Manuscript on paper of Juan de Sant-Fahagun and Pedro Lopez de Ayala, Libros de Cetreria. With the Commentary of Don Beltran de la Cueva, Duke of Alburquerque, in margins surrounding text
Description:
In Spanish., Watermarks: similar to Briquet Main 11154., Script: Written by a single scribe in a neat humanistic bookhand, with a somewhat smaller script for the surrounding commentary., Two initials (both f. 1r), the first, 5-line, for the rubric, purple with red penwork; immediately below, the second, for the text, 9-line, the upper portion red, filled with purple penwork, the lower portion purple, filled with red; attached to a thick bar border (side and lower margins) of red and purple vine scrolls in pen, with touches of light brown. One 7-line initial (f. 88r) red, with purple penwork, with exuberant loops and flourishes extending into top and side margins. Depictions of various implements, in black, within text (ff. 37v, 72v, 114r, 115r, 125r, 127r, and 137r). 3-line initials, paragraph marks, and headings in red throughout (except f. 1r, on which, in keeping with the initials, some of the paragraph marks are purple)., and Binding: 17th-18th centuries. Limp vellum case; title, now illegible, on spine. Front and back pastedown and back flyleaf contain extensive Latin legal references (17th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Manuscript on paper of 1) Prologue by the translator, addressed to Henry of Lusignan, Prince of Galilee (d. 1427). 2) Plutarchus (c. 46-120), Vita Luculli, Latin translation by Leonardus Iustinianus (Leonardo Giustiniani, 1388-1446). 3) Plutarchus, Comparatio vitarum Cimonis atque Luculli, Latin translation by Leonardus Iustinianus
Description:
In Latin., Script: copied by one scribe in a broad Humanistica Textualis Formata of "typographic" character and marked by unusual features such as the occasional use of round s in medial position and long i in final position, and inconsistencies in the use of ae/ẹ, the form of final s and m, etc. Majuscules at the beginning of lines protrude into the margin. Line fillers in the shape of expunged i., Headings in pale red. Art. 1 opens with a 6-line initial in red with the pen drawing for unexecuted white vinestem decoration. The 6-line initial at the head of art. 2 is purplish red on a blue background delicately heightened with silver arabesques, extended in the margin with red and green acanthus leaves. At the bottom of the same f. 387r there was a coat of arms flanked by two fleur-de-lys and four balls in purplish red and blue and red ribbons; the coat of arms has been cut out and the page has been repaired with a piece of paper; on it a modern coat of arms accompanied by the initials W and S (Walter Sneyd) is drawn in pencil., and Binding: 19th century. Quarter brown leather (with corners) and reddish brown marbled paper over cardboard. Gold-tooled flat spine with inscription: “PLUTARCHI VITA LUCULLI LATINE M.S.”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cimon, d. ca. 450 B.C., Lucullus, ca. 117 B.C.-ca. 56 B.C., and Plutarch.
Subject (Topic):
Biography, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
In Middle English., Script: Written by a single scribe in a formal style of bastard Anglicana; delicately decorated ascenders and descenders along upper and lower edges of written space., On f. 5v a large coat of arms, Carent quartered with Toomer, in a green, orange, and gold frame, against a dark green ground, perhaps a slightly later addition; f. 6r, a small coat of arms, Carent, in the lower margin, against a gold ground, surrounded by a phylactery wrapped around the bar border. Arms supported by two seated dogs, in black pen, set in an oblong landscape, edged heavily in black., One 8-line (f. 6r), four 6-line (ff. 1r, 21r, 52r, 85v) and one 4-line (f. 106r) initials, blue and red with white highlights, filled with large four-lobed flowers and acanthus leaves, orange, green, pink, blue, and light blue, against irregular gold grounds, edged in black, with full (ff. 1r, 6r), 3/4 (ff. 52r, 85v) or single marginal (ff. 21r, 106r) borders. The full and 3/4 have gold, blue and red bands attached to initial, with curling and braided sections sprouting curling acanthus at corners; often against gold cusps, with spiraling black ink hair-spray vines with small green teardrop leaves, pink, brown, green, and blue flowers, and gold dots with small pink and blue leaves. 2-line gold initials on irregular blue and red grounds with white highlights, each with two sprigs of black hair-spray with green leaves and gold dots, as above. 1-line blue and gold initials, with red or pink penwork. Rubrics throughout., and Binding: Nineteenth century. Brown goatskin blind-tooled, with a gold-tooled title. Bound by Francis Bedford (London, 1800-84), who worked with C. Lewis and set up his own shop in 1841.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451? and Mary, Blessed Virgin, Saint.
Subject (Topic):
Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (unidentified watermark) of a List of English Knights with Blazons. The names of the knights are arranged by counties. The manuscript was originally part of a larger manuscript
Description:
In French., Script: Copied by one hand in Gothica Cursiva Libraria (Secretary)., Edges and folds of most leaves repaired., and Binding: Twentieth century. Half leather (dark brown sprinkled calf) over cardboard covered with blue-grey marbled paper. On the spine gold-tooled inscription "ENGLISH KNIGHTS. MS - ABOUT - 1480".
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
In French., Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., and Binding: Nineteenth century. Quarter purple leather with textured cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dogs, French literature, French poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Mathematics, Medieval
Thomas, of Ireland, approximately 1265-approximately 1329
Published / Created:
[between 1400 and 1495]
Call Number:
Beinecke MS 380
Image Count:
583
Resource Type:
unspecified
Abstract:
Manuscript on paper of 1) Excerpts (De prudentia, De fortitudine, De continentia, De iustitia) from Martin of Braga, Formula honestae vitae, a work often attributed incorrectly to Seneca. 2) Salomonis dicta; excerpts concerning wisdom, including quotes from Seneca, Book of Wisdom, etc. 3) Thomas of Ireland, Manipulus florum. 4) Excerpts from Petrarch, De remediis utriusque fortunae. 5) Isidore, Chronicon
Description:
In Latin., Watermarks: similar to Briquet Huchet 7693., Script: Written by a single scribe in various styles of italic script; heavy annotations by the scribe and later hands., Several crude initials: f. 1r, 4-line gold initial on blue ground, infilled red, and 3-line red initial on gold ground; on f. 2r, 5-line red initial on blue ground; f. 72v, 4-line red initial on green ground with some flourishes and gold dots, infilled blue. Initials (2- and 1-line), names of authors (added in margins), paragraph marks and headings in pale red., and Binding: Nineteenth century. Quarter bound in brown, diced calf with a gold-tooled title on spine: "Miscellanea di Seneca, Petrarcha e d'altri". Orange, leather-grained paper sides. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Classical literature, Christian literature, Latin (Medieval and modern), Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on parchment of Giordano Ruffo, Marescalcia equorum
Description:
In Latin., Script: Written by Ieronimo Sandei in fere-humanistica for the introduction and rubrics, and in humanistic cursive for the text., Historiated initial on f. 3r, 9-line, St. George and the dragon, curling foliage, mauve, red, and green, with gold and white and yellow highlights, on gold ground, edged in black, in a loose and painterly style. 3- and 2-line initials, blue or red with elaborate red or light purple penwork respectively. Paragraph marks in red or blue. Rubrics throughout., and Binding: 17th-18th centuries. Covered in brown leather, blind-tooled with concentric borders. Four clasp-and-catch fastenings. Modern paper pastedowns and flyleaves, the former covering an unidentified printed text in German.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano.
Subject (Topic):
Animal culture, Horses, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Edward, the second Duke of York, Master of Game
Description:
In English., Script: Written by a single scribe in a careful English secretary script., Gold initials, 3-line, on blue and dark pink grounds with white highlights mark text divisions. Headings and marginal chapter references, in red, throughout., and Binding: Eighteenth century. Brown skin, flesh side out, blind-tooled, over paper boards. Front cover detached.
Subject (Geographic):
Connecticut, New Haven., and York (England)
Subject (Name):
Edward, of Norwich, 1373?-1415.
Subject (Topic):
English literature, Hunting, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of 1) Iohannes de Sacrobosco, Algorismus. 2) Thebit ben Chorat, De recta imaginatione sphaerae. 3) Iohannes de Sacrobosco, De sphaera. 4) Iohannes Campanus of Novara (ascr.), Tractatus quadrantis. 5) Iohannes de Sacrobosco, Compotus. 6) Gerardus Sablonetanus (ascr.), Theorica planetarum (also attributed to other authors). 7) Alfraganus, Liber differentiarum, tr. John of Seville
Description:
In Latin., Script: Copied by a single scribe writing Northern Gothica Textualis Libraria. Numerous and often extensive marginal notes by various 13th and 14th century hands, mostly in small rapid cursive handwriting, some in Italian Gothica Hybrida Libraria., Red paragraph marks and 2-3-line plain initials with guide-letters; on f. 1r a larger flourished littera duplex inbrown and red; the other artt. open with larger plain initials. Numerous pointing hands. Pen-and-ink drawings and diagrams throughout., and Binding: Early, heavy wooden boards recovered with new brown sheepskin. Spine with three raised bands and gold-tooled inscription: "TRACTATUS ASTRONOMICI. MS A.D. 1281".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astrology, Astronomy, Medieval, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on parchment (thin, fine quality) of a collection of chansons. Written probably at the Aragonese court in Naples in the 1470's, perhaps as a wedding gift for Beatrice of Aragon, who married Matthias Corvinus, King of Hungary, in 1476
Description:
In French., Script: Written by one scribe in batarde, usually one line below each staff, but sometimes text written on every other line of the staves., The style of the Chansonnier's initials points to one of the ateliers active in the service of Ferrante I of Naples, in particular to the shop of Matteo Felice. One 2-line initial (f. 1r) tan, shaded purple and green, with curling floral serifs, blue and puce, filled with curling leaves against burnished gold and blue, with white filigree, against gold ground, framed in blue with white filigree; short, 3-stemmed flowers, gold, with brown hair-spray stems project from upper serif and midpoint; 3 gold dots with hair-spray symmetrically disposed around letter; floral border in outer margin, hair-spray stems with gold and green leaves and flowers, blue, purple, and gold at midpoint and terminals. One-line initials throughout, gold, infilled blue or purple, with white filigree, against irregular grounds, purple or blue, edged in black, with white filigree and two short flowering tendrils, as in border on f. 1v; often with a gold dot with hair-spray adjacent in outer margin., and Binding: 19th-20th centuries. Brown goatskin, blind-stamped, by Henri Marius-Michel of Paris (1846-1925), whose name is stamped inside the front cover. Not in his usual style. Included in the center front and back panels are monograms of Baron Joseph Vitta.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Frye, Walter, d. 1474 or 5.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Songs, French
