pipe on a large brown horse; they ask each other how their journeys on their horses have been, using language associated with ships, for example: "endeavouring to double the point at Mile-end she fell foul of a dray, and smack she lay me keel upermost in a stinking ditch ... I hoisted my pocket handkerchief on her topmast as a sign of distress, which was seen by some comrades at anchor in the moorings. ..."."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.711., For another print by Roberts dealing with sailors during the Peace of Amiens, see British Museum online catalogue, registration no.: 1990,1109.69., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle-row, Holborn
Subject (Topic):
Sailors, British, Horses, Pipes (Smoking), Handkerchiefs, and Conversation
Moore, James, active approximately 1761-1763, printmaker
Published / Created:
[before 1765]
Call Number:
765.00.00.98+
Image Count:
1
Resource Type:
still image
Abstract:
"A man on horseback riding to left and pointing ahead of him with his whip, accompanied by a man on foot who carries a gun and gestures with his hat at a globe, palette and dividers on the ground in the foreground; classical ruins and a large building in the background."--British Museum online catalogue
Alternative Title:
See Europe here! for Arms, and Arts renowned
Description:
Title from the first line of verse below image., Printmaker from Chaloner Smith., Before 1765 (see British Museum online catalogue)., Verse continue: ... Where still they flourish on th' improving plan. If other clines with greater wealth abound, Europe's the Eden of accomplish'd Man., See Smith, J.C. British mezzotinto portraits, volume 3, page 941 for mention of an earlier state of this series of four plates "Quarters of the World": "Sold by I. McArdell at the Golden Head in Covent Garden & R. Sayer opposite Fetter Lane, Fleet Street"., One of a series of four allegorical prints, the others depicting Asia, America, and Africa., and Sheet trimmed to plate mark on three sides; trimmed within plate mark at bottom edge.
Publisher:
Printed for & sold by R. Sayer opposite Fetter Lane, Fleet Street
Dates of publication are based on the time frame of Alken's other works., "Price ten shillings.", Cover title., and Spine title: Specimens of driving near London -- H. Alken. Bound in blue morocco with red silk linings and with stamp on inside front cover: Bound by Zaehnsdorf 1901. For further information, consult library staff.
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman 1824., and Later printing.
Two riders having trouble with their mounts on a country road with a sign on the left "to Rumpford 2." The rider on the left has lost his stirrups and is handing onto the horse's head. The rider to the right is taking a header and his horse has stumbled and gone down. At the extreme right is the cause -- a barking dog
Description:
Title from item., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Horses -- Riders falling off -- Sign post to Rumpford.
Publisher:
Pub'd Mar[c]h 15, 1787 by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Volume 2, page 6. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man driving (right to left) one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6143. Its small body is poised high on springs above the large wheels; the driver leans forward to whip his pair of high-stepping horses, which are about to descend a precipitous hill. He wears the plain high-crowned hat which was so great a novelty in 1781 (see British Museum Satires No. 5931, &c.) and top-boots. On the panel of the gig is a draped escutcheon with monogram or cipher. In the foreground are bushes and rough ground with a milestone, "Miles XXI"."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Literature: O'Keeffe, John, 1747-1833. "Sir Gregory Gigg ...", song from Son in law -- Vehicles: Two-wheeled gigs., and Mounted on page 6 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. July 23d, 1782, by J.R. Smith, N. 83 Oxford Street, London
Subject (Name):
O'Keeffe, John, 1747-1833.
Subject (Topic):
Carriages & coaches, Horses, Whips, and Traffic signs & signals
"A young man driving (right to left) one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6143. Its small body is poised high on springs above the large wheels; the driver leans forward to whip his pair of high-stepping horses, which are about to descend a precipitous hill. He wears the plain high-crowned hat which was so great a novelty in 1781 (see British Museum Satires No. 5931, &c.) and top-boots. On the panel of the gig is a draped escutcheon with monogram or cipher. In the foreground are bushes and rough ground with a milestone, "Miles XXI"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with altered imprint statement, of a print originally published 23 July 1782 by J.R. Smith. Cf. No. 6146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Watermark.
Publisher:
Publish'd March 25, 1802, by Ino. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Subject (Topic):
Carriages & coaches, Horses, Whips, and Traffic signs & signals
