Manuscript on paper made by an unknown Venetian mathematician, astronomer and cartographer. This manuscript is highly interesting for the excellent drawings of contemporary Mediterranean sailing-ships
Description:
In Italian., Script: Written by one hand in Gothico-Humanistic Cursive, which in the maps alternates with Capitalis. Headings in Capitalis inscribed on scrolls or tablets., Maps, borders and decorations in colours. Clumsily drawn human and animal figures., and Binding: Original limp vellum. On the spine is written "G***ctrica MSS". On the rear cover are a pen-drawing, upside-down, of the same decorative device as on f. 2r, and a sketch of city gates.
Subject (Geographic):
Connecticut, New Haven., and Islands of the Mediterranean.
Subject (Topic):
Atlases, Illumination of books and manuscripts, Medieval, Manuscript maps, Manuscripts, Medieval, and Sailing ships
Manuscript on paper of Pedro Lopez de Ayala, Aves de caça.
Description:
In Spanish., Script: Written by a single scribe in a careful italic script., Crude initial and heading (in gold and subdued water colors) on f. i recto and f. 1r; other small initials, 4- to 1-line, in similar colors throughout text. Headings in red; initials of each paragraph in blue or red., Waterstained throughout., and Binding: Seventeenth century. Black goatskin, blind-tooled. Fragments of manuscripts (covered by paper pastedowns) serve as binding reinforcements.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Manuscript on parchment (trimmed) of 1) Unidentified preface. 2) Sallust, Bellum Catilinae. 3) Unidentified scholia on Sallust, Bellum Catilinae. Although the commentary of Beinecke MS 358 belongs to the medieval school tradition rather than to the Renaissance tradition, neither the text of this article or of art. 5 below resembles closely any medieval texts currently known. 4) Sallust, Bellum Iugurthinum. 5) Unidentified scholia on Sallust, Bellum Iugurthinum
Description:
In Latin., Script: Written in batarde, with scholia in a smaller version of the same hand., One miniature, 12-line, f. 74v, a T-O mappa mundi, in a red and gold frame, slightly waterstained at the edges. One 4-line initial, f. 3r (pink), and one 3-line initial, f. 57r (blue), both with white highlights, filled with red and blue ivy on gold against a gold ground. Twenty 2-line initials, gold, filled with pink and blue against pink and/or blue grounds, square or irregular, with white filigree. Capitals stroked in yellow, red or blue between ff. 1r and 26v; in yellow for the remainder of the text. Borders were perhaps added later (between 1425 and 1450) on folios with initials only; between ff. 1r and 57r, flowering vines, gold, green and blue with gold dots in lines above, below or in written space; blue and gold acanthus mixed with flowering vines, red, pink, blue, and green with gold ivy in line above written space and in inner margin within rulings for scholia; on a few folios, outer vertical bounding line reinforced in red with small acanthus terminals. Between ff. 57v and 162v pink, blue and/or green acanthus, with flowering vines, pink, blue and green, with gold ivy and dots, disposed as above; on f. 85v vertical bounding line repainted as a green stem with lopped off stalks. Lemmata underlined in red., and Binding: 18th-19th centuries. Limp vellum case with title in ink. Rodent damage.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catiline, approximately 108 B.C.-62 B.C. and Sallust, 86 B.C.-34 B.C.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jugurthine War, 111-105 B.C., Latin literature, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Caesar, Bellum Gallicum, translated into Italian by Pier Candido Decembrio in 1438. With Dedication of the translation to Filippo Maria Visconti, Duke of Milan
Description:
In Italian., Script: Written below top line in a bold round humanistic hand by a single scribe who added extra rulings in outer margins for headings, annotations, etc., in red. Additional annotations in humanistic cursive, in a brighter shade of red., Elegant illuminated title page (f. 2v) with the title, written in blue over an erasure, in a circular wreath, green with gold flowers, and framed by narrow gold bands with fillets and inkspray issuing from the top and bottom with blue and deep red flowers, green leaves and gold balls. Full border, f. 1r, white vine-stem ornament on blue, green, deep red and gold ground between thin gold frames. In lower border, medallion, blank, framed by wreath, green with yellow highlights and narrow deep red frame. Partial border, f. 3r, white vine-stem ornament on blue, green and deep red ground between narrow gold frames, enlarged to elongated dots at terminals; white vine-stem ornament extends into upper (trimmed) and lower margins, with single gold balls with hair-line strokes. 8 large initials, 11- to 3-line, gold on blue, green, gold and deep red ground with white vine-stem ornament shaded with pale pink. First few words of each book in gold; incipits, explicits and marginalia in red., and Binding: Date? Italy. Vellum case with title in ink on spine: "Cesare Comment". Gilt, gauffered edges and gold and cream silk endbands. Fragments of a printed service book with musical notation partially visible under pastedowns.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Caesar, Julius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and History, Military
Manuscript on parchment of Lucan, Bellum civile, with scholia. Preceded by Epitaphium Lucani, 4 lines only
Description:
In Latin., Script: Main text written above and below top line in a small early gothic bookhand by two scribes. Scribe 1) ff. 1r-37r; Scribe 2) ff. 37v-91v. First letter of each verse written to left of text between double rulings or on middle of three rulings; right-hand margin justified. Scholia, primarily at beginning of codex, written in a contemporary hand., Decorative initials, red or blue, 12- to 4-line, with simple designs in opposite color, for each book. Rubrics added sporadically. Plan of Brindisi appears in the margin of f. 15v (II.610) to illustrate Caesar's siege of the city; on f. 47v is a schematic circular drawing of Paulus in the center, surrounded by Pelion, Ossa, Otrix, Pindus and Olympus., Rubbing, staining, trimming of leaves, and worm holes result in some loss of text and scholia., and Binding: Nineteenth century. Light brown pigskin, blind-tooled, with brass fastenings.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Historical poetry, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and History
Manuscript on parchment of the Vulgate Bible, with interpretations of Hebrew names
Description:
In Latin., Script: Copied in small Northern Gothica Textualis (Pearl Script), Decoration: Historiated initials, with a normal height of 6 lines, at beginning of each book (further on this, see the catalog description); 4-line foliate initials, half inserted, at the beginning of each prologue; running headlines and chapter numbers alternately in red and blue majuscules or roman numerals., and Binding: 18th or 19th century romantic binding by François Bozerian (Bozerian Jeune): red morocco over cardboard; both covers gold- and blind-tooled with cruciform and floral motifs; gold-tooled spine with four raised bands and a gold-tooled title, "BIBLIA SACRA."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Remigius, of Auxerre, approximately 841-908.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of Lamentations, 3.13-51 (52-56 obscured). Written at Luxeuil or one of its affiliated houses. Fifteen folios from the original codex survive, most of which may be traced to the Benedictine abbey of Admont in Austria. Most of the verses in the Beinecke fragment have received neumes, possibly added later (11th century?).
Description:
In Latin., Script: Written in elegant Luxeuil minuscule, with headings in uncials., Large initial at beginning of each verse filled with yellow, red, and/or green; headings in green or red., and Removed from a bookbinding; text suffers from holes, stains, creases, and repairs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Music
In Latin., Script: Written in tiny gothic textura by a single scribe., Good initials for the beginning of each book and prologue, 10- to 4-line, blue or pink, with various shades combined in a single letter, with white highlights, often with prominent floral serifs in blue, pink, red, orange, and yellow, against pink and blue grounds; grounds for body of letter and serifs in opposite colors. Elaborate descenders, ascenders, as serifs, but often with biting dragons. Letters filled with curling floral motifs, often with dragon-head terminals, and biting dragons. The initials on f. 214r (Esther) and f. 220r (Job) are more elaborate than the others. 2-line initials for each chapter, blue or red, with red or blue flourishes. Running headings and chapter numbers in red and blue, with flourishes. Rubrics throughout., and Binding: Nineteenth century. Printed vellum fragment, in large gothic letters, with portion of John 4.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of the Bible, with prologues to almost every book; also includes interpretations of Hebrew names
Description:
In Latin., Script: copied by several similar-looking hands writing in Northern Gothica Textualis Libraria., Decoration: each Prologue (except Jeremiah, f. 240rb) opens with a painted initial, decorated with interlace and hybrid animals, fishes, etc. Numerous large and small decorative initials in red and blue pen-work. Execution of decoration ascribed to the "Vie de Saint Denis Atelier." See catalog description for further detail., and Binding: Eighteenth century : rose-coloured parchment over wooden boards; both covers gold-tooled; brass bosses and clasps; arms of Johann Christoph Borzek on front cover; cartouche containing a peasant pruning a tree, with the motto "Cum tempore fructus," on rear cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
