Trade card for Richard Lee, tobacconist at the Golden Tobacco Roll in Panton Street near Leicester Fields, London; design based on Hogarth's 'A Midnight Modern Conversation' (Paulson 128) framed by a lettered oval in a rectangle, decorated with tobacco leaves; a drinking and smoking scene with ten men around a table, one rising to vomit, another collapsed on the floor, paintings and hats hung on the wall behind, fireplace to right. Etching with engraved lettering
Alternative Title:
Richard Lee at the Golden Tobacco Roll in Panton Street near Leicester Fields and Richard Lee at ye Golden Tobacco Roll in Panton Street near Leicester Fields
Description:
Title etched in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. i, p. 12., and See Paulson, R. Hogarth's graphic works, no. 128
Trade card for Richard Lee, tobacconist at the Golden Tobacco Roll in Panton Street near Leicester Fields, London; design based on Hogarth's 'A Midnight Modern Conversation' (Paulson 128) framed by a lettered oval in a rectangle, decorated with tobacco leaves; a drinking and smoking scene with ten men around a table, one rising to vomit, another collapsed on the floor, paintings and hats hung on the wall behind, fireplace to right. Etching with engraved lettering
Alternative Title:
Richard Lee at the Golden Tobacco Roll in Panton Street near Leicester Fields and Richard Lee at ye Golden Tobacco Roll in Panton Street near Leicester Fields
Description:
Title etched in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. i, p. 12., See Paulson, R. Hogarth's graphic works, no. 128, Ms. note in pencil above: Doubtful. Ms. note in pencil below: Perhaps an imitation of Hogarth's Midnight Modern Conversation., and On page 5 in volume 1. Sheet trimmed to: 103 x 115 mm.
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: United States of America -- Overcrowded carriage -- Chickens -- Dogs.
Publisher:
Pubd. by J. Robins & Co., Ivy Lane, Paternoster Row
Design consists of eight panels arranged in two horizontal rows, with lines of text etched in the top portion of each panel. In the upper left, an intoxicated woman in an arm chair, says "May we have in our arms what we love in our hearts. No tax upon gin! Here we go up, up, up, and there we go down, down, down!" The next shows a man prostrate on his back holding a lantern, with words above, "Bless me, is that the sun of the moon I see above there!" On the wall behind him a print with the title "The good woman" etched above the figure of a woman without a head. Third, a bare chested gravedigger looks up from his work in horror as a woman loses control of the pail of water on her head. Above them are the words, "Hollo! Damn your blood you old Faggot, where are you coming to?" The final panel in the top row shows an obese well-dressed woman vomiting, a bottle of "Comfort for the Cholick" in her left hand. The words etched above her head: "Too much of a good thing!". First on the left of the second row: a large, young woman with bare breasts and generally disheveled and quesy look on her face, walks on a cobblestone street; behind her in the distance a man shakes a cleaver in her direction. Above her the words, “I am a little sickish or so, but no matter, I've given Sal her gruel? She drink gin with me! Blast me she could as soon swallow the fat landlady!” The next panel shows a unconscious woman being carried on a man's back. The text above them reads, “She's got her quantum, by jingo, she smells as sweet as a daisy! But no matter, I'll get the blunt in the morning from her old goat of a keeper. 'Upon my conscience and soul he will have a precious bedfellow of her to night! In the third panel, bottom row, an old woman with spectacles bumps into a large rock, causing her to drop her bottle of gin and a bloody nose. Etched above her head are the words, “What's that for you sawcy reascal! Here, Watch! Watch! Watch! Lord a mercy upon me what a blow! My poor head spins like a top!” In the final panel, a military officer escorts a well-dressed young woman along a street as he brandishes a club. Above them is etched, "Stick, close, my dear, Charlotte. Hold up your head, my lily of the valley. I am as sober as a judge. Woman and wine for ever, damn me!”
Description:
Title from caption below images., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Russell & Co. 1799., and Mounted on modern secondary support.
Publisher:
Pub. by Willm. Holland, No. 50 Oxford Street
Subject (Geographic):
St. Giles in the Fields (London, England)
Subject (Topic):
Social conditions, Couples, Gin, Gravedigging, Intoxication, Spouses, and Watchmen
An intoxicated man in tattered clothing leans against a wooden post on the street. He looks over at a woman to the left, also intoxicated, who sits on the ground. An article of the woman's clothing is caught on the post and is hanging off her shoulder
Alternative Title:
Vy Sarah your drunk! I'm quite asham'd o'you
Description:
Title from text above and below image., Publication date from unverified data in local card catalog record., and Title continues: ... Vell vots the odds, as long as you'r happy.
Leaf 68. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., In the manner of Rowlandson, and likely engraved after one of his drawings., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 68 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Gambling, Intoxication, Sleeping, Tables, Bottles, Drinking vessels, and Dogs
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 4 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
The more finished of the two wash drawing on recto shows a drunken tradesman (perhaps sailor or dustman) holding onto a post. Above him is written by the artist, "Niccup who are ye staring at. Take a little sober advice and go home for you seem to be beastly intosticated [sic]." On the verso, a graphite drawing of a baker(?). On the verso a pencil sketch of the same tradesman, unfinished
Description:
Title from caption written below image on recto, in artist's hand., Attributed to C.J. Grant based on style and association with other signed drawings., Date of creation based on Grant's known years of activity., Watermark on paper: J. Whatman 1830., and For further information, consult library staff.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 4 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
The more finished of the two wash drawing on recto shows a drunken tradesman (perhaps sailor or dustman) holding onto a post. Above him is written by the artist, "Niccup who are ye staring at. Take a little sober advice and go home for you seem to be beastly intosticated [sic]." On the verso, a graphite drawing of a baker(?). On the verso a pencil sketch of the same tradesman, unfinished
Description:
Title from caption written below image on recto, in artist's hand., Attributed to C.J. Grant based on style and association with other signed drawings., Date of creation based on Grant's known years of activity., Watermark on paper: J. Whatman 1830., and For further information, consult library staff.
A crowd of rotund stock brokers sit and stand around a table and against a wall with a clock. The broker centered in the front reads from a copy of the Gazette Extraordinary while some of the others peer over his shoulders looking for news, many where glasses and one uses a glass to read the print on the page. To his left at the table is a broker holding bank stock in his right hand, and another broker knocking over a bottle of Madeira at the table
Alternative Title:
Gazette extraordinary
Description:
Title etched below image., Artist attribution to Dighton from the British Museum online catalogue, registration no.: 2010,7081.1318., Sheet trimmed to plate mark on bottom edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 29 April 1795 by Haines & Son, No. 19, Rolls Buildings, Fetter Lane
Subject (Geographic):
Great Britain.
Subject (Topic):
Eyeglasses, Intoxication, Newspapers, Optical devices, and Stockbrokers
"Two men sit beside a blazing fire in a well-furnished room, overcome by drink, and fast asleep. One, a stout officer in regimentals, wearing a cocked hat, seated in an arm-chair (right), has thrust his wooden leg into the fire, where it is burning. The ashes of his pipe fall on to the tail of a dog asleep under his chair. His companion sits (left) supporting his head on his elbow, which rests on a round table on which are a punchbowl, glasses, and a candle, in which his wig is burning. On the wall (left) is a framed plan of fortifications."--British Museum online catalogue
Alternative Title:
Bon companions
Description:
Title engraved below image., Printmaker identified by the repository based on the original drawing in the Huntington Library., One of a series of 'Drolls.', and Watermark (partial): fleur-de-lis.
Publisher:
Published Septr. 15th, 1790, by Robt. Sayer, No. 53 Fleet Street, London
