Manuscript on paper of 1) Jerome, Dialogus contra Pelagianos, Books I-III. 2) Rufinus Tyrannius, Apologia contra Hieronymum. 3) Jerome, Apologia contra Rufinum, Books I-II. 4) Jerome, Ad Algasium liber quaestionum undecim (Letter 121). 5) Anonymous, Disputatio de ratione anime. 6) Origen (?), translated into Latin by Jerome. 7) Jerome, Ad Hebydiam de quaestionibus duodecim (Letter 120). 8) Jerome, Ad Algasium liber questionum undecim (Letter 121), ending abruptly in the tenth questio. 9) Epistola ad Demetriadem de virginitate et vitae perfectione. 10) Jerome, Epistola CVIII ad Eustochium virginem, on St. Paula. 11) Jerome, Epistola CXLII ad Augustinum
Description:
In Latin., Watermarks: similar to Briquet Monts 11895 and 11702; unadorned anvil similar to Harlfinger Enclume 5; unidentified letter (D?) similar in general design to Harlfinger Lettre 14., Script: Written by two scribes. Scribe 1 (ff. 1r-76v) in a fere-humanistic hand with features of round humanistic; Scribe 2 (ff. 76v-109v) in a more angular fere-humanistic hand., One 4-line illuminated initial, f. 1r, shaded pink with red and green acanthus leaves on dark blue with white filigree against a gold ground edged thickly in black. In the upper left corner a red, blue and gold flower with spiralling acanthus in the upper and inner margins, forming a partial border, green, blue, red, brown, the spirals filled with gold or blue with white filigree. Large gold dots with four black spikes. Numerous pen and ink initials, 5- to 1-line, alternating in red and blue with purple or red penwork. Headings in red. Instructions to the rubricator at lower edge, f. 1r., and Binding: 19th-20th centuries. Rigid vellum case with the title in ink on the spine: "Dialogi Pelagii et Attici".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Apologetics, Celibacy, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Valerius Maximus, Dictorum factorum memorabilium ad tiberium cesarem
Description:
In Latin., Script: Written by a single scribe in a precise round gothic bookhand., Illuminated by Cristoforo Cortese, ca. 1420. Fine historiated initial (12-line) on f. 1r, the author seated at a lectern, pink, purple, green, red, and blue foliage on a gold ground, edged in black, with delicate white highlights; an exuberant vine and foliage border in three margins; the upper margin with a bar, gold and blue, with white highlights. Eight illuminated initials (9- or 8-line) on ff. 14v, 29v, 45r, 61r, 79r, 98v, 115r, 132r in the same style, borders in outer margin. Fine penwork initials throughout, blue with red penwork or vice versa (7- to 4-line). Several lines following initials written in ornate majuscules widely spaced on every other line, filled in with sepia penwork (some left unfinished, especially near end of manuscript). 2-line initials, blue with red or red with blue penwork, less ornate than above. Rubrics missing for major text divisions; paragraph marks in red or blue., Borders cut out on ff. 1r, 45r, and 79r, replaced with parchment, with initials and borders partially restored., and Binding: 18th-19th centuries. Mottled calf case, gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of Diploma for a doctorate of Civil and Canon Law accorded to Franciscus Adelasius (Adelasio) from the University of Padua, 27 Jan. 1674
Description:
In Latin., Script: Written in elegant italic script; headings and names of persons in humanistic bookhand or square capitals, in gold., On f. 1v: coat-of-arms of the Adelasio family of Bergamo (gules, per fess 3 pennants argent on staves or; in chief azure, an eagle displayed or) surrounded by a full floral border in vivid shades of gold, brown, red, orange, and blue, with two peacocks in lower panel and a framed oval miniature of the Virgin Mary supported by griffins in upper panel. On f. 2r similar treatment of folio, but with text of diploma in center of page and a miniature of St. Antony of Padua in upper panel; ff. 2v-3v surrounded by full floral borders of less exuberant design than ff. 1v-2r., and Binding: Seventeenth century. Brick-red sheepskin heavily gold-tooled with a central medallion surrounded by floral arabesques and fan corners in multiple roll borders of different designs, the outer one blind-tooled. A red wax seal (cracked), displaying the arms of Gregory, Cardinal Barbadicus (Barbarigo; 1626-97), and enclosed within the original gold-tooled circular holder (58 mm. diameter) that matches the binding, is attached to the spine with twisted silk cords.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of a Diploma for a doctorate in Theology accorded to Iosephus Prudentius from the University of Padua, June 1598
Description:
In Latin., Script: Written by Franciscus de Oddis, in an elegant italic., On f. 1r, a full vine-scroll border, in purple ink with grapes and highlights in gold, outlined in double purple lines; a 5-line initial, gold, with purple and gold vines. Headings and names of persons in humanistic bookhand or square capitals, in gold., and Binding: Nineteenth century. Brown leather wrapper, gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment for a diploma for the doctorate in medicine accorded to Petronius Fabracius de Minerbio
Description:
Script: copied in Humanistica Cursiva Formata, the top line in Capitalis, the second line in Humanistica Textualis Formata. The letters on the top line are alternately written in blue and gold, the second line and the names in gold., Manuscript on parchment for a diploma for the doctorate in medicine., and In Latin.
Subject (Geographic):
Connecticut, New Haven., and Bologna (Italy).
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment (rough, poorly prepared) of Petrus Quesvel, Directorium iuris. With Eleven short blessings at Easter for meat, cheese, bread, salt, and lard, added in the 15th century
Description:
In Latin., Script: Written by a single scribe in a hasty cursive schoolhand., Red and blue split initials, 18- and 16-line, with elaborate penwork designs and plain full border in red and blue mark beginning of Books 1 and 2 (ff. 1r, 91r); smaller initial with partial border at beginning of Books 3 and 4 (ff. 191r, 297r) and for the two parts of art. 3 (ff. 428r, 439r). Numerous initials, 5- to 2-line, alternate blue with red flourishes and vice versa. Running titles in red and blue, paragraph marks alternate red and blue. Notes to rubricator, but rubrics never supplied. Initial strokes and underlining, in red, for arts. 2 and 3., Part of outer column of f. 189 cut off, no loss of text., and Binding: Twentieth century. Brown calf over wooden boards, with the leather sewn around the endbands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Quesvel, Petrus.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Law, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on parchment of 1) Dante Alighieri, La Commedia secondo l'antica vulgata. 2) Bosone de' Raffaelli da Gubbio, "Capitolo" on the Divine Comedy, in 64 terzine. 3) Iacopo Alighieri, "Divisione" of the Divine Comedy in 50 terzine (thus of the B group).
Description:
In Italian., Script: Written in round gothic script., Very fine initials and borders. Three historiated initials, each with a personification with attributes. Each initial with a full border of fleshy acanthus, blue, orange, olive green, pink, grey and gold, with tooling; birds in lower margin of ff. 1r and 54r; on f. 1r a coat-of-arms, in lower margin: azure, a chevron or, between two roses in chief argent, a mount of 6 in base argent, probably of the Bini family, Florence. 3-line initials, red or blue, with mauve or red penwork with long intricate flourishes often extending the length of the page. Opening text of Inferno adjacent to the initial of f. 1r in display capitals with penwork panels in brown ink. Capitals on the beginning of each stanza stroked in yellow. Rubrics throughout., and Binding: Sixteenth century. Sewn on five double supports attached to wooden boards. The spine is square with well defined bands and red and green endbands. Covered in dark brown goatskin, blind-tooled in mudejar style in two sets of concentric frames; DO.IOAN.DE gold-tooled in the center of one, BORGA in the other. Trace of two fastenings. Gilt edges. Restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dante Alighieri, 1265-1321. and Dominicans
Subject (Topic):
Manuscripts, Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Alexander of Villa Dei, Doctrinale
Description:
In Latin., Script: Written in round gothic bookhand by a single scribe, below top line., One historiated initial, f. 1r, 6-line, pink, red, and green with white filigree on gold ground thinly edged in black, with a half-length portrait of a teacher in red robes and a red cap holding a book, against a blue ground with white filigree. In the lower margin arms of the Pesaro family of Venice (per pale indented or and azure), framed by scrolling acanthus, green, red, blue, and pink. Plain initials and paragraph marks both alternate blue and red. Headings in red., and Binding: Nineteenth century, England. Light brown leather, gold-tooled. Gilt edges. Rebacked. Title on spine: "Alexander de Villa Dei Doctrinale. MS: In Memb". Bound for Henry Drury by C. Lewis in 1820.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, de Villa Dei.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin language, Grammar, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of 1) Note on the reign of the first Doge of Venice, Pauluccio Anafesto (697-717). 2) History of Venice from its legendary foundation to 695. 3) Alphabetical list of Venetian noble families, with their coats of arms and notes on their history. 4) History of the Doges of Venice up to Francesco Venier, elected 1554, d. 1556, with their coats of arms
Description:
In Italian., Script: Copied by two hands. A (ff.IIr and 1r-84v): Gothica Cursiva Libraria/Currens; B (ff. 85r-170r): Humanistica Cursiva Currens., Painted coats of arms, those in art. 3 in decorative cartouches. Large decorative painted initials for each family name., The top and the lower corners of the final leaves badly damaged by moist, with loss of some text., and Binding: Date? Pasteboard.
Subject (Geographic):
Connecticut, New Haven., Italy., and Venice (Italy)
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Nobility, and History
