Manuscript fragment on portions of 2 parchment bifolios. Removed from a binding where it functioned as the pastedowns and the first and last flyleaves
Description:
In Latin., Script: Arts. 1-4, 8-15 written in uncial; arts. 5-7 in a pre-Caroline minuscule with prominent ascenders., Pen-drawn initials, touched with red, yellow, green, and/or orange occur for each art.; some incorporate a sawtooth pattern and fish motif. Heading for art. 8 in majuscules for first line (filled with yellow, red, green) and red uncials for second; remainder of headings in red uncials., Leaves damaged by pasting, cutting, and folding., and Boxed.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sacramentaries
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German
Manuscript, on vellum, containing the text of the prophetic books of the Old Testament, including Baruch, with prologues and commentary. The extensive gloss surrounds the centered Biblical text
Description:
In Latin., Layout: Biblical text centered, single column, variable length; surrounding gloss written in double columns of 65-75 lines., Script: gothic script. Letters in Biblical text larger than in glosses., Decoration: 18 small historiated initials and approximately 30 other illuminated initials; numerous blue and red penwork initials with red or lilac penwork decoration; rubricated., and Binding: modern blind-stamped red morocco gilt, by Riviere.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Gradual, with masses from the second Sunday after Easter through the 13th Sunday after Pentecost, omitting Ascension and Pentecost
Description:
In Latin., Script: Written by one scribe in round liturgical gothic script., Initial on f. 1v (2 lines + 2 staves high) made of cadeaux, with gold paint sloppily applied. Other initials 1 line + 1 staff, same style, in black or red, with or without gold. Square notes on 5-line red staves. Headings in red., Water has caused red ink to run on many folios; no loss of text. Some repairs in margins with pieces of coarse parchment., and Binding: Nineteenth century. Half bound in brown calf, gold-tooled, with blue cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: written in gothic script, with notation in nota quadrata., Many illuminated, several historiated initials, the rest in red and black penwork. Made for a church where there was a special veneration for Sts. Lawrence, Concordia and Pope Marcus., Many folios are damaged, some were repaired and all were cut off at the upper and side edges., and Binding: old wooden boards covered with leather; metal corners and center pieces, leather clasps; rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Music
Manuscript on parchment of an anonymous Latin grammar, with some Italian translations
Description:
In Latin, with some Italian., Written by a single scribe in careful humanistic cursive, above top line., Folio 1r illuminated by Francesco d'Antonio del Chierico. Full border, partially rubbed, of white vine-stem ornament curling around a thin gold bar against blue, green and pink ground. In outer border, a medallion, framed in gold, with profile of a young man against blue ground. In lower border a wreathed medallion, framed by two circles of gold with partially erased arms. Medallion supported by six green and red winged putti. The entire border inhabited by a large number of putti playing among the vine stem, various birds and three does. Illuminated initial, 3-line, joined to the border, gold against blue, green and pink ground with white vine-stem ornament inhabited by a seated putto. One small illuminated initial, f. 1v, 2-line, gold against blue and pink ground with white filigree (partly rubbed). Plain initials alternate in red and blue. Guide letters for initials., and Binding: Nineteenth century, Italy (?). Semi-limp vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin language, Grammar, and Manuscripts, Medieval
Manuscript on parchment (sheepskin?) of Roman de Gui de Warewic. With so-called Roman de Herolt d'Ardenne, in fact the final part of art. 1, dealing with Guy's son Reinbrun, followed by 4 verses apparently not found in other manuscripts
Description:
In French., Script: Written probably by one hand in Northern Gothica Textualis Libraria, with loops or bold and calligraphic extensions at the ascenders at the top line., Red heightening of the majuscules. 2-line flourished initials in red and blue, with extensions in the margins or in the intercolumnar space; the alternance of red and blue initials is mostly not respected., The manuscript is waterstained and considerably trimmed. Many lower edges are defective., and Binding: Ca. 1900 de luxe gold-tooled maroon morocco over cardboard in brown leather box, by Riviere & Son; gold-tooled armorial stamp in the middle of the front cover. Gold-tooled spine with five raised bands and title "ROMANT DE GUI DE WARWIC ET DE LA BELLE FELICE". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Anglo-Norman literature, Guy of Warwick (Legendary character), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Table for Oppian, Halieutica. 2) Anonymous Life of Oppian. 3) Oppian of Anazarbos, Halieutica. The order of the text is distorted: I.1-66; 380-543; 67-379; I.544-III.189; IV.562-619; III.198-IV.561; IV.620-end. 4) Oppianus of Apamea, Cynegetica. 5) Colluthus, Raptus Helenae. 6) Tryphiodorus, Troiae Halosis. 7) Dionysius Periegetes, Description of the habitable world (De situ orbis).
Description:
In Greek., Watermarks: similar to Briquet Chapeau 3397 for leaves with text, and to Harlfinger Cloche 31 for blank pages., Script: Text was written by a single scribe. A later hand, bold and ill-formed, supplied the table of contents (ff. iii verso-iv verso), minor marginal notations and the foliation in the upper right corner (for ff. 1-60)., Tinted drawing of Oppian writing his poem while contemplating fish in a nearby stream occurs on f. 1v (perhaps an amateur copy of an author portrait); one simple 6-line initial in red and black penwork, f. 2r; headings in red., and Binding: Nineteenth century. Title in ink on fore edge. Tan calf case with deep geometric indentations, blind-tooled, with a dark blue, gold-tooled calf label. Similar to the bindings of MSS 256 and 258. Possibly bound by Whitaker (we thank A. R. A. Hobson for this information).
Subject (Geographic):
Greece., Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Geography, Greek poetry, Illumination of books and manuscripts, Medieval, Legends, and Manuscripts, Medieval
Manuscript on paper (lightly burnished) of Poggio Bracciolini, Historia Florentina, translated into Italian by his son Jacopo. With Prefatory letter of Jacopo di Poggio to Federico da Montefeltro
Description:
In Italian., Watermarks: similar to Briquet Chapeau 3387., Script: Written in sloping humanistic bookhand with cursive elements., Illuminated initial in gold, f. 1r, 10-line, infilled and surrounded by flowers in rose and blue (yellow centers), rayed gold discs, winding green stems and leaves, and hair-line decoration. Gold initial, f. 3r, 6-line, on ground composed of blue, green, and rose panels, all decorated with gold scroll designs. Headings in red rustic capitals., and Binding: Nineteenth century. Diced brown calf spine, blind- and gold-tooled, with Strozzi arms and "Poggio istoria tradotta da Iacopo suo figlio" and "M. S. Cartaceo del S. XV". Blue and white decorated paper sides.
Subject (Geographic):
Connecticut, New Haven., and Florence (Italy)
Subject (Name):
Bracciolini, Poggio, 1380-1459.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and History
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154
Published / Created:
[between 1175 and 1250]
Call Number:
Beinecke MS 590
Image Count:
278
Resource Type:
unspecified
Abstract:
Manuscript on parchment (sheepskin?) of 1) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. The text, containing the double dedication, to Robert of Gloucester and Waleran Count of Mellent, and wanting the epilogue addressed to Henry of Huntingdon and William of Malmesbury, is believed to be the earliest version of Geoffrey of Monmouth's work. 2) Unidentified French poem of which the end is missing (1276 verses preserved), on the vanity and corruption of the world. 3) Le Roman des Romans
Description:
In French and Latin., Script: Art. 1: Copied by one hand, writing a large Praegothica. Art. 2: Copied by a single hand in early Northern Gothica Textualis Libraria. Art. 3: Copied by a single hand in early Northern Gothica Textualis Libraria., Art. 1: The decoration consists of Romanesque flourished (in one or two colours) or plain initials (2 lines, on f. 1r 4 lines), alternately in red and green. Guide-letters in the margins. On f. 55r, at the beginning of the history of Merlin, a male bust is drawn in the margin., and Binding: Original white leather over rounded oak boards; spine with four raised bands. Marks of one strap fixed to the front cover and clutching over a pin in the rear cover. The front pastedown (detached) consists of fragments of a court roll (from a trial of 1334), identified by N.R. Ker (note kept in the documentary folder in the Beinecke Library) and copied in Gothica Cursiva Antiquior (Anglicana).
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154.
Subject (Topic):
French poetry, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and History