Manuscript on parchment (thick, furry) of Hugo de Folieto, Moralitates de avibus. With Libri de medicina anime, Chapters 1-7, incomplete at end. Often attributed to Hugh of St. Victor. Written as part of a larger book
Description:
In Latin., Script: Written by one scribe in bold gothic bookhand., Eighteen colored drawings of birds, many of which have been retouched by a later hand. Well drawn initials in red or blue, with penwork designs of the other color, mark the beginning of each chapter; rubrics throughout., Most folios are stained and have been repaired, but with little loss of text., and Binding: Twentieth century. Red goatskin, gilt, by Zaehnsdorf. Marks and small holes along outer edges of leaves suggest that an earlier binding had two fore-edge clasps.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Fouilloy, d. 1172 or 3.
Subject (Topic):
Birds in literature, Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. Includes: Letter of Eusebius to Carpianus; Eusebian Canons; the New Testament; Epiphanius of Cyprus, In Sabbato magno; and John Damascene, De dormientibus in fide
Description:
In Greek., Script: Written throughout in an extremely small Greek minuscule, by five scribes: Scribe 1, ff. 1r-32v and 171r-173r; Scribe 2, ff. 33v-68v; Scribe 3, ff. 69r-168r; Scribe 4, ff. 168r-170v; Scribe 5, ff. 173r-188v. Notes added on f. 33r (originally blank) and in margins by various later hands; in some of the notes on f. 33r Latin letters are used for Greek words., Two headings and title of Matthew in blue (f. 37r). Initials in red with simple floral ornament. Extensive rubrication. Headpieces and bars between sections in red, blue, green and yellow (all faded). Eusebian Canons done with compass and ruler, in red and blue., Several folios originally had holes, which have been written around., and Binding: Date? Original sewing on three chain supports laced in a Z pattern into square, flush wooden boards, grooved on the edges. Two pin holes in the edge of the upper board and three holes for each strap in the lower. Traces of rectangular plates (?) at the fore-edge near the head of the upper board and the tail of the lower. Rebacked and the sides covered with cloth.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Theology
Manuscript on paper of Girolamo Morlini (c. 1480-after 1528), Novellae. The manuscript is an exact copy of the edition Naples, Giovanni Pasquet de Sallo, 1520. It reproduces all the features of its printed model, including frontispiece woodcut, foliation and signatures. Soon after its publication the book was suppressed because of the obscenities many Novellae contain
Description:
In Latin., Script: Copied by one hand in clear Humanistica Cursiva; titles in Capitalis., 2-line initials (Capitalis) in black ink. Renaissance initial in pen and ink on f. 2r; space for an initial, with guide-letter, on f. 4r. The frontispiece is a pen-and-ink copy of the original woodcut, showing the author in his study, seated at his desk, with a clock and an armillary sphere, under a starry sky with sun and moon., Numerous pages are damaged by the acid ink., and Binding: Paper (or thin parchment) over pasteboard; on the spine gold-tooled bordeaux leather label with the title "MORLINI. / NOVEL.". Mark of a red seal on the rear cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Morlini, Girolamo, 16th cent.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of 1) Copy of passage omitted from Institutiones VII.9 and supplied in a later hand. 2) Prefatory material. 3) Lactantius, Divinarum Institutionum Libri VII. 4) Lactantius, De Opificio Dei. 5) Lactantius, De Ira Dei
Description:
In Latin., Script: Written by a single scribe in a "fractured" gothic script. Marginal notations by several later writers, one of whom made extensive corrections to the text and added Latin translations for the Greek passages., Ten neat gold initials, 9- to 8-line, infilled and surrounded by white vinework on blue, pale green, and pale red grounds, with white dots and pale yellow highlights (ff. 9r, 33v, 53v, 77r, 100r, 119v, 144r, 163r, 163v, 177v). Greek quotations in red (only for ff. 1r-88r). Capitals and paragraph marks, alternating red and blue for ff. 2r-8v., and Binding: Eighteenth century. Brown calf case, gold- and blind-tooled with interesting pictorial tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lactantius, approximately 240-approximately 320.
Subject (Topic):
Apologies, Christian literature, Latin, Church history, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (rough; light brown) of 1) Tzetzes, Scholia in Hesiodi Opera et dies. 2) Hesiod, Opera et dies. The codex has been repaired extensively. Certain leaves have been replaced in different periods; in most cases the missing text was supplied in the same format. (Folios added later: 39, 68, 84, 94-97.)
Description:
In Greek., Script: The main text was written by a single copyist who used a well spaced, but crude, style of writing for the work of Hesiod, and a more cramped, abbreviated style for the commentary of Tzetzes. Numerous interlinear and marginal notes in several hands., Title of work and simple initial on f. 1r in red; other ornamental initials, some of which incorporate animal motifs, in black. Diagrams, also in black ink, include: f. 67v (outer margin) mortar and pestle; f. 67v (lower margin) man driving a cart pulled by two oxen; f. 69v (lower margin) plow, with parts labelled., The manuscript is in poor condition with loss of text due to: faded ink, water stains, worm-holes, and repaired leaves., and Binding: between 1800 and 1829. Tan, diced goatskin, gold-tooled. Bound by C. Lewis (active in London 1807-36).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hesiod.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Julius Caesar, Commentarii de Bello Gallico; Commentarii de Bello Civili; De Bello Alexandrino; De Bello Africo; and De Bello Hispaniensis
Description:
In Latin., Script: Written by a single scribe in a small elegant humanistic bookhand., Fine initials, gold capitals, 9- to 5- line, edged in yellow, filled with white-vine ornament, on blue, green, and red ground, decorated with yellow dots. Headings in red., and Binding: Fifteenth century. Wound sewing on four slit straps. Colored beaded endbands sewn onto cores of tawed skin laced and nailed into wooden boards. All edges gilt. The sewing straps are laced through tunnels in the edges of the boards and nailed in channels on the outside, protruding well above the face. Covered in dark brown goatskin, blind-tooled with an eight-pointed star and corners filled in with rope-tool interlace interspersed with copper-colored dots, in a border of rectangular tools. Four catches on the lower board and stubs of red cloth (velvet?) straps lined with parchment held to the upper with star headed nails
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Caesar, Julius.
Subject (Topic):
Latin prose literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
In Latin., Script: Written in italic script by Piero Cennini (b. 1444)., Fine border and initials by Mariano del Buono. 3/4 white-vine border, f. 2r, infilled green, pink, and blue, against a blue ground, with white dots; putti and birds; at the periphery, flowers, gold dots, and hair-spray, especially profuse in lower margin; supported by a trellis, gold, which expands at regular intervals to form roundels. In upper margin, a blossom with fruits, in lower margin, in separate roundels, a hound chasing a stag, against deep landscape backgrounds. Between roundels with animals, the arms of Joannes Vitez, bishop of Gran, in a complex braided roundel, infilled green and blue with white and yellow filigree, and supported by four putti, two of which play musical instruments. One historiated initial, f. 1r, gold, Cicero reading a book, against a blue ground with stylized clouds, all against a green ground with yellow filigree. Thirty-two 7-, 6-, 5-, and 3-line initials, gold, with white-vine infilled green, pink, and blue, with white dots, against blue ground, with vines extending into margin, gold dots and hair-spray. Twelve 4- and 3-line initials, following f. 178, gold, against pink and blue or pink and green grounds, with white and/or yellow filigree. Following initials, one line of square capitals in brown or alternating red and brown. 1-line square capitals in text., The entire codex, including the binding, is in an excellent state of preservation., and Binding: Fifteenth century. Resewn on seven tawed, slit straps laid in channels and nailed into wooden boards. The spine is square, the edges gilt. Covered in ruby-red goatskin, blind-tooled with concentric panels. The rectangular central panel is reduced to a square with rope interlace and the central ornament is a four-pointed star protruding from a quatrefoil within a circle. Five foliate brass catches on the lower board. Stubs of green fabric clasp straps on the upper board. Rebacked; headbands and a gold-tooled spine added. Two catches and all clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on parchment (goatskin) of 2) Bucolica. 3) Georgica. 4) Aeneis. With commentaries, pseudo-Virgilian tracts, and a miscellany of treatises, many anonymous. Ff. 1-31 are from the first half of the thirteenth century; the rest of the manuscript and the decoration were added half a century later
Description:
In Latin., Script: Two scribes: A copied ff. 1-31 in Southern Praegothica close to late Carolingian script; B copied the rest, starting with the text of Book 5 of Aeneis, in more rapid early Southern Textualis/Semitextualis; his spelling is marked by italianisms., The headings in red are not executed; some added later in Gothica Cursiva Formata (Cancelleresca); instructions for the rubricator are seen ff. 70v-75r. Numerous paragraph marks alternately in red and blue, sometimes black. Plain and flourished initials of various sizes in red and blue (other colours are also used in quires I-IV). Seventeen painted initials decorated with gold balls. From f. 70v onwards there are guide-letters, but all initials and other decoration are missing. A rectangular space of the width of one column was reserved for a miniature on f. 1ra, which was not executed., Ff. 1-31 appear to be palimpsest, with very irregular edges, sometimes repaired by sewing strips of parchment onto them, which are now lost., and Binding: Seventeenth century. White parchment over pasteboard. On the spine with five slightly raised bands red leather label with gold-tooled inscription "VIRGI-/LIUS / M.S." (this title has been completed in black ink with "P(ublius)" , "Eneidos etc." and "membr"); below the label the handwritten date "saec. XIV". Marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholia
Ludolf, von Sachsen, approximately 1300-1377 or 1378
Published / Created:
[between 1500 and 1550]
Call Number:
Manuscript 55 vault
Image Count:
16
Resource Type:
text
Abstract:
Illuminated manuscript fragments of medical interest, on parchment, of a collection of Orationes in Ludolf von Sachsen's Vita Christi. F. 1: inveniri. Fac ut voluntatem ... resurgat a peccatis. (I. 40-42); f. 2: Domine deus om[n]ipotens ... verbo dei ac mee [et] (I. 71-72); f. 3: Presta misericors deus ... stent portitores occasiones pec (I. 42-44); f. 4: aliorum saluti. Amen ... preterit a peccata (I. 73-74); f. 5: tionum flatibus et motibus ... crucis ascendisti in (I. 46-48).
Alternative Title:
Vita Christi
Description:
In Latin., Formerly known as "The Book of Hours." Leaves identified by Peter Kidd, 2017, as part of the Vita Christi of Ludolph of Saxony. Additional leaves discovered in the Harry Ransom, HRC Leaf 18, and Detroit Art Institute, reference number 69.277., Title devised by cataloger., Script: humanist minuscule., Decoration: text in yellow frame. Two-line initials in white, blue, and gold with floral motifs. Titles in blue ink. Red, blue, and gold line fillers., Ten miniatures in ink, tempera, and gold, framed by columns: Jesus, accompanied by two apostles, heals man with leprosy (f. 1r); Jesus, accompanied by two apostles, stands beside centurion and bed-ridden servant (f. 1v); Jesus stands in field of wheat, accompanied by three apostles (f. 2r); Jesus, accompanied by apostle, heals man with withered hand--two men (Pharisees) stand behind him (f. 2v); Jesus frees possessed man from red demon (f. 3v); Jesus raises child from grave--mother looks on (f. 3v); Jesus frees possessed man from red demon (f. 4r); Jesus in front of city, talks to crowd (f. 4v); Jesus, accompanied by unidentified person, frees two possessed men from black and gold demons (f. 5r); Jesus, accompanied by unidentified person, heals bed-ridden paralyzed man (f. 5v)., Layout: written in 1 column of 21 lines., Binding: modern cloth binding over pasteboard signed by binder: Bound by J. Desmonts / J. Macdonald Co. / Norwalk. Conn., and Foliation of original sequence(?) in modern pencil on recto: 38, 55, 39, 72, 72.y52; and foliation of order of fragments (i.e., 1-5) in modern pencil on verso.
Subject (Geographic):
France.
Subject (Name):
Jesus Christ
Subject (Topic):
Miracles, Healing, Biblical teaching, and Illumination of books and manuscripts, Medieval