Manuscript on paper (thick, with a slight shine; no watermarks visible) of liturgies of the Greek Orthodox Church, prayers, and sermons
Description:
In Greek., Script: Written in a large, bold minuscule by a single scribe., Three miniatures of good quality in Western style added later (19th century?) on blank folios: f. 1v, Sts. Basil, John Chrysostom and Gregory of Nazianzus, all in priestly vestments, in an elaborate red border; f. 23v, Mother of God between two angels swinging censers; f. 53v, Christ on a bier, in front of a patriarchal cross, flanked by angels swinging a censer and burning incense. Original decoration: elaborate headpieces, 4- to 2-line initials with stylized florals, plain 1-line initials and headings, all in red., and Binding: Nineteenth century. Diced brown calf, gold-tooled, with a black label. On the spine, "LITURG. GRAEC. M. S.".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Liturgics, Manuscripts, Medieval, Prayers, and Sermons, Greek
In Latin and Greek., Script: Written by several scribes using various scripts, ranging from humanist minuscule to gothic bastarda and bookhand., Some initials and headings in red. Initial and marginal ornamentation on f. 15r in pink, yellow, and olive green. Marginal design on f. 16v in violet and yellow. Ornate pen initials on f. 158r, 207r, and 229r. Smaller initials and rubrics in violet and red throughout., and Binding: Eighteenth century. Half leather over boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of Valerius Maximus, Facta et dicta memorabilia
Description:
In Latin., Script: Written in gothic bookhand. Marginal and interlinear annotations in less formal scripts., 8 large initials, 10- to 7-line, of poor quality, pink against gold ground thickly edged in black, filled with stylized foliage, green, orange, and yellow on blue ground. Foliage serifs, pink, blue, orange and yellow with white filigree extending into margins to form partial borders. Gold balls, thickly edged in black. Numerous small initials, 5- to 3-line, pink against gold ground edged in black, filled with stylized foliage, orange and yellow on blue ground. Numerous flourished initials, 2- to 1-line, alternate in red and blue with brown or red penwork. Headings in red by at least two rubricators. Paragraph marks in blue for chapters in tables preceding each book; in red and blue for text., Folio 1r damaged with some loss of text. Most of the decoration is badly rubbed and stained., and Binding: Nineteenth century, Italy. Brown leather case, blind- and gold-tooled. Title (citing portion of table of contents for Book II, f. 1r) on spine: "De institutis/ antiquis/ de disciplina/ militari/ de iure" and "Triumphandi".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Dedication to Ferdinand of Aragon and to his son Alphonse, Duke of Calabria. 2) Dialogue between Lazarelli and his Muse. 3) Books 1-3 on methods of counting time, moveable feasts, the ages of the world, the Jewish patriarchs, popes (the latest, Paul II, 1464-71), etc. 4) Calendar of moveable feasts in 1476 and November-June of 1477. 5) Books 4-16, March through February, and final book entitled Iudicium. 6) Calendar, March through February, with two series per month, the first with Christian feasts, the second with agricultural, zodiacal and historical (Roman and Jewish) information. 7) Thirteen poems by others in honor of Lazarelli. Eleven poets are represented; most of those identified are associated with the Accademia Pomponiana in Rome in the 1480's.
Description:
In Latin., Script: Written in well formed humanistic script below the top line., Eighteen miniatures, the final six sketched in but unfinished, by an accomplished artist whose identity remains uncertain. The miniatures are usually framed in a pink or mauve egg-and-dart molding and a thin gold band. Dedicatory inscription in gold Roman letters on a marble-patterned panel appears on f. 7r. One historiated initial, below inscription, 10-line, of the author at work: gold, edged in black, against a purple and pink quartered ground with pink and purple filigree; all framed in green. In lower margin, supported by putti, is the coat-of-arms of Ferdinand of Aragon, King of Naples., Four initials all'antica, ff. 1r, 70r, 102r, 222v, 14- to 7-line, gold, black, purple, pink, orange and green with flowers and acanthus. Ten white-vine initials, ff. 45r, 58r, 88v, 115r, 137v, 155v, 170v, 182r, 200r and 213v, 10- to 8-line, colors as above. Numerous 4- to 2-line initials, gold, darkly edged in black, on orange-, pink-, and blue-flecked grounds, with guide-letters; some with faces drawn in interior. 2- and 1-line initials, gold, red, and blue with acanthus serifs. 1-line paragraph marks red or blue. Running titles in yellow, red, and blue. Rubrics in margins in red, blue, and purple. KL monograms, 3-line, yellow, red, and blue., and Binding: Nineteenth century. Worn red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lazarelli, Ludovico.
Subject (Topic):
Calendars, Chronology, Church calendar, Christian literature, Latin (Medieval and modern), Fasts and feasts, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Artelouche de Alagona, Fauconnerie, printed several times between 1567 and 1628
Description:
In French., Script: Copied by scribe Vincent Philippon from Avignon (except f. 1) in Gothica Cursiva Formata (Bastarda). Calligraphic extensions of the letters in the upper and lower margin (on f. 48r ending in a monstrous animal's head)., Decoration: Paragraph marks in liquid gold on an alternately red and blue square background. 2- or 3-line, exceptionally 4-line plain initials in liquid gold (Capitalis) on an alternately red and blue square background. Space for a full-page miniature above two lines of text was provided on the facsimile page f. 1r.; a full-page picture, showing a falcon, on f. 45r. includes also a few small marginal images., and Binding: 20th century French red-brown morocco with gilt edges inside; spine has four raised bands and gold-tooled inscriptions.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Artelouche de Alagona.
Subject (Topic):
Falconry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Matthew of Westminster, Flores historiarum. Written presumably at the Cluniac priory of St. Saviour, Bermondsey, Surrey
Description:
In Latin., Script: Written in bold gothic textura; x is crossed., Rubrics, often accompanied by notes to rubricator in well formed current Anglicana script. Decorative initials not filled in. Numerous pen trials and crude drawings in margins (e.g., ff. 28r, 46v, 47r, 63r)., and Binding: Nineteenth century. Blind-tooled brown calf with a gold-tooled title. Parchment flyleaves (formerly pastedowns) from a Missal (England, 15th century) much rubbed and worn, and with offset impression from original binding of corner tongues and four attachments. Gothic textura. Fine blue initials with intricate herringbone penwork designs in red. Headings in red; paragraph marks in blue.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Paris, Matthew, 1200-1259.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, Missals, and History
Manuscript on parchment of documents relating to the foundation of a Hospital for the Blind, by the Church of Saint Lorena in Burgos, 15 March 1479. Mostly dealing with the donation or sale of houses for the Hospital
Description:
In Spanish., Script: Written by a single scribe in a highly abbreviated Spanish Gothic cursive script with many later notes and additions., and Decoration: A miniature on f. 2r depicts the hospital, its patron Saint Lorena, and a blind man, with the legend "hospital de los ciegos". Illuminated initials with marginal extensions ff. 2v and 7v. Illuminated arms on f. 8r within roundel with the letters "c b".
Subject (Geographic):
Spain, Connecticut, and New Haven.
Subject (Topic):
Blind, Hospitals, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Illuminated manuscript on parchment of the four Gospels. Contains (1) Eusebius' Letter to Carpianus, ff. 2v-3r; (2) Canon Tables I-X, ff. 3v-11r; (3) Gospel of Matthew, including index, concordance, and portrait, ff. 12r-96v; (4) Gospel of Mark, including index, preface, and portrait, ff. 97r-149v; (5) Gospel of Luke, including index, preface, and portrait, ff. 150r-233v; (6) Gospel of John, including index, preface, and portrait of John and Prochoros, ff. 234v-297v; (7) reading on the woman taken in adultery, ff. 297v-298r; (8) principal colophon, ff. 298v-299v
Alternative Title:
Bible. Armenian Gospels
Description:
In Armenian., Layout: two columns of 19 lines. Section numbers in margins against text, and concordance numbers in lower margins., Script: bolorgir., Decoration: miniatures and illuminations by Tʻoros Taronacʻi, some signed. Full-page portraits of the Evangelists. Ornate frames, headpieces, marginal decorations. Zoomorphic letters, ornate initials., Binding: leather over boards. Front cover has metal cross and other ornaments; rear cover is stamped. Patterned linen doublures on inside covers., Colophon (fols. 298v-299v) indicates the manuscript was written for Ovanē Ōrpēli (also Awrpēli), a member of the Ōrbelean family which held extensive domains in the same province. Codex was executed at the monastery of Noravank' by the scribe Momik, who was assisted by the vardapet Pawłos. These two scribes completed the greater part of the writing by AE 756 (=AD 1307), when Momik had serious trouble with his eyes. Manuscript was completed by another scribe, Yohanēs or Yovhannēs. Momik recovered his sight in AE 780 (=AD 1331) and wrote the colophon in which he gives interesting information concerning the copy of the manuscript and the feudal lords of Siwnikʻ. The book then passed into the possession of Archbishop Step'anos-Tarsayič, also a member of the Ōrbelean family. In AD 1331 Archbishop Step'anos-Tarsayič had the manuscript "adorned with gold and silver" by order of prince Biwrt'ēl, the head of the Ōrbelean family. Since replaced by current leather binding., and In AE 855 (=AD 1406) the manuscript belonged to a priest named Sēt' (fol. 235r). Later inscriptions indicate that the manuscript was acquired by the craftsman Awēt and his brothers and sons, who in turn offered it to the church of Surb Yakob (St. James) in the town of Cʻałman (fol. 235v); a second indicates the manuscript subsequently belonged to an individual named And[r]ēas and his sons (fol. 236r).
Subject (Geographic):
Armenia., Connecticut, and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Armenian, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper and parchment, composed in seven parts, of a collection of papal documents relating to the Franciscan Order, the Poor Clares, and the Tertiaries of St. Francis. With Rule for Poor Clares; and Rule of the Tertiaries of St. Francis. Includes texts by Popes Urban IV and John XXII; incunabulum; and additional texts
Description:
In Latin., Script: Part I (ff. 2-104): Written by several scribes in small gothic text hands. Part II (ff. 105-132): Written in small upright gothic script; words being defined written in larger more formal style of script. Part III (ff. 133-175): Written in a style of script similar to that in Part II. Part IV (ff. 176-211: Incunabulum. Part V (ff. 212-247): Written in a small round gothic text hand with humanistic features. Part VI (ff. 248-253): Written in cramped and hastily written gothic script. Part VII (ff. 254-265): Written in small gothic text hand., Part I: Two illuminated initials, 9- to 5-line, formed of stylized foliage, pink and green with white highlights on gold gound, filled with blue ground with white filigree. Terminals extending into the margins to form partial floral borders, stylized foliage, blue, green and pink, with gold balls with hair-line extensions. Pen-and-ink initials, alternating in blue and red with red and light green penwork. Plain initials in red or blue. Part II: Red and blue divided initial, 4-line, f. 105r, smaller initials in red or blue. Underlining and paragraph marks in red. Letters and words stroked with yellow. Part III: Crude red initial with simple penwork designs, 8- to 2-line. Paragraph marks and underlining in red. Part V: Red initial, 11-line, with simple designs, f. 212r; 2-line initials, headings, underlining, marginal notes, paragraph marks in red. Majuscules touched with yellow and stroked with red. Part VII: Paragraph marks and underlining in red., and Binding: Sixteenth century, Netherlands. Bound in tan goatskin over paste boards. Very faint blind tooling and four fastenings, two of them ribbon. Catches on the lower board. Front pastedown (and possibly back pastedown?): portion of a document dated 1491. Spine: tying up marks are head, tail, and around the supports.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John XXII, Pope, -1334., Urban IV, Pope, ca. 1200-1264., Franciscans., and Poor Clares.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Papal documents, and Third orders