Manuscript on parchment (warped and stained by moisture) of Cicero, De divinatione
Description:
In Latin., Script: Written in a small humanistic bookhand by a single scribe, above top line. Marginalia added in a contemporary hand., One illuminated initial, 6-line, on f. 28r, gold against blue, green and deep red ground with white vine-stem ornament, joined to a partial border, white vine-stem ornament curling around a thin gold bar on blue, green and deep red ground with white dots on blue, grey on red and pale yellow on green. Headings and running titles in red., and Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani library (Iesi) as MS 450 and Marston MSS 72, 86, 182, 212.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Divination, Illumination of books and manuscripts, Medieval, Latin essays, and Manuscripts, Medieval
Manuscript on parchment of 1) Dares Phrygius, De excidio Troiae historia, in the Latin translation ascribed to Cornelius Nepos, followed by the lists of those killed by the heroes on both sides. 2) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. 3) De origine Normannorum, a short history of Normandy up to Henry I, King of England and Duke of Normandy (d. 1135). The main part of this text derives from Hugh of Saint-Victor (Hugo de Sancto Victore, d. 1141), Excerptiones allegoricae, X, 10 (PL 177.284) and is followed by a short list of Dukes of Normandy. 4) Three unidentified poems on the miracles of St. Benedict, followed by rhymed liturgical prayers to be said in the presence of the relics of the saint, and another poem on St. Benedict. This manuscript, which from the beginning contained all four texts described above, was copied in a Benedictine abbey
Description:
In Latin., Script: Carefully copied by one hand in Northern Gothica Textualis Libraria., Headings and running titles in red, many now poorly legible. Heightening of majuscules in red. Large decorated Romanesque initials, red or green, at the head of artt. 1 and 2; 2- or 3-line plain initials alternately in red and blue and 1-line initials in the same colours in the middle of the text in art. 2; on f. 91r, at the beginning of Book XI, there is a 3-line flourished initial in blue with red penwork, which may be added later. 3-line red plain initial at the beginning of art. 3. 2-line initials in art. 4, of the same kind as in artt. 1-2., and Binding: Eighteenth century. Sprinkled calf over cardboard; the covers have gilt edges.
Subject (Geographic):
Connecticut, New Haven., Great Britain, Normandy (France), and Troy (Extinct city)
Subject (Name):
Dares, Phrygius. and Benedictines.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript in two parts. Part 1 (parchment): Cicero, De finibus bonorum et malorum. Part II (paper): 2) Carlo Aretino Marsuppini, Oratio ad Cosimum et Laurentium de Medicis de matris obitu. 3) Bernardo Giustiniani, Oratio funebris habita in obitu Francesco Foscari Ducis (d. 1457). 4) Epitaph of Francesco Foscari, Doge of Venice (d. 1457). 5) 7-line account, in prose, summarising the accomplishments and life of Francesco Foscari. 6) Alcinous, Epitoma disciplinarum Platonis, translated into Latin by Pietro Balbi. 7) Bernardo Giustiniani, Oratio apud Sixtum IV Pontificem Maximum habita, delivered at Rome in December 1471
Description:
In Latin., Watermarks: Briquet Ciseaux 3668., Script: Part I (ff. 1-90): Copied by two scribes. Scribe 1, ff. 1r-38v, writes in a well formed round humanistic script, below top line and sometimes not using the final line ruled for text. Scribe 2, ff. 38r-90r, is Stefano Guarnieri, who writes in a smaller and less calligraphic humanistic script with cursive features, below top line. Part II (ff. 91-157): Copied by Scribe 2 of Part I: arts. 2-6 in italic, above top line; art. 7 added later, disregards bounding lines of written space., Part I: 5 illuminated initials, 6- to 4-line, yellow and ochre on blue, green and deep red ground with white vine-stem ornament, sometimes extending into the margins to form partial borders. Headings in red majuscules written by Scribe 2. Part II: 4 illuminated initials, 6-line, dark yellow on irregular grounds of blue, green and pink with white vine-stem ornament, shaded with grey; white dots on blue, pale yellow on green and blue on pink. Headings in red., and Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani library (Iesi) as MS 450 and Marston MSS 86, 212, 181, 182, with the first three probably by the same binder. Title, in ink, on tail edge: "C. DE. FI. BO. ET MA".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Foscari, Francesco, 1373-1457.
Subject (Topic):
Eulogies, Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval, and Speeches, addresses, etc., Latin (Medieval and modern)
Manuscript on parchment, composed of five distinct parts. Part I: 1) Vincent of Beauvais, De laudibus seu de gestis Beatae Virginis Mariae. 2) Petrus Comestor, Carmen in laudem beatae Virginis. 3) Vincent of Beauvais, De laudibus seu gestis Iohannis evangeliste. 4) Pictures of St. Barbara and Thomas Aquinas, and a medieval illuminated initial S (England [?], 15th century) pasted to blank pages. Part II: 5) Stephanus Parisiensis (?), unidentified text supporting the theology of Thomas Aquinas. 6) Augustine, De divinatione daemonum. Part III (paper): 7) Albertus Magnus, De sensu communi. 8) Albertus Magnus, De quinque potentiis anime interioribus. Part IV: 9) Fragment of an account of the Passion of Christ. Part V: Index
Description:
In Latin., Script: Part I (ff. 1-44): Written by a single scribe in small gothic bookhand, below top line. Part II (ff. 45-58): Written by two scribes, the one for art. 5, the other for art. 6, in small, tight gothic cursive scripts. Part III (ff. 59-64): Written by a single scribe in a small gothic text hand. Part IV (ff. 65-66): Written in round gothic bookhand. Part V (ff. 67-80): Written in a neat gothic bookhand., Part I: Blue initial, 6-line, with parchment designs and red penwork harping patterns on f. 1r. Plain initials, 4- to 3-line alternate red and blue. Headings, underlining, paragraph marks and chapter numbers, some initial strokes, in red. Guide letters for decorator in margins. Parts II and III: Spaces left for decorative initials remain unfilled. Part IV: One initial, 2-line, on f. 65v and remains of another on conjugate stub: red with crudely drawn penwork designs in black and red. Headings, paragraph marks and initial strokes in orange-tinged red. Part V: On ff. 68r-69r every other entry begins with a 1-line plain blue initial; second letter of each entry washed with yellow; citations of Arabic numerals in red. Guide letters for decorator., Folios 65-66, perhaps removed from a binding, are not conjugate: f. 66 is glued to the conjugate stub of f. 65., and Binding: 19th-20th centuries, England. Semi-limp vellum case with a gold-tooled title. Bound by Pierson. On spine: "Miscellanea Theologica. Stephanus Parisiensis. S. Augustinus. Albertus Magnus etc. Mss XIVe S".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jesus Christ, John, the Apostle, Saint., Mary, Blessed Virgin, Saint, Thomas, Aquinas, Saint, 1225?-1274., and Vincent, of Beauvais, -1264.
Subject (Topic):
Passion, Devotion to., Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Basil, Saint, Bishop of Caesarea, approximately 329-379
Published / Created:
[between 1450 and 1500]
Call Number:
Marston MS 105
Image Count:
59
Resource Type:
unspecified
Abstract:
Manuscript composed in two parts. Part I (on parchment): 1) Basil the Great, De legendis libris gentilium, translated into Latin by Leonardo Bruni and with his dedicatory preface to Coluccio Salutati. 2) Unidentified poem. 3) Benedictus Cingulanus (Benedetto da Cingoli), Carmina. Part II (on paper) : 4) Ps.-Seneca, De remediis fortuitorum
Description:
In Latin., Watermarks: unidentified basilisk buried in gutter., Script: Part I (ff. 1-17): Art. 1 written in a humanistic bookhand characterized by tall ascenders, above top line; arts. 2-3 added later in a less expert hand. Part II (ff. 18-25): Written in humanistic cursive script by a single scribe, above top line., Part I: Decoration consists of one illuminated full border, f. 2r, white vine-stem ornament with pale yellow shading on vibrant blue ground, green and deep purplish red and gold ground with white dots on blue, pale yellow dots on green and red. In lower border, medallion, framed by a wreath, with mutilated coat of arms. Illuminated initial, 4-line, gold, framed in pale yellow, on blue, green and red ground with yellow and white filigree, joined to the border. One large illuminated initial, f. 1r, gold on blue, green and red ground with white vine-stem ornament, extending into the upper and inner margin to form partial border. Small initial, 2-line, gold, framed in yellow, on red, blue and green gound with yellow filigree, f. 3r. Headings in red. Part II: Initials for paragraphs set apart from written space between vertical bounding lines., Stained throughout., and Binding: Sixteenth century, Italy. Front and rear pastedowns from an unidentified Latin moral treatise (Italy, ca. 1450). Sewn on three supports set in grooves on the outside of wooden boards. Plain wound endbands. The spine is round. Covered in brown calf, blind-tooled wtih an arabesque border and a central diamond with assorted fleurons. Aldine leaves and acorns dotted about. Spine: four fillets at head and tail and outlining the bands. There are five large, round bosses on each board and two fastenings, the catches on the upper board and the lower one cut in for the straps, one of which is wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Basil, Saint, Bishop of Caesarea, approximately 329-379.
Subject (Topic):
Classical education, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Latin poetry, and Manuscripts, Medieval
Manuscript on paper of 1) Will of Guglielmo di Montiglio, councillor of Guglielmo X (VIII) Palaeologus, Margrave of Montferrato, 1464-1483, dated Casale Montferrato, 8 Febr. 1469. 2) Aeneas Silvius Piccolomini (afterwards Pope Pius II, 1458-1464), De miseriis curialium, a letter addressed to the German courtier Iohannes von Eich, written 1444
Description:
In Latin., Watermark: flower (?)., Art. 1 is copied in a rapid Humanistica Cursiva Libraria. Art. 2, by another hand, is in Humanistica Textualis Formata., Art. 1 is undecorated. Art. 2 opens with a 3-line plain initial in red and blue, followed by a line in Capitals. In the lower margin of f. 5r a coat of arms gules, with a head (?) azure and a heart-shield gold. Initial and coat of arms, of mediocre execution, are by the same hand., and Binding: Nineteenth century. De luxe binding by Chambolle-Duru. Brown morocco over pasteboard, the turn-ins gold-tooled; marbled endpapers. Spine with five raised bands and gold-tooled inscription: "AENEAS / SYLVIUS / DE / MISERIIS / CURIALIUM". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pius II, Pope, 1405-1464.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, and Wills
Manuscript on paper of Boccaccio, De mulieribus claris, with dedication to Andrea Acciaiuoli
Description:
In Latin., Watermarks: Briquet Tete de boeuf 14717 and similar to Piccard Ochsenkopf XII.123., Script: Text written in a well spaced gothic bookhand with humanistic features by a single scribe, below top line. Art. 1 and rubrics added in similar script by another hand., Folio 3r, partial border, of poor quality: in lower margin, a patch of green grass with two women seated, one dressed in red, the other in green and white, supporting a shield with unidentified arms (gules, 3 helmets sable [in outline only]), a later addition. From the patch of grass oak branches with leaves and acorns extend into inner and upper margins. In inner margin, a fox chasing a hare. Folio 80r, a medallion framed in red and pink and four small gold flowers, with an unidentified monogram in gold against blue ground. One pen-and-ink initial, 8-line, blue with pale red penwork. Plain initials alternate in red and blue. Headings in red (ff. 1r-7r only). Many initials touched with red. Guide letters for decorator throughout., and Binding: Fifteenth century, Italy. Parchment stays from contemporary document adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps fastened in channels in flush wooden boards. A primary endband, caught up on the spine, is sewn on tawed skin cores. Remains of red secondary embroidery. The spine is square and lined with tawed skin between central supports. Covered in kermes pink, tawed skin with corner tongues, the sides divided into triangles with right angled and diagonal fillets. Three fastenings, the catches on the lower board and stubs of green fabric straps on the upper board which is cut in to accomodate them. Eight star-shaped bosses on the upper board (one wanting) and five on the lower, each board with four bosses on their spine edges. Inscription on upper cover: "de mulieribus claris". Written in ink on fore edge: "LXXXVIII" with a helmet on each side. Label on lower board wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boccaccio, Giovanni, 1313-1375.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Benedetto Cotrugli (Benedictus de Cotrullis, c. 1410-1469), De navigatione liber (Della navigazione). After the prologue in Latin addressed to the Doge and the Senate of Venice, the author, quoting countless Biblical, ancient, medieval and Renaissance authors and drawing largely on his own experience, discusses the oceans and seas, islands, ports, the history of ship-building and navigation, weather, and astronomy. At the end, he includes portolano maps and describes the coast of the Mediterranean and the Black Sea
Description:
The author, born in Ragusa (Dubrovnik), was a businessman and humanist, from 1451 onwards in favour at the Court of Naples. His Della mercatura e del mercante perfetto, written in 1458, was for a long time considered his only surviving work. Our manuscript, written during his lifetime and no doubt under his supervision or by his hand, is the only existing manuscript of Della navigazione and it is unfinished, missing most of its illustrations and the end of the text., In Italian., Script: Written by one hand in Humanistica Cursiva close to Humanistica Textualis. Headings and opening words of chapters in pale red capitals., Heightening of majuscules and paragraph marks in pale red up to f. 10r. Space for 2- or 3-line initials at the opening of all chapters, the initials not executed. Illustration largely missing; the few that have been executed are crudely drawn., and Binding: Nineteenth century. Yellowish parchment over cardboard. Marbled paste-downs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cotrugli, Benedetto, d. 1468.
Subject (Topic):
Astronomy, Medieval, Illumination of books and manuscripts, Medieval, Italian literature, Manuscript maps, Manuscripts, Medieval, and Navigation
Manuscript on paper (coarse; remains of deckle edges) of 1) Cicero, De oratore I-III. 2) Cicero, Pro T. Annio Milone. 3) Cicero, Pro Q. Ligario
Description:
In Latin., Watermarks: Briquet Echelle 5904, Briquet Fleur 6306, and similar to Briquet Ciseaux 3668., Script: Written in a neat upright humanistic cursive by a single scribe., Partial border, f. 1r, white vine-stem ornament on blue, green and pink ground with white and pale yellow dots. At the terminals, gold balls with hair-line extensions. Illuminated initial, 4-line, gold on blue, green and red ground as above joined to the border. In lower margin, wreathed medallion for arms (drawn with a compass), blank. Five smaller initials, 4- and 3-line, gold on blue, green and red rectangular grounds with white or pale yellow filigree and white dots. Headings and colophons in red., and Binding: Fifteenth century, Italy. Stays cut from parchment manuscripts (text washed) inside the quires and also outside the first two. Original sewing on three tawed skin, slit straps attached to wooden boards. Beaded, chevron, natural, pink, and green endbands are sewn on tawed skin cores. Covered in dark brown calf with narrow corner tongues and blind- tooled with two circles and corners of rope interlace in a central panel with concentric frames, one with beaded zigzag ribbon tools similar to those on Marston MSS 38 and 68, and gilt annular dots. Spine: double fillets at head and tail and outlining the bands; panels diapered with double fillets. Two fastenings, the catches on the lower board; the straps and clasps probably later additions.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Speeches, addresses, etc., Latin
