Title from text above and below image., Caption below image in lower left: Sore throat., Caption below image in lower right: Dry gripe[sus?]., Description based on imperfect impression; final digit of year in imprint has been erased from sheet and a "3" written in its place., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Furniture: Sofa -- Hell -- Sun -- Sickle -- Zodiac signs: Crab -- Lion., and Print caption in lower right of sheet has been slightly altered in ms.
Publisher:
Pub. by Willm. Holland, No. 50, Oxford Street
Subject (Geographic):
Jamaica and Jamaica.
Subject (Topic):
Social conditions, Opium abuse, Yellow fever, Diseases, Devil, Drug abuse, Hourglasses, Skeletons, and Umbrellas
Title supplied by curator., Date derived from date of original painting., After the painting "The Village Doctor" in the Staatliche Kunsthalle Karlsruhe, ca. 1660-1665., Sheet trimmed., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Uroscopy.
Publisher:
publisher not identified
Subject (Topic):
Urine, Analysis, Medicine, Rural, Physicians, Country life, Books, Medicines, Hourglasses, Retorts, and Fireplaces
Title supplied by curator., Original painting also known as "The Alchemist"., Date supplied by cataloger., Place of publication derived from artist's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Office, interior., and Title in pencil in margin.
Publisher:
publisher not identified
Subject (Topic):
Physicians, Old age, Medical offices, Skulls, Older people, Books, Hourglasses, and Writing materials
Laurence Sterne stands on the left facing Death who has just come in the door (right) carrying an hourglass and carrying a walking stick. On the wall behind him is a map of the fortifications of Namur and on the table by his side, a statue of Diana of the Ephesians under a glass dome (bell glass) as well as a feather pen in an ink stand. Below the table is a jackboot. Between the two columns of verse below the image in a cartouche is a butterfly fluttering over a torch, a reference to the soul
Description:
Title from British Museum catalogue., Date from manuscript note in Horace Walpole's hand., Sheet trimmed to plate mark on top and sides., Five lines from Tristam Shandy below image in English and Italian, etched below image: and when Death himself knocked at my door, ye had him come again, and in so gay a tone, of careless indifference, did ye doit, that he, doubted of his commission. There must certainly be some mistake in thy matter, quoth he ..., In lower left corner: Price half-crown., Temporary local subject terms: Literature: Aristotle's works -- Ovid -- A sentimental journey by Laurence Sterne -- Emblems: mundane egg -- Reference to plagiary -- Machine for tearing books., and Annotated by Horace Walpole below plate line: Sterne, author of Tristam Shandy, done at Florence.
Publisher:
publisher not identified
Subject (Name):
Sterne, Laurence, 1713-1768 and Sterne, Laurence, 1713-1768.
Subject (Topic):
Death, Hourglasses, Skeletons, and Staffs (Sticks)
"A runaway horse dashes over a bank towards the sea. The driver, a stout 'cit', falls backwards, broken reins in his hands. A young woman flings herself out. Death sits beside the road on a mile-stone, '56 Miles from London', holding up his hour-glass at the pair. (In the text the accident is on Shooters Hill.)"--British Museum catalogue
Alternative Title:
Away they go in chaise & one, or to undo or be undone
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: Away they go in chaise & one, or to undo or be undone., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 158., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Octr. 1 - 1815, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Accidents, Skeletons, Carriages & coaches, Horses, Dogs, Traffic signs & signals, and Hourglasses
Title supplied by curator., Place of origin derived from printmaker's place of residence in 1541., Date from item., In image top: Omnem in homine venustatem mors abolet., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Mortality, Women, Skeletons, Hourglasses, and Lilies