Manuscript on parchment (rough, poorly prepared) of Petrus Quesvel, Directorium iuris. With Eleven short blessings at Easter for meat, cheese, bread, salt, and lard, added in the 15th century
Description:
In Latin., Script: Written by a single scribe in a hasty cursive schoolhand., Red and blue split initials, 18- and 16-line, with elaborate penwork designs and plain full border in red and blue mark beginning of Books 1 and 2 (ff. 1r, 91r); smaller initial with partial border at beginning of Books 3 and 4 (ff. 191r, 297r) and for the two parts of art. 3 (ff. 428r, 439r). Numerous initials, 5- to 2-line, alternate blue with red flourishes and vice versa. Running titles in red and blue, paragraph marks alternate red and blue. Notes to rubricator, but rubrics never supplied. Initial strokes and underlining, in red, for arts. 2 and 3., Part of outer column of f. 189 cut off, no loss of text., and Binding: Twentieth century. Brown calf over wooden boards, with the leather sewn around the endbands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Quesvel, Petrus.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Law, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on parchment of 1) Dante Alighieri, La Commedia secondo l'antica vulgata. 2) Bosone de' Raffaelli da Gubbio, "Capitolo" on the Divine Comedy, in 64 terzine. 3) Iacopo Alighieri, "Divisione" of the Divine Comedy in 50 terzine (thus of the B group).
Description:
In Italian., Script: Written in round gothic script., Very fine initials and borders. Three historiated initials, each with a personification with attributes. Each initial with a full border of fleshy acanthus, blue, orange, olive green, pink, grey and gold, with tooling; birds in lower margin of ff. 1r and 54r; on f. 1r a coat-of-arms, in lower margin: azure, a chevron or, between two roses in chief argent, a mount of 6 in base argent, probably of the Bini family, Florence. 3-line initials, red or blue, with mauve or red penwork with long intricate flourishes often extending the length of the page. Opening text of Inferno adjacent to the initial of f. 1r in display capitals with penwork panels in brown ink. Capitals on the beginning of each stanza stroked in yellow. Rubrics throughout., and Binding: Sixteenth century. Sewn on five double supports attached to wooden boards. The spine is square with well defined bands and red and green endbands. Covered in dark brown goatskin, blind-tooled in mudejar style in two sets of concentric frames; DO.IOAN.DE gold-tooled in the center of one, BORGA in the other. Trace of two fastenings. Gilt edges. Restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dante Alighieri, 1265-1321. and Dominicans
Subject (Topic):
Manuscripts, Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Alexander of Villa Dei, Doctrinale
Description:
In Latin., Script: Written in round gothic bookhand by a single scribe, below top line., One historiated initial, f. 1r, 6-line, pink, red, and green with white filigree on gold ground thinly edged in black, with a half-length portrait of a teacher in red robes and a red cap holding a book, against a blue ground with white filigree. In the lower margin arms of the Pesaro family of Venice (per pale indented or and azure), framed by scrolling acanthus, green, red, blue, and pink. Plain initials and paragraph marks both alternate blue and red. Headings in red., and Binding: Nineteenth century, England. Light brown leather, gold-tooled. Gilt edges. Rebacked. Title on spine: "Alexander de Villa Dei Doctrinale. MS: In Memb". Bound for Henry Drury by C. Lewis in 1820.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, de Villa Dei.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin language, Grammar, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of 1) Note on the reign of the first Doge of Venice, Pauluccio Anafesto (697-717). 2) History of Venice from its legendary foundation to 695. 3) Alphabetical list of Venetian noble families, with their coats of arms and notes on their history. 4) History of the Doges of Venice up to Francesco Venier, elected 1554, d. 1556, with their coats of arms
Description:
In Italian., Script: Copied by two hands. A (ff.IIr and 1r-84v): Gothica Cursiva Libraria/Currens; B (ff. 85r-170r): Humanistica Cursiva Currens., Painted coats of arms, those in art. 3 in decorative cartouches. Large decorative painted initials for each family name., The top and the lower corners of the final leaves badly damaged by moist, with loss of some text., and Binding: Date? Pasteboard.
Subject (Geographic):
Connecticut, New Haven., Italy., and Venice (Italy)
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Nobility, and History
Manuscript fragment on parchment (damaged). The one side has fine drawings of a king and queen (with falcon) in elaborate robes. Beside them is a foot soldier in armor; below a warrior on horseback, in armor, pursued by an archer, without armor. Above is a centaur (Chiron?) shooting an arrow at a flying bird, a second bird on the ground. On the other side (much affected by paste) three warriors storm a tower
Description:
In Latin. and Removed from Marston MS 89 where it was used as a front pastedown.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Prosper, of Aquitaine, Saint, approximately 390-approximately 463
Published / Created:
[between 1400 and 1425]
Call Number:
Beinecke MS 15
Image Count:
230
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Prosper Aquitanus, Epigrammata ex sententiis Sancti Augustini. With Johannes Shepey, Sermones
Description:
In Latin., Script: Written in various styles of Anglicana, with some portions in gothic bookhand, by four scribes. Scribe 1) ff. 1r-10r; Scribe 2) ff. 10v-30r; Scribe 3) ff. 31r-107v; Scribe 4) f. 75r to the top of 76r (perhaps to supply text missing from the exemplar)., Blue initials with elaborate red, blue, and black penwork borders that almost totally encompass the written space on ff. 1r and 31r (trimmed along upper and outer edges); similar initials in blue with red penwork designs extending entire length of folio introduce each new section of text., and Binding: Nineteenth century. Brown sheepskin, blind- and gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430. and Prosper, of Aquitaine, Saint, approximately 390-approximately 463.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, Sermons, and Theology, Doctrinal
Manuscript on parchment of Martial, Epigrams. The codex was misbound; the epigrams are out of order. Excerpts from the critical commentary of Domizio Calderini (Professor of Rhetoric at Rome in 1470) surround the text on ff. 1r-24v and 165r-193r. With an unidentified prose text outlining the development of civilization
Description:
In Latin., Script: Written by one scribe in a neat italic for the text and a less formal hand for the commentary and for the unidentified text on ff. 193r-194v., Gold initials, 5-line, on blue, dark red and green grounds, with white and gold highlights, mark the beginning of each book. Small, plain initials, alternating red and blue, for each epigram. Commentary and titles, in various shades of red., Final folios creased and rubbed; some loss of marginal text due to trimming and wear., and Binding: 18th-19th centuries. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Verse satire, Latin
Manuscript on parchment (hairside yellow and speckled) of Cicero, Epistolae ad familiares. With Extract from Aulus Gellius, Noctes Atticae III.8.8: Epistula Fabricii et Aemilii consulum ad Pyrrhum regem. The text was copied ca. 1400 and the border decoration added between ca. 1415 and 1431
Description:
In Latin., Script: Written in a neat fere-humanistic hand by a single scribe, below top line., 14 elegant illuminated initials and partial borders at the beginning of each of the 16 books (the opening pages of Books XII and XV have been excised). Initials, 5- to 3-line, blue with white filigree or red with gold filigree on cusped grounds of gold. Most of the illuminated initials filled with bust-length portraits, presumably of Cicero's correspondents, on red, blue or diapered ground. Some initials filled with vine scrolls with trilobe leaves in red with white highlights against gold ground. Partial borders, scrolling vine with trilobe leaves or acanthus in blue, pink, red and gold with white highlights and green, red and blue with gold highlights. Small figures of angels, dressed in green with gold wings in borders or margins, some playing musical instruments, one holding an open book, one holding the cloth of Veronica. Other marginal figures include the "Agnus Dei" and a pelican piercing its breast. The figures are all characterized by white faces, small angled black eyes, and a preference for green and gold, the green with contour lines in gold. Plain initials alternate red and blue. Rubrics throughout., and Binding: Nineteenth century, France (?). Red velvet case with a dark green gold-tooled label: "M. T. Ciceronis Epistolae Ad Familiares MS. in Membranis". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome
Description:
In Italian., Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., and Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Phalaris, Epistolae, translated into Latin by Francesco Griffolini of Arezzo and dedicated to Malatesta Novella of Cesena. 2) Unidentified couplet. 3) Ps.-Brutus, Epistolae, translated by Rinuccio Aretino and dedicated to Pope Nicholas V. 4) Ps.-Plutarch, Epistola ad Traianum. 5) Ps.-Philip of Macedon, Epistola ad Aristotelem. 6) Plutarch, Pyrrhus (extract), Lat. tr. of Leonardo Bruni. 7) Ps.-Caesar, Epistola ad Ciceronem. Arts. 8-11 are excerpts from an 11th- or early 12th-century supplement to Curtius Rufus, Historia Alexandri Magni. 12) Ps.-Phalaris, Epistula ad Demotelem, Lat. tr. Giovanni Aurispa. 13) Tibullus (attributed), Priapea I.
Description:
In Latin., Watermarks: similar in design to Briquet Fleur 6597, 6601., Script: Arts. 1 and 3-12 written in humanistic cursive by a single scribe, above top line; arts. 2 and 13 added in a more flamboyant style of humanistic cursive., Two illuminated initials, 4-line, gold against blue, green and dark red grounds with white vine-stem ornament and white dots. From the corners issue penwork inkspray with leaves, green with yellow or gold highlights, and blue or red blossoms, extending into margins to form partial border. Plain initials alternate in blue and red. Headings in pale red., and Binding: Date? Italy (?). Sewn through pieces of vellum. Limp vellum case with title in ink on spine: "Phalaridis Epistole". Badly worm eaten.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, the Great, 356-323 B.C. and Phalaris, Tyrant of Agrigentum, 6th cent. B.C.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval, and Manuscripts, Medieval
