In Latin., Script: Written in two sizes of liturgical gothic by two scribes. Scribe 1) ff. 1r-22v and 28r-130r; Scribe 2) ff. 22v-26v. Many later marginal notes throughout, including titles at the top of each page., One very crude full-page miniature on f. 71v (Office of the Dead): mourners at a bier. Set in a narrow arched frame of gold edged in black, in a border of pink, blue, and green acanthus leaves (concentrated at corners), flowers in same colors, infilled with black ink hair-spray with gold dots; the whole rather carelessly done. 6- and 5-line initials (ff. 57r and 72r): blue with white highlights, on gold ground, infilled with blue, green, and pink trilobe leaves, with segmented bar border (strapwork corners) in blue, white, pink, black, and gold; full border as for miniature. Other illuminated initials (5- to 2-line, as above) with segmented bar borders without strapwork, and full borders as for full-page miniature. 5-line initials (ff. 35r and 38r) gold, on pink and blue ground with white highlights; in inner margin, a simple bar border sprouting black hair-spray with gold leaves at top and bottom. 2-line initials: gold on pink and blue grounds with white highlights. 1-line initials within text sometimes marked with a red stroke. Line fillers: occasionally a red cable after a rubric or, in the litany, oblique red and blue strokes with dots attached (perhaps added later, as colors do not match those of 1-line initials). Rubrics in orange-tinted red., Mold at bottom of ff. 122-130; text not damaged., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Dutch., Script: Written in gothic bookhand., Four 9- or 8-line historiated initials, blue with white highlights or spiralling acanthus in white and gold, against cusped grounds, with penwork floral sprays in border, tinted red, blue and yellow. Fourteen 5-line initials for the Hours, blue, with leaves in white, filled with flowers or fruit, against gold grounds, square with cusps at corners: each with a three-quarter border, a red, blue and gold bar, some with dragon-head terminals, in outer margin; foliage with flowers, red, blue, green, purple and pink, and animals surrounded by brown and black hair-spray and gold dots. 4 inserted miniatures probably date ca. 1475-85 and differ in style from the manuscript to which they were added. The miniature on f. 55v Angels with Monstrance (Hours of the Eucharist) and most of the overpainted borders around miniatures and pages with historiated initials probably date from ca. 1500-10. The borders consist of pink and/or gold arched frames, cusped in black, with full borders, some compartmentalized, pink, blue and/or gold, with various combinations of gold curling acanthus, red, blue, and green flowers, insects and jewels; one (f. 149v) a damask pattern with jewels and flowers in roundels., Many small initials in red or blue with flourishing in blue or red, often extending the length of the written space. 1-line initials alternating red and blue. Rubrics throughout., and Binding: Seventeenth century. Gold-tooled, green goatskin with a red label and a spine decorated "a la grotesque," possibly by one of the Padeloups, a family active in Paris from ca. 1654 to 1800. Traces of original sewing and paste in gutter and on contemporary parchment flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a Book of Hours with prayers in Dutch. The manuscript is misbound
Description:
In Dutch and Latin., Script: Written in liturgical gothic bookhand by a single scribe. 3-, 2-, and 1-line initials with very fine penwork: gold with dark blue penwork or blue with red penwork. 1-line initials within the text black with one or two red strokes. Line fillers: blue cables. Rubrics in orange-tinted red., Water damage on ff. 8v, 38v and 39v has obliterated some initials; the text is still legible., and Binding: Date? Bookblock tacked to a vellum folder. The light rectangular patch on the front cover, lower left, was probably left by the removal of a shelf tag.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In French., Script: Written in gothic bastarda script., and Initials in red, blue, and gold. Illuminated marginal miniatures, one with a man threshing wheat in a town and the other with a mythological goat/serpent hybrid. Text in red, brown, and blue inks.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Hugo de Folieto, Aviarium, a Bestiarium, and moral treatises
Description:
In Latin., Script: copied by two hands writing a small Gothica Textualis Libraria, both having a tendency towards lengthening and making loops to the ascenders at the top line; A copied ff. 1r-7v and 17r-19v and is marked by conspicuous vertical decorative strokes at the top of r and long strokes on i; B copied ff. 8r-16v. Running headlines in red in artt. 3-5 in Gothica Textualis Libraria., Headings in red. 2-line (on f. 18v 3-line) initials were provided but were not executed; guide letters in the inner and outer margins. In art. 1, square spaces or roundels traced in ink have been provided in the text for illustrations, but the latter have only exceptionally been executed. No illustrations were provided in chapters 28-30 and 36-37. On f. 1v the text of chapters 31-35 is arranged in such a way, that a roundel containing a fully coloured female saint is placed in the center, and in the right-hand column a large space has been provided for a picture of the Cedar, the text being written around its stem. On f. 2r there is a drawing in crayon of a Pelican (very light, ch. 38), on f. 2v an ink drawing of a Raven (ch. 40), on f. 6r a crayon sketch of a Stork (ch. 47)., Parchment soiled and in bad condition. Holes and irregular and damaged lower edges, the latter often repaired by means of strips of parchment; the final pages badly damaged, with loss of text., The manuscript contains: 1) Hugo de Folieto (Hugh of Fouilloy, d. c. 1172), Aviarium. 2) Bestiarium (Bestiary). 3) Caesarius Arelatensis (c. 470-542), Sermo 46 (De ebrietate vitanda). 4) Ps.-Augustinus Hipponensis, Sermo de vanitate. 5) Augustinus Hipponensis (St. Augustine, 354-430), Informatio regularis (Regula ad servos Dei)., and Binding: 19th century. Reddish leather over cardboard; the covers blind-tooled with a double decorative frame, the inner one chequered, with circular dots on the intersections; small quadrangular decorative bosses in gilt (?) brass in the four corners and in the center of each cover. Spine with four raised bands. Two brass clasps attached to the rear cover, with catches on the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Fouilloy, d. 1172 or 3.
Subject (Topic):
Animals, Birds, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sermons, Latin
Illuminated manuscript leaf from a Gradual, on parchment, containing the opening of the Office of St. Felicitas. The large historiated initial contains an illumination of St. Felicitas enthroned and surrounded by the Seven Martyred Brothers. Two kneeling women at the bottom of the image may represent the donors
Description:
In Latin., The leaf was originally part of a Gradual that is now Beinecke MS 42. The evidence is that it followed folio 52., This leaf has been attributed to Attavante degli Attavanti., and Decoration: in addition to the large historiated initial, the wide border contains numerous putti and eight figurative rondels.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Medieval, Graduals (Liturgical books), and Illumination of books and manuscripts, Medieval
Manuscript fragment, on parchment, containing an illustration of the execution of the general Vitruvius, as described in Book 8, chapter 20 of Livy's Ab urbe condita (History of Rome). The verso contains 18 incomplete lines of text in French
Description:
In Middle French., Tipped onto a cardboard mount. Bookseller description pasted to the reverse of the mount., Script: bâtarde script., and Decoration: the miniature is full-color with shading in gold, edged with a narrow burnished gold frame.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Livy.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms
Description:
In Latin., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials., and Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Innocent V, Pope, approximately 1224-1276. and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Pecia, Scholasticism, and Scholia
Manuscript on parchment roll, unevenly trimmed at top and bottom, composed of three membranes segments glued together, the third an addition of the late 15th century. Includes Prayers to be said for a pardon of 32,055 years; and Prayer based on the measurement of the length of the body of Christ. The texts are written on one side of a roll (dorse is blank).
Description:
In Latin and English., Script: Written in gothic liturgical script in brown and red ink., Membrane I: Two miniatures of the Emblems of the Passion, the one above the written space in a gothic architectural setting, with a Saint on either side and instruments of the Passion included around the full-figure of Christ standing with the cross. The miniature below with three exceptionally large nails and a heart enclosed by a crown of thorns and supported by two angels; surrounded by instruments of the Passion. The patron in clerical costume of white gown and blue robe [Austin friar?] in prayer with a scroll. A curling acanthus and floral border, containing birds holding snakes in their beaks; red, blue, pink and orange, framed in blue, with a gentle ogee arch at the top., Membrane II: A large empty cross (17 mm.) drawn in black ink and colored brown, in the center of the written space. One 6-line initial, pink and blue acanthus on a gold ground infilled with an aroid. Three 2-line initials, one blue filled with a pink flower on gold, one pink with white filigree on gold, one gold, filled with blue with white filigree on a pink ground. Floral border, including columbines, roses, in red, blue, pink and green, with insects, against a tan ground with brown dots, framed in red and blue., Membrane III: A miniature of the Christ Child as Salvator Mundi: seated on a red cushion beside the cross, holding the orb and blessing. This iconography, rare and perhaps unknown in English manuscript illustration, is probably of foreign origin. One 3-line initial, pink and blue with white highlights, filled with a blue and pink flower on a gold ground. Border with large blue, pink, green and orange flowers joined by an undulating green stem, with brown hair-spray and gold dots. Framed in blue and pink., and Holes and tears in the margins of the upper two segments; considerably rubbed, with some loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Indulgences, and Manuscripts, Medieval
Manuscript on parchment. The book is not so much a guide to the pilgrimage churches of Rome, as a set of instructions on how to obtain the same spiritual benefits without making the actual pilgrimage. The seven letters designating the seven Roman basilicas serve as references throughout the manuscript. The latest indulgence to be mentioned (f. 14r) was awarded by Pope Pius II (1458-1464). After the description of the indulgences to be obtained in the seven principal churches, the manuscript mentions the station days and indulgences for the Temporale and for the Sanctorale and the visits to make during the non-station days
Description:
In French., Script: Copied by one hand in Gothica Cursiva Formata (Bastarda)., Headings in red ink. Liquid gold paragraph marks on square alternately red and brown background. Liquid gold 1-line initials on similar background. 2-line silver trompe-l'oeil initials decorated with foliage on coloured background. Similar 2- or 3-line gold or silver initials containing a flower on indented coloured background in art. 1. In art. 1 seven three-quarter page square arch-topped miniatures above 3 lines of text., and Binding: Seventeenth century. Richly gold-tooled red morocco over cardboard; gold-tooled spine with four raised bands and title "PRI* MANUSCR." Pastedowns decorated with green and gold arabesques.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Margaret, of York, Duchess, consort of Charles the Bold, Duke of Burgundy, 1446-1503.
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, Indulgences, and Manuscripts, Medieval
