Manuscript on parchment of Uguccione Pisano (d. 1210), Derivationes
Description:
In Latin., Script: Part I (ff. 1r-28v): Written by a single scribe in round gothic bookhand, below top line. Part II (ff. 29r-169r): Written in small gothic bookhand, above top line. Many sections traced over in darker ink., Part I: Divided initial, blue, 8-line, with intricate red pen flourishes extending down inner margin, f. 1r. Plain red initials, 2-line, to mark new letter of the alphabet; first letter of each word in table stroked with red; more important words preceded by paragraph mark. Part II: Blue or red initials (some divided), 20- to 7-line, with pen flourishes in red and/or blue, for prologue (art. 5) and each letter of the alphabet. On ff. 29r, 43v, 60r: a single dragon-like grotesque, in red and blue, extends up or down the margin. Initials, 2-line, alternate red and blue with plain pen flourishing in opposite color., Text has faded and flaked throughout., and Binding: Fourteenth century (?), Italy. Original sewing on four tawed skin, slit straps laid in channels on outside of beech boards and nailed. A beaded, natural color endband. Covered in kermes pink tawed skin with an X within a rectangular frame drawn on it. Traces of five round bosses on each side and four truncated diamond-shaped catches on the lower board; the upper board cut in for the straps. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Uguccione, da Pisa, Bishop of Ferrara, d. 1210.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin language, Etymology, Manuscripts, Medieval, and Scholasticism
Manuscript on paper of Lucas Janszoon Waghenaer, Descriptio Orae Maritimae Frisiae. With 2 maps on vellum: the first, with Dutch place names and Latin legend, shows the coast of the Netherlands. The other, also in Dutch, shows the southern coast of England
Description:
In Dutch and Latin., Script: copied by one hand in calligraphic Humanistic cursive script. The scribe's knowledge of Latin was defective., The illustration consists of two maps and numerous profiles of coastal landmarks, all in coloured pen and ink drawings. The profiles are copied from the woodcuts in the printed edition., and Binding: contemporary Dutch parchment binding, gold-tooled. On the flat spine the handwritten inscription in Southern Gothica Textualis: “Carta del navigare del mare Oceano”.
Subject (Geographic):
Connecticut, New Haven., Great Britain, and Netherlands
Subject (Name):
Waghenaer, Lucas Janszoon, 1534 or 5-1606.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscript maps, Manuscripts, Medieval, and Description and travel
Manuscript on trimmed parchment. Note rubrics on ff. 59v, 81r and 101v mentioning "l'eglise catholique" and "Institution catholique", and lengthy prayer against heretics, ff. 103r-106v
Description:
In French., Script: Written and illuminated by Pierre Aymes in a roman and italic script influenced by printing., Thirty-two miniatures, in brown frames, of average quality. 2-line initials, gold, blue or silver against gold, red, green or blue grounds. Bounding lines reinforced in gold and pink. Rubrics throughout. Full border on title page made up of panels framed in gold filled with grotesques, candelabra, masks against pinks grounds., and Binding: 16th-17th centuries. Sewn on three single, tawed supports laced into the boards. Gilt edges and red- and cream-beaded endbands. Covered in brown calf, gold-tooled all over with strap work and arabesques in concentric frames. Two fastenings, now wanting. Engravings of the Virgin Mary glued to front and back pastedowns. Front pastedown: Virgin and child handing rosary to St. Dominic with legend Psalterii B. Mariae Virginis aut Rosarii inuentur S. Dnic. Back pastedown: S. Maria Mater Dei with four flowers in corners.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (poor quality: many ends, some stitched pieces; trimmed) of Suffrages and Prayers. Reputed to have been made for Marguerite de Valois, duchess of Savoy (1523-74), though there is no evidence of this within the manuscript
Description:
In Latin and French., Script: Written in batarde by several persons., Forty-six miniatures of very poor quality, the majority 10- to 8-lines, rectangular and full width of folio, framed in brown ink; four others (ff. 42v, 53r, 73v, and 104v) 5- to 4-lines, square, in gold frames edged in blue. 4- to 3-lines initials, ff. 1r-7v only, silver or gold on magenta or blue irregular grounds, with gold or silver filigree. 2- and 1-lines initials in red. Line-fillers in red and brown floral patterns. Rubrics throughout., and Binding: 16th-17th centuries. Resewn on four very small vegetable fiber cords. The spine of the cover shows that the earlier supports were nearly flat and double and that there were two half-bands near head and tail. Red edges. Covered in yellow/brown calf, blind-tooled with a central panel filled with strap work inside floral borders. A rectangle of leather near the center is painted red and "Margveritte de Savoye" is tooled near the head of the lower board. The cover has been made into a case or hollow-backed binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper and parchment, heavily illuminated (trimmed), of Devotions to the Blessed Virgin Mary. Written in Cologne/Lower Rhine (Ripuarian language area) for Augustinian use
Description:
In German and Latin., Watermarks: similar to Briquet Armoiries 1656., Script: Text written in varying bookhands, most with batarde influence; more formal scripts for some rubrics and portions of text on parchment., Two historiated initials, 12- and 10-line, on parchment bifolios, the letters gold and blue with brown and red penwork, the figures crudely drawn in pen and colored brown, blue and green, against bright red grounds with white highlights; brown and red calligraphic flourishes with red, green, blue and yellow dots extending along upper and side edges of written space. 12-, 10-, and 9-line initials (ff. 13r, 96r, 115r, 179r, 222r, 258r, 322v) gold (or red for ff. 258r, 322v) and blue, filled with brown floral penwork designs with calligraphic flourishes and dots, as above. Floral borders for each 12- through 9-line initial (except ff. 15r and 258r), red, blue, and green flowers with gold dot centers, connected by brown ink stems, arranged in rows or spirals; ff. 13r and 84v with a vase and bird in the margins. Two 9-line initials, ff. 274r and 298r, on parchment bifolios, in a markedly different style, green and blue respectively, with yellow and white highlights, against gold grounds, filled on f. 274r with a large flower, blue and red, on f. 298r with short sections of curling pink and green acanthus. Borders large blue or red flowers with gold dots and centers or short sections of blue and red acanthus on spiraling brown stems with small green teardrop leaves. Numerous 7- through 2-line initials, red and/or blue, with brown penwork and flourishes, as above. I-initials, up to 13-line, red or blue throughout. Some capital W's in text in blue or red. 2-line KL monograms, alternating red and blue. Some portions of the text, including proper names, underlined in red. Notes for rubricator in gutter, perpendicular to text., and Binding: Sixteenth century. Original sewing on four supports attached to wooden boards. Covered in dark brown calf with corner turn-in tongues. Blind-tooled with concentric borders, an X, roses and small flowers in the central panel, roses and rampant lions in the outer borders. Two clasp-and-catch fastenings, the catch on the upper board. Rebacked and the endbands probably added. Straps replaced. Covers lined with fragments of unidentified scientific text, in Latin (15th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint, Augustinians., and Catholic Church
Subject (Topic):
Devotion to., Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (varying quality) of 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts and ends incomplete. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints. 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae
Description:
In Latin., Script: Written by more than five hands in Carolingian script and Praegothica., Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., and Binding: Twentieth century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription "S. GREGORII DIALOGI. SAEC. X".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604. and Catholic Church
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sermons
Manuscript on paper of 1) Jerome, Dialogus contra Pelagianos, Books I-III. 2) Rufinus Tyrannius, Apologia contra Hieronymum. 3) Jerome, Apologia contra Rufinum, Books I-II. 4) Jerome, Ad Algasium liber quaestionum undecim (Letter 121). 5) Anonymous, Disputatio de ratione anime. 6) Origen (?), translated into Latin by Jerome. 7) Jerome, Ad Hebydiam de quaestionibus duodecim (Letter 120). 8) Jerome, Ad Algasium liber questionum undecim (Letter 121), ending abruptly in the tenth questio. 9) Epistola ad Demetriadem de virginitate et vitae perfectione. 10) Jerome, Epistola CVIII ad Eustochium virginem, on St. Paula. 11) Jerome, Epistola CXLII ad Augustinum
Description:
In Latin., Watermarks: similar to Briquet Monts 11895 and 11702; unadorned anvil similar to Harlfinger Enclume 5; unidentified letter (D?) similar in general design to Harlfinger Lettre 14., Script: Written by two scribes. Scribe 1 (ff. 1r-76v) in a fere-humanistic hand with features of round humanistic; Scribe 2 (ff. 76v-109v) in a more angular fere-humanistic hand., One 4-line illuminated initial, f. 1r, shaded pink with red and green acanthus leaves on dark blue with white filigree against a gold ground edged thickly in black. In the upper left corner a red, blue and gold flower with spiralling acanthus in the upper and inner margins, forming a partial border, green, blue, red, brown, the spirals filled with gold or blue with white filigree. Large gold dots with four black spikes. Numerous pen and ink initials, 5- to 1-line, alternating in red and blue with purple or red penwork. Headings in red. Instructions to the rubricator at lower edge, f. 1r., and Binding: 19th-20th centuries. Rigid vellum case with the title in ink on the spine: "Dialogi Pelagii et Attici".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Apologetics, Celibacy, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Valerius Maximus, Dictorum factorum memorabilium ad tiberium cesarem
Description:
In Latin., Script: Written by a single scribe in a precise round gothic bookhand., Illuminated by Cristoforo Cortese, ca. 1420. Fine historiated initial (12-line) on f. 1r, the author seated at a lectern, pink, purple, green, red, and blue foliage on a gold ground, edged in black, with delicate white highlights; an exuberant vine and foliage border in three margins; the upper margin with a bar, gold and blue, with white highlights. Eight illuminated initials (9- or 8-line) on ff. 14v, 29v, 45r, 61r, 79r, 98v, 115r, 132r in the same style, borders in outer margin. Fine penwork initials throughout, blue with red penwork or vice versa (7- to 4-line). Several lines following initials written in ornate majuscules widely spaced on every other line, filled in with sepia penwork (some left unfinished, especially near end of manuscript). 2-line initials, blue with red or red with blue penwork, less ornate than above. Rubrics missing for major text divisions; paragraph marks in red or blue., Borders cut out on ff. 1r, 45r, and 79r, replaced with parchment, with initials and borders partially restored., and Binding: 18th-19th centuries. Mottled calf case, gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of Diploma for a doctorate of Civil and Canon Law accorded to Franciscus Adelasius (Adelasio) from the University of Padua, 27 Jan. 1674
Description:
In Latin., Script: Written in elegant italic script; headings and names of persons in humanistic bookhand or square capitals, in gold., On f. 1v: coat-of-arms of the Adelasio family of Bergamo (gules, per fess 3 pennants argent on staves or; in chief azure, an eagle displayed or) surrounded by a full floral border in vivid shades of gold, brown, red, orange, and blue, with two peacocks in lower panel and a framed oval miniature of the Virgin Mary supported by griffins in upper panel. On f. 2r similar treatment of folio, but with text of diploma in center of page and a miniature of St. Antony of Padua in upper panel; ff. 2v-3v surrounded by full floral borders of less exuberant design than ff. 1v-2r., and Binding: Seventeenth century. Brick-red sheepskin heavily gold-tooled with a central medallion surrounded by floral arabesques and fan corners in multiple roll borders of different designs, the outer one blind-tooled. A red wax seal (cracked), displaying the arms of Gregory, Cardinal Barbadicus (Barbarigo; 1626-97), and enclosed within the original gold-tooled circular holder (58 mm. diameter) that matches the binding, is attached to the spine with twisted silk cords.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of a Diploma for a doctorate in Theology accorded to Iosephus Prudentius from the University of Padua, June 1598
Description:
In Latin., Script: Written by Franciscus de Oddis, in an elegant italic., On f. 1r, a full vine-scroll border, in purple ink with grapes and highlights in gold, outlined in double purple lines; a 5-line initial, gold, with purple and gold vines. Headings and names of persons in humanistic bookhand or square capitals, in gold., and Binding: Nineteenth century. Brown leather wrapper, gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
