Manuscript on paper (watermarks in gutter) of 1) Petrarch, Boccacii Griseldis historia. 2) Pope Pius II, Epistola. 3) Petrarch, Famil. rerum., 12, 2. 4) Pope Pius II, Bulla retractationum. 5) Pope Pius II, Epistola de fortuna
Description:
In Latin., Script: Written by three scribes in similar styles of informal gothic scripts (batarde influence). Scribe 1) ff. 1r-7r; 2) ff. 7v-14v; 3) ff. 15r-26v., One calligraphic initial, f. 1r, 4-line, blue with white floral motifs; infilled with red penwork floral designs tinted with green; penwork trails into inner margin, with plain green dots. Four initials, ff. 1v, 7v, 10v, 21v, red ink, 6- to 2-line. Paragraph marks in red. Numerous capitals stroked in red; rubrics throughout; explicits underlined in red., and Binding: Twentieth century. Vellum spine (verso of an unidentified manuscript) with "Petrarcae et Aeneae Silvii Epistoles" inscribed; grey-blue paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Papal documents
Manuscript on parchment (goatskin) of Gaspare Zacchi, Bononiensium res publica. Most probably the dedication copy, sent by the author from Tivoli to the Signoria of Bologna on or soon after 29 Nov. 1471
Description:
The author (d. 1474) in 1450-1455, being protonotary of Volterra, was a member of Cardinal Bessarion's legation to Bologna. In 1460 he became bishop of Osimo. At the time he wrote the present treatise he was prefect of Tivoli ("Arx Tiburtina")., In Latin., Script: Copied by a single scribe writing Humanistica Cursiva Formata very close in aspect to Humanistica Textualis, with relatively numerous and unusual abbreviations. A second hand, probably the author, has corrected the scribe's errors., The headings and "Finis" on f. 9r are written in Capitalis in pale red ink. The nine chapters open with a plain initial alternately blue and pale red. Between two chapters one line is left free. The Prologus (f. 2r-v) opens with a 3-line gold initial on a blue-red-green rectangular background decorated with white and gold penwork. The body of text opens on f. 3r with a 5-line white vinestem initial with full-length marginal extension. F. 1v contains the coat of arms of the city of Bologna, f. 10r the coat of arms of the author, both in full colour., and Binding: Early nineteenth century by Rene Simier (d. 1826). Citron morocco over pasteboard, both covers with delicate gold-tooled frame, the spine gold-tooled, with gold-tooled title "GASP. / RESP." and binder's signature at the foot "REL. P(ar) SI.". Gilt edges. Grey marbled endpapers.
Subject (Geographic):
Connecticut, New Haven., and Bologna (Italy)
Subject (Name):
Zacchi, Gaspare.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript on paper of a common-place book. The main texts of the manuscript, which are primarily devotional in nature, were written in East Anglia by an unidentified scribe toward the end of the 15th century; a second individual, identified as Robert Melton of Stuston in Suffolk, added numerous accounts and notes at the end of the 15th and beginning of the 16th century
Description:
Robert Melton was the co-executor of the estate of John Cornwallis (d. 1506), Lord of the Manors of Brome, Stuston, Okley, and Thranston, whose family possessed Brome Hall from early in the 15th to the 19th century., In Middle English., Watermarks: similar to Briquet Armoiries 1038 for part of quire I and all of II; similar to Briquet Main 11399 for remainder of quire I, all of quires III and IV, part of V; similar to Briquet Navire 11971 on ff. 68, 79 only; similar to Briquet Lettre P 8586 on ff. 72, 75; similar to Briquet Main 11152 on ff. 73, 74; unidentified watermark on f. 81., Script: Written primarily by two persons: Scribe 1) ff. 1r-26v, 28r-44r, 68r-77r, 79v, 80v-81r. Written in small, well formed Anglicana script with first line of each text in formal bookhand. Scribe 2: ff. 27r-v, 45r-60r, 62v-67v, 77v-78v, 80r, 81v. Written in a large sprawling script; no ornamentation. A third person added art. 17 at a later time., Only scribe 1 included decoration. Initials in red, 4- to 2-line, with penwork flourishes in brown; initial strokes in red. Portions of text underlined in red; rhyming verses often bracketed, in red, at end of lines. On f. 14v, a fine half-page drawing in red and brown of the monogram IHS which incorporates both a heart pierced by a lance and vine patterns and tendrils. Art. 4 is illustrated with drawings of dice, in red, in outer margins., First leaves heavily stained; lower right corner waterstained ff. 1-43., and Binding: Between 1490 and 1500. Original sewing with long stitches through a thick rectangular piece of leather on the outside of a vellum wrapper. Contemporary scroll design added to upper cover with unidentified inscription, in red, mostly illegible.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Melton, Robert.
Subject (Topic):
Devotional literature, English (Middle)., English poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of a book of hours with an office for the dead
Description:
In Latin., Script: Copied by one hand writing in Gothica Cursiva Formata (Bastarda)., and Decoration: Purplish red rubrics. Yellow highlighting of the majuscules. 1-line versals and 2- or 3-line initials, all in liquid gold on purplish red or blue square background decorated with foliage or flowers in liquid gold. Initials in red, blue, and gold. On f. 1v, there is a rectangular picture, framed in black and gold and treated as an initial 11 lines high, of God the Father with tiara, sitting, one hand on the globe, the other hand blessing rows of Seraphim and Cherubim before him. Elsewhere yellow-colored fleur-de-lys, animals, archers and a giant insects.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Book of Hours printed in Paris, Thielman Kerver for Guillaume Eustace, 20 June 1500. The illuminated leaves, from a Book of Hours for the use of Rouen, between 1475 and 1500, were inserted into the printed Book of Hours before the present-day binding was made (ca. 1600).
Description:
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata., Decoration: Headings in red. Heightening of majuscules in yellow. Rectangular line-fillers decorated with red, blue and gold; 1-line dentelle initials; 2-line foliate initials; 4-5 line historiated initials (artt. 3 and 14); arch-topped miniatures (described above) above 3-4 lines of text, accompanied by 3- or 4-line foliate initials. The pages containing miniatures or historiated initials have full flower and acanthus borders, which may contain additional scenes or grotesques (see artt. 2, 4, 5, 11, 12). The woodcuts are coloured by hand throughout the book. Text pages containing a 2-line foliate initial have outer-margin or inner- and outer-margin borders (the latter on ff. 42 bis r and 64r)., and Binding: Red morocco similar to that of Beinecke MS 662.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thick and furry) of Sir Gilbert Dethick, Book of Arms. Illustrations of coats of arms, in color, one per folio recto or verso; above each except the first, the name of the bearer, as given below. No mottoes given. Dedicated to Queen Elizabeth I of England (1558-1603).
Description:
In English., Script: Introduction and labels of illustrations in cursive with loops, by one scribe., Each shield enclosed in shaded pink border designed to look like worked metal, and surmounted by a jousting helm in profile, mantling gules doubled argent with gold tassels; wreath in colors from shield. Only shields (in up to 17 quarters) and crests vary. Slight variations from this scheme on f. 2r (royal arms) and f. 3r (mantling sable doubled argent). Fair quality of workmanship., Bookblock detached from the binding. Illustration badly smeared on f. 11r, slightly smeared f. 28r., and Binding: ca. 1873. Gold-stamped red goatskin case.
Subject (Geographic):
Great Britain., Connecticut, and New Haven.
Subject (Name):
Dethick, Gilbert, Sir. and Elizabeth I, Queen of England, 1533-1603.
Subject (Topic):
Devices (Heraldry), Heraldry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment, on parchment, from an illuminated Book of Hours. It contains the opening of the Commendation of Souls, a series of psalms often found after the Office of the Dead in English or English-marketed books of hours
Description:
In Latin., Layout: single column of 17 lines., Script: gothic., and Decoration: historiated initial "B" with a miniature of two souls borne to heaven by two angels, gilt; wide decorated border of blue and green acanthus with flowers and fruits, gilt.
Subject (Geographic):
Belgium, Bruges, Connecticut, New Haven., and Bruges (Belgium)
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on vellum, in a single hand, of a book of hours according to the Use of Sarum. The Latin text is followed by a brief treatise in Middle English on prayer, titled "Here begynneth in what man[ner] preyer sholde be vsed." The volume concludes with prayers in Latin and Middle English
Alternative Title:
Book of hours
Description:
In Latin and Middle English., Description of volume, in Latin, signed WA.1804 on recto of front flyleaf., Ownership inscription of Jone Ffyn on verso of front flyleaf., Calendar contains three notes concerning births and a marriage of Cheyne family members., Layout: single columns of 17 lines., Script: gothic bookhand., Decoration: three historiated initials with full-page borders; one smaller historiated initials and seven large foliate initials with borders. many smaller initals in gold with blue penwork or in blue with red penwork., and Binding: modern red velvet; red morocco box.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church. and Catholic Church
Subject (Topic):
Books of hours, Devotional literature, English (Middle), English prose literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on vellum of 1 leaf from a Breviary, with Feasts of Saint Luke (October 18) and the 11,000 Virgins (October 21).
Description:
In Latin., Two 10-line historiated initials, blue on red background and red on blue background, both letter and background decorated with white penwork, patches of gold in the corners, with foliate marginal extensions. Yellow stroking of majuscules. Red rubrics and 1-line versals. Alternately red and blue half inset 3-line flourished initials with penwork respectively in blue and purple, with marginal extensions., and Script: copied by one hand in small Northern Gothica Textualis Formata.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ursula, Saint. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval