Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 50 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
Six sketches arranged across two rows depicting rotund red-faced countrymen riding horses poorly or in various states of humorous accidents. Captions include: How to be obstinate; The most approved method of sliding; How to stick in a ditch; How to prevent being run away with; A Cheshire kick; How to slip from your saddle with ease to yourself and horse
Description:
Title and date devised by cataloger. and Sheet trimmed cropping artist's signature and title.
Subject (Topic):
Horses, Horseback riding, Accidents, and Country life
Men, horses, and (mongrel) dogs in wild but spirited confusion in a forest glade pursue a cow (left); the stag is in the background running in the opposite direction, followed by one man on foot. One horse and rider struggle in a ditch while a second horse, which has kicked off its rider, leaps on top of them. A bald John Gilpin clasps his mount round the neck. In the foreground four men over-weight a two-wheeled cart drawn by a wretched but galloping jade. See British Museum catalogue
Alternative Title:
Cockney comicalities in full chace and Cockney comicalities in full chase
Description:
Title and imprint from published state., Sheet trimmed within plate mark., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No.15206 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 84, Vol. 2.
A stage coach is drawn by two starved horses across rough terrain. An anxious looking Duke of Portland, the nominal head of the government, is being taught how to drive by Charles Fox who is in control of the reins. Their relationship is undescored by the crests on the side panels of the coach with the fox sitting on ducal coronet. Lord North stands in the basket behind, in place of a footman, watching with anger the proceedings on the box. The front left wheel is broken after going over the "Loan" rock; a larger "Reform Bill" boulder is ahead of the horses and The text below image is a paraphrase of the Duke of Chandos's speech criticizing North's coalition with Fox: "Such was the love of Office of the noble Lord, that finding he would not be permitted to mount the Box, | He had been content to get up behind, vide the Duke of C------. . . s's Speech Morning Chronicle 15th April". This was a speech by Chandos on the Irish Judicature Bill, 14 April, violently attacking the Coalition: "he particularly arraigned the conduct of Lord North, and said that not being able to get again upon the state coach-box, he had been content to get up behind." 'Parl. Hist', xxiii. 755
Alternative Title:
Such was the love of office of the noble lord ...
Description:
Title from British Museum catalogue; alternative title from text below image., Signed with the monogram of James Sayers., and Mounted to 37 x 56 cm.
Publisher:
Published 5th May 1783 by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
A stage coach is drawn by two starved horses across rough terrain. An anxious looking Duke of Portland, the nominal head of the government, is being taught how to drive by Charles Fox who is in control of the reins. Their relationship is undescored by the crests on the side panels of the coach with the fox sitting on ducal coronet. Lord North stands in the basket behind, in place of a footman, watching with anger the proceedings on the box. The front left wheel is broken after going over the "Loan" rock; a larger "Reform Bill" boulder is ahead of the horses and The text below image is a paraphrase of the Duke of Chandos's speech criticizing North's coalition with Fox: "Such was the love of Office of the noble Lord, that finding he would not be permitted to mount the Box, | He had been content to get up behind, vide the Duke of C------. . . s's Speech Morning Chronicle 15th April". This was a speech by Chandos on the Irish Judicature Bill, 14 April, violently attacking the Coalition: "he particularly arraigned the conduct of Lord North, and said that not being able to get again upon the state coach-box, he had been content to get up behind." 'Parl. Hist', xxiii. 755
Alternative Title:
Such was the love of office of the noble lord ...
Description:
Title from British Museum catalogue; alternative title from text below image., Signed with the monogram of James Sayers., and Mounted on page 29.
Publisher:
Published 5th May 1783 by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
A stage coach is drawn by two starved horses across rough terrain. An anxious looking Duke of Portland, the nominal head of the government, is being taught how to drive by Charles Fox who is in control of the reins. Their relationship is undescored by the crests on the side panels of the coach with the fox sitting on ducal coronet. Lord North stands in the basket behind, in place of a footman, watching with anger the proceedings on the box. The front left wheel is broken after going over the "Loan" rock; a larger "Reform Bill" boulder is ahead of the horses and The text below image is a paraphrase of the Duke of Chandos's speech criticizing North's coalition with Fox: "Such was the love of Office of the noble Lord, that finding he would not be permitted to mount the Box, | He had been content to get up behind, vide the Duke of C------. . . s's Speech Morning Chronicle 15th April". This was a speech by Chandos on the Irish Judicature Bill, 14 April, violently attacking the Coalition: "he particularly arraigned the conduct of Lord North, and said that not being able to get again upon the state coach-box, he had been content to get up behind." 'Parl. Hist', xxiii. 755
Alternative Title:
Such was the love of office of the noble lord ...
Description:
Title from British Museum catalogue; alternative title from text below image., Signed with the monogram of James Sayers., 1 print : etching on wove paper ; plate mark 30.5 x 43.3 cm, on sheet 32.3 x 45 cm., and Mounted on leaf 18 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 5th May 1783 by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
Volume 1, page 33. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., State before title and verses added below image. For the final state, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed to plate mark., Mounted on page 33 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink below image: Departure of La Fleur from Montreuil in Sterne's Sentimental Journey.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., Artist and printmaker from text on later state: H. Bunbury Esqr. delint. ; engraved by T. Watson., Early state, before any lettering. For the final lettered state, published 28 May 1781 by Watson & Dickinson, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed within plate mark., and Mounted on page 23 of: Bunbury album.
"A runaway horse dashes over a bank towards the sea. The driver, a stout 'cit', falls backwards, broken reins in his hands. A young woman flings herself out. Death sits beside the road on a mile-stone, '56 Miles from London', holding up his hour-glass at the pair. (In the text the accident is on Shooters Hill.)"--British Museum catalogue
Alternative Title:
Away they go in chaise & one, or to undo or be undone
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: Away they go in chaise & one, or to undo or be undone., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 158., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Octr. 1 - 1815, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Accidents, Skeletons, Carriages & coaches, Horses, Dogs, Traffic signs & signals, and Hourglasses
Title supplied by curator., Date derived from printmaker's date of death., Place of publication could not be determined., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Good Samaritan (Parable)., Wounds and injuries, Medicine in the Bible, Healing, Sick persons, Charity, and Horses
Title supplied by curator., Date derived from printmaker's date of death., Place of publication could not be determined., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Good Samaritan (Parable)., Wounds and injuries, Medicine in the Bible, Healing, Sick persons, Charity, and Horses
