"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., Mounted on page 39 of: George Humphrey shop album., 1 print : etching ; sheet 17.6 x 26 cm., On laid paper, hand-colored., and Imperfect; sheet has been cut in half, with bottom portion (17.3 x 20.7 cm) containing the verses mounted separately beside upper portion containing the engraved plate.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., 1 print : etching ; plate mark 36 x 25.3 cm, on sheet 36.4 x 25.7 cm., Printed on wove paper with watermark "J. Whatman 1820"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 60 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Aug. 1820" written beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 26 x 27.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 12 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Clarence," "D. York," "Caroline," "Liverpool," "Wellington," "Geo. IV," "Leach," "Eldon," "Brougham," and "Majocchi" identified in ink at the bottom of their respective panels in the design.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
"Three fat, bedizened women (? Ladies Hertford, Conyngham, &c.), dance in a ring, holding hands. The background is a curtain hanging in festoons. P. 5: D, for the Devils, with infamy fraught, Who first gave the Archer this cowardly thought ... The Archer had venom enough in his reach, But found the most potent exude from the Leech ..."--British Museum online catalogue
Alternative Title:
D, for the devils, with infamy fraught, who first gave the archer this cowardly thought ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Leach, John, 1760-1834., Conyngham, Elizabeth Conyngham, Marchioness, -1861, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Rosco.
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
Caricature of a coat of arms for Queen Caroline and Bergami with the central figure with a satyr's face, a hat "Caroline Bergami gratia -- Half a crown", and white robes richly decorated with scenes from their life on an escutcheon with Chastity and Innocence as supporters, all surrounded by rich red robes lined with ermine. The scenes include: Adam and Eve, two heads peeping from a tent, a scene with Bergami kneeling before the Queen leaning in to kiss, a plump Queen jumping up like a jack-in-the box, the two in costume dancing, the Queen riding an ass. Other suggestive decorative details include ostrich plumes, ribbons with medals engraved "Night of the Dunghill" (Bergami) and Knight of the Thistle with a shield "The Times ... Lies ... Bribery". At the base, Knight of the Bath with a scene with Bergami reaching towards the Queen in her bath above a medallion "Knight of St. Columbine and Penance" surrounded by a banner "My fancy's so free, I rove like a bee."
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Early state, with day of publication etched twice in imprint statement. For a later state with "1st" altered to "the", see Lewis Walpole Library call no.: 821.05.01.05., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 2 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Caricature of a coat of arms for Queen Caroline and Bergami with the central figure with a satyr's face, a hat "Caroline Bergami gratia -- Half a crown", and white robes richly decorated with scenes from their life on an escutcheon with Chastity and Innocence as supporters, all surrounded by rich red robes lined with ermine. The scenes include: Adam and Eve, two heads peeping from a tent, a scene with Bergami kneeling before the Queen leaning in to kiss, a plump Queen jumping up like a jack-in-the box, the two in costume dancing, the Queen riding an ass. Other suggestive decorative details include ostrich plumes, ribbons with medals engraved "Night of the Dunghill" (Bergami) and Knight of the Thistle with a shield "The Times ... Lies ... Bribery". At the base, Knight of the Bath with a scene with Bergami reaching towards the Queen in her bath above a medallion "Knight of St. Columbine and Penance" surrounded by a banner "My fancy's so free, I rove like a bee."
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Early state, with day of publication etched twice in imprint statement. For a later state with "1st" altered to "the", see Lewis Walpole Library call no.: 821.05.01.05., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and 1 print : etching on wove paper, hand-colored ; sheet 26.5 x 21.7 cm.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., and Mounted on page 36 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
