Plate lettered in the top center 'H': Reverse copies of details six figures from the center of Hogarth's first plate in Election entertainment. Each character is numbered; 1 and 2, two of the musicians (the woman violinist and the bass-viol player); 3, 4, and 5, three of the men sitting at the table conversing and drinking; 6. the portrait on the back wall
Description:
Title from British Museum catalogue., Printmaker and date from British Museum online catalogue., and Plate from: Lichtenberg's Göttinger Taschen Kalender.
Description from Steevens's note mounted to the right of the print: A procession of painters to the shrine of Bacchus, a slight but spirited etching. The jolly god appears crowned with a jordan. His altar is a Hogshead. Among the trophies carried along, is a helmet which has a punch bowl & ladle for its crest, and a standard displaying pipies and bottles. A figure, probably designed for old Leveridge the singer, in the character of a priest of Bacchus, is seen in the rear of the cavalcade. The chief characters in this plate are copied & introduced, without the slightest propriety, into a wretched print erroneously attributed to Hogarth, and called The oratory. See. As it is not for a certainity known that this procession was the work of Hogarth*, let the collector who wishes to form his judgment of it from the style in which it is etched, compare it with the festoon of laurel, the subscription ticket for Garrick in King Richard III. *Perhaps it represents part of a Bacchanalian procession painted by Lagueree on the walls of a tavern in Drury-Lane where a club of virtuosi met. See Mr. Walpole's account of Laguerre
Description:
Title from Steevens., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Paulson in his second edition of Hogarth's graphic works (no. 280) is given tentative attribution to Hogarth but this attribution is dismissed in the 3rd edition based on stylistic grounds., On page 12 in volume 1., and Also ms. note (from Ireland, Hogarth Illus. p. 61-62) is inscribed on separate sheet below.
Publisher:
publisher not identified
Subject (Name):
Dionysus (Greek deity) and Leveridge, Richard, 1670 or 1671-1758
Subject (Topic):
Intoxication, Painters (Artists), and Parades & processions
"A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background, another woman drinks from the punchbowl, another is removing her clothes in order to perform "postures"; to right., a harpist and a door through which enter a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged."--British Museum online catalogue
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good! Woman form'd for social love, fairest gift of powers above ...
Description:
Title, state, and imprint from Paulson., Added title from first lines of verse engraved below image., Caption in five columns below image., and "Plate 3."--Lower right.
Publisher:
Wm. Hogarth
Subject (Topic):
Blacks, Fighting, Harps, Interiors, Intoxication, Musicians, Rake's progress, Prostitutes, Robberies, Street entertainers, Taverns (Inns), and Vandalism
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., 1 print : etching with engraving on laid paper ; plate mark 35.5 x 40.9 cm, on sheet 46 x 59 cm., and Plate 10 in the album: Queen Charlotte's collection of Hogarth works.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., and Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below.
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged
Alternative Title:
O vanity of youthfull blood ...
Description:
Description based on entry in Paulson., "Plate 3"--Lower right corner., and Description based on imperfect impression; sheet trimmed to image with loss of text and imprint.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., 1 print : etching with engraving on laid paper ; plate mark 35.5 x 40.8 cm, on sheet 45 x 56 cm., and Leaf 10 in: Album of William Hogarth prints.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., and On page 69 in volume 1. Plate trimmed to: 35.2 x 40.1 cm.
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged
Alternative Title:
O vanity of youthfull blood ...
Description:
Description based on entry in Paulson., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image with loss of text and imprint., and On page 68 in volume 1. Plate trimmed to: 35.1 x 39.8 cm.
Translated title supplied by curator., Place of publication derived from language of text., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Fine Arts Publishing House and Издательство "Изобразительнос искусство".
Subject (Topic):
Alcoholism, Alcoholism and employment, Drinking of alcoholic beverages, Intoxication, Factories, Violence, and Fighting
