Honorius, of Autun, approximately 1080-approximately 1156
Published / Created:
[between 1175 and 1200, ca. 1200]
Call Number:
Beinecke MS 315
Image Count:
10
Resource Type:
unspecified
Abstract:
Manuscript on parchment composed of three distinct parts. Part I (ff. 1-64): Honorius of Autun, Gemma animae. Part II (ff. 65-80): Pseudo-Hugh of St. Victor, Speculum de mysteriis ecclesiae. Part III (ff. 81-122): Jean Beleth, Summa
Description:
In Latin., Script: Each part written by a different scribe, all in early gothic bookhand., Part I: Initials, 12- to 2-line, red, green, blue, with exuberant designs in contrasting colors that often extend full length of folio, some trimmed. Headings in red. Part II: Decorative initials, 8- to 2-line, alternate red and blue, with designs in contrasting colors; plain initials, 1-line, some with simple ornamentation, in red or blue throughout. Heading in red. Guide-letters in inner margin. Part III: Simple initials, a few with designs. Paragraphs marks in red and/or black. Guide-letters in outer and inner margins; notes to rubricator perpendicular to written space in gutter and outer margin. Headings in red., and Binding: Nineteenth century. Vellum case with a black label, gold-tooled, and arms of Athelstan Riley on covers. Bound by John R. Hering, London, active 1817-35.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Honorius, of Autun, approximately 1080-approximately 1156.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript on parchment roll, composed of 15 membranes, of a Chronicle of biblical world history and the genealogy of the kings of England
Description:
In Middle English., Script: Written by a single scribe in a somewhat rough textura., The genealogical diagrams, which are fitted into the empty spaces between the columns of text, begin with a roundel formed of concentric bands of blue, gold and red with a miniature of Adam with Eve, who is being handed an apple by the serpent. From the roundel of Adam and Eve to the Ascension of Christ the successive Biblical names, framed in orange or green squares, are linked by a continuous band in blue, red and gold. The names of the ancestors of the Kings of England, starting with Brutus, appear in red or blue circles, surmounted by gold crowns. Other names are in plain red circles. Linking lines in the genealogies are in red or green. At the appropriate places in the text are inserted schematized diagrams in red and green ink of Noah's Ark, a plan of the Israelite camp in the desert and a plan of the city of Jerusalem., One large illuminated initial for the prologue, 8-line, mauve and blue with white filigree against gold ground thinly edged in black. The initial is filled with a large flower, red, yellow and green, and curling acanthus, orange and green extending into the margin and continued as black inkspray with large leaves, heart-shaped or acanthus, blue, pink, orange, white and green with white filigree, a large orange and gold flower, smaller leaves in gold with blue and pink, gold dots and small green leaves, extending into the upper and left margin to form a partial border. Smaller illuminated initial for the beginning of the main chronicle, 5-line, gold on blue and mauve ground with white filigree. Numerous small initials, 2-line, alternate in gold with blue penwork and blue with red. Paragraph marks alternate in red and blue., and Binding: Unbound.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
History of Biblical events, Illumination of books and manuscripts, Medieval, Kings and rulers, Manuscripts, Medieval, World history, and History
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German
Manuscript, on vellum, containing the text of the prophetic books of the Old Testament, including Baruch, with prologues and commentary. The extensive gloss surrounds the centered Biblical text
Description:
In Latin., Layout: Biblical text centered, single column, variable length; surrounding gloss written in double columns of 65-75 lines., Script: gothic script. Letters in Biblical text larger than in glosses., Decoration: 18 small historiated initials and approximately 30 other illuminated initials; numerous blue and red penwork initials with red or lilac penwork decoration; rubricated., and Binding: modern blind-stamped red morocco gilt, by Riviere.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of 1) Gospel of Matthew, preceded by Prologue to Gospels from Jerome; letter of Jerome to Damasus; spurious addition to letter attributed to Jerome; Prologue to Matthew. 2) Gospel of Mark, preceded by Prologue. Final leaf missing; the conclusion of Mark is added on a piece of parchment (Germany, ca. 1150) stitched in between ff. 110 and 112 (formerly glued to f. 112).
Description:
In Latin., Script: Written in German minuscule by a single scribe., At the beginning of each Gospel, full-page initials, f. 9r (Matthew) and f. 71r (Mark) incorporating symbols of the Evangelists; f. 9r with gold foliate scrolls with silver tendrils, one with a pink dragon-head terminal, against blue, light green and orange; f. 71r gold and silver, with spiraling foliage in shaded blue, orange and green, supported by a pink and gold dragon; both followed by display capitals in alternate lines of gold and silver, shaded in blue. Large initials in gold and silver as above, 2-line, f. 1r, and 6- or 5-line, ff. 3r, 5r, 5v, and 68v, for prefaces, epistles and prologues. 3-line initials, as above, for chapter divisions. 1-line initials throughout, inner margin, orange, filled with gold and/or silver. Rubrics in orange. Some oxidization of silver., and Binding: 19th-20th centuries. Red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Gradual, with masses from the second Sunday after Easter through the 13th Sunday after Pentecost, omitting Ascension and Pentecost
Description:
In Latin., Script: Written by one scribe in round liturgical gothic script., Initial on f. 1v (2 lines + 2 staves high) made of cadeaux, with gold paint sloppily applied. Other initials 1 line + 1 staff, same style, in black or red, with or without gold. Square notes on 5-line red staves. Headings in red., Water has caused red ink to run on many folios; no loss of text. Some repairs in margins with pieces of coarse parchment., and Binding: Nineteenth century. Half bound in brown calf, gold-tooled, with blue cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: Written by one scribe in large round gothic bookhand. Index added later by Frater Elia Pinelli, in humanistic script., Three historiated initials; that on f. 3r (Sts. Peter and Andrew), the Calling of Sts. Peter and Andrew, is of high quality; purple with white floral highlights; ornate purple, blue and green fruit and floral border, inner margin, with candelabra, hairspray and gold dots. The two other historiated initials are of inferior quality: f. 78v (Holy Cross) Cross with Arma Christi and f. 220r (Mass of the Dead) two roundels: skull and cross-bones against a landscape and skeleton with scythe against a black ground. Very fine penwork 3- and 2-line initials: done in red or blue (one on f. 57r in gold), decorated with white bands and jewels, with blue and red penwork, large illusionistic jewel studs and simple fruit and floral borders, painted in purple, blue, green, and yellow or in pen, red, blue with some black and yellow; initial on f. 189r with two seraphim. Some 2-line initials incorporate ivy or fruit swags. 1-line initials, red or blue, divided, with blue or red penwork, jewel studs, circles and lozenges, in green, yellow and tan. Square musical notation on 4-line red staves. Rubrics throughout., Binding: 17th-18th centuries. Original sewing on 6 double cords, each covered with brown leather and probably nailed to inside of boards. Red and gold wound endbands. Heavy boards are covered with thick leather (cowskin?) and the spine is covered separately with leather nailed to the edge of each board. There are four brass corner pieces and a large central boss on each board, bosses protruding from the three outer edges, and a strap and pin fastening, the pin on the lower board., and An additional leaf with a historiated initial depicting St. Felicitas was removed from this manuscript at some point prior to its acquisition by the Beinecke Library. This leaf is currently cataloged as Beinecke MS 712.129.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on parchment, of an illuminated and decorated gradual made for use in the choir of the Olivetan monks of the monastery of Santa Maria di Baggio near Milan
Description:
In Latin., Script: written in liturgical bookhand. Music in square musical notation on five four-line red staves., Decoration: five miniatures; eleven large ornamental initials on gold grounds; many decorated initials with penwork., Miniatures have been attributed to the Olivetan Master and the Master of the Lodi Choir Books., and Binding: full deerskin over wooden boards; extensive metalwork on binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Master of the Lodi Choir Books, active 15th century., Olivetan Master, active 1429-1439., Catholic Church, and Olivetans.
Subject (Topic):
Liturgy, Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: written in gothic script, with notation in nota quadrata., Many illuminated, several historiated initials, the rest in red and black penwork. Made for a church where there was a special veneration for Sts. Lawrence, Concordia and Pope Marcus., Many folios are damaged, some were repaired and all were cut off at the upper and side edges., and Binding: old wooden boards covered with leather; metal corners and center pieces, leather clasps; rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Music