Manuscript fragment, on parchment, of an Italian translation of Book 8, chapters 4-5 of the Facta et memorabilia dicta of Valerius Maximus
Description:
In Italian., Script: humanist cursive., Decoration: rubricated. 9 initials of 2 or 3 lines in alternating red and blue ink., and Layout: single columns of 35/36 lines.
Manuscript on parchment of Valerius Maximus, Factorum et dictorum memorabilium ad Tiberium cesarem
Description:
In Latin., Script: Written by a single scribe in fere-humanistic script. Marginal and interlinear notes in several contemporary and later hands., On f. 3r, a good historiated initial, 7-line: the author in armor, holding his book; thick, curling foliage forms, pink, orange, blue, and green, on an irregular gold ground, edged in black. Nine illuminated initials (ff. 16r, 29v, 43r, 57r, 72r, 85v, 98r, 111v, and 126r) to open Books 2-10, composed of foliage, as above, and striated color strips, in vibrant blue, orange, crimson, mauve, green, and occasionally yellow, highlighted in white and variations of the same basic hues. 4-, 2-line initials, blue with red penwork or vice versa. Book numbers at top of page, red and blue; rubrics throughout. Remains of guides for rubricator., and Binding: 15th-16th centuries. Resewn on four tawed, slit straps laced through the edge of wooden boards and nailed in channels which are filled in with plaster. There is a piece of leather at the exit from one tunnel and what may be the tips of nails just inside the channel so earlier supports may have been of leather, nailed twice. The endbands, sewn on twisted leather cores laid in grooves, were tied down through a leather spine lining, the embroidery with three beads. The edges are gilt with a design scratched on them, the spine square. Covered in dark brown goatskin with corner tongues, blind-tooled with a star in a circle with wide rope interlace panels above and below, inside concentric outer borders. Small diamonds and dots on the spine. Four brass catches on the lower board and stubs of velvet straps nailed to the upper. One joint cracked and repaired and one endband added.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of 1) Dedication to Ferdinand of Aragon and to his son Alphonse, Duke of Calabria. 2) Dialogue between Lazarelli and his Muse. 3) Books 1-3 on methods of counting time, moveable feasts, the ages of the world, the Jewish patriarchs, popes (the latest, Paul II, 1464-71), etc. 4) Calendar of moveable feasts in 1476 and November-June of 1477. 5) Books 4-16, March through February, and final book entitled Iudicium. 6) Calendar, March through February, with two series per month, the first with Christian feasts, the second with agricultural, zodiacal and historical (Roman and Jewish) information. 7) Thirteen poems by others in honor of Lazarelli. Eleven poets are represented; most of those identified are associated with the Accademia Pomponiana in Rome in the 1480's.
Description:
In Latin., Script: Written in well formed humanistic script below the top line., Eighteen miniatures, the final six sketched in but unfinished, by an accomplished artist whose identity remains uncertain. The miniatures are usually framed in a pink or mauve egg-and-dart molding and a thin gold band. Dedicatory inscription in gold Roman letters on a marble-patterned panel appears on f. 7r. One historiated initial, below inscription, 10-line, of the author at work: gold, edged in black, against a purple and pink quartered ground with pink and purple filigree; all framed in green. In lower margin, supported by putti, is the coat-of-arms of Ferdinand of Aragon, King of Naples., Four initials all'antica, ff. 1r, 70r, 102r, 222v, 14- to 7-line, gold, black, purple, pink, orange and green with flowers and acanthus. Ten white-vine initials, ff. 45r, 58r, 88v, 115r, 137v, 155v, 170v, 182r, 200r and 213v, 10- to 8-line, colors as above. Numerous 4- to 2-line initials, gold, darkly edged in black, on orange-, pink-, and blue-flecked grounds, with guide-letters; some with faces drawn in interior. 2- and 1-line initials, gold, red, and blue with acanthus serifs. 1-line paragraph marks red or blue. Running titles in yellow, red, and blue. Rubrics in margins in red, blue, and purple. KL monograms, 3-line, yellow, red, and blue., and Binding: Nineteenth century. Worn red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lazarelli, Ludovico.
Subject (Topic):
Calendars, Chronology, Church calendar, Christian literature, Latin (Medieval and modern), Fasts and feasts, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Fatti di Cesare, Italian adaptation of the French prose romance Li fait des Romains
Description:
In Italian., Script: copied by one hand in Southern Gothica Semitextualis Libraria. The first word of a Book, after the (planned) initial, is written in Gothic majuscules., There are guide letters and space has been reserved for 2-line initials (3-line at the beginning of a Book), but only a few of these have been executed (plain initials with the simplest penwork decoration, by a later hand); the large fancy black initial at the beginning of the Prologue is equally a later addition made by an unexperienced hand. There are neither headings nor other decoration., and Binding: the binding is lost. The quires are sewn on four double white leather thongs.
Manuscript on parchment of 1) Calendar for the Benedictine Order. 2) Ferial Psalter, comprising Invitatories, Antiphons (with musical notation), Psalms, Hymns (with musical notation), Versicles, Responses and Canticles. 3) Hymnal, with notation. 4) Various antiphons
Description:
In Latin., Script: copied by one hand in Southern Gothica Textualis Formata (Rotunda), using Uncial and Half-Uncial d. The additions and substitutions at the end of the codex are in a coarse form of the same type of handwriting. Musical notation in black Nota Quadrata., Rich decoration. Initials: (1) 1-line versals (flourished) alternately red and blue; (2) 2-line flourished initials in the same colours infilled with leaves and followed by a flourished majuscule in black, at the beginning of each text; if on the top line, they are surmounted by gable-like penwork. The KL-ligatures in the Calendar (4 lines) have the same decoration; (3) 4-5-line (6-line for I) foliate initials with foliate marginal extensions and generally 3 gold balls in the margin, followed by a 1- or 2-line flourished majuscule in black, at the beginning of the principal texts; (4) historiated initials, with floral extensions or gold balls in the margin, at the beginning of the major subdivisions of the text., The worn and defective edges (especially the lower edges) of many leaves were repaired by means of pieces of used parchment pasted on the damaged places., and Binding: 17th century. Reddish brown leather over wooden boards with square edges. The covers blind-tooled with fillets; spine with four flat bands. Marks of metal corner pieces and central bosses. Paper pastedowns. Numerous brown leather tabs at the outer edge of the leaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines.
Subject (Topic):
Hymns, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment of 1) Ps.-Raymundus Lullus, Figurae instrumentales Testamenti: Diagrams and tables related to the Testamentum, a treatise of the Lullian alchemical corpus. 2) Recipes for obtaining the philosophical stone and the magisterium
Description:
In Latin., Script: Art. 1 is written by one scribe in Southern Gothica Semitextualis Libraria, with cursive x and cursive final s. Art. 2 was added by two scribes writing Humanistica Cursiva Libraria., The tables and diagrams are traced in brown or red ink. Except in the tables there is no ruling for the text. The text is written in brown and red ink., and The parchment is stained and worn due to folding and manipulation.
Manuscript on paper, written in two stages. Part II was copied in the mid-14th century (before 1369) in Tuscany, possibly in Pisa. Part I was copied by Niccolo di Giovanni Cinuzi da Siena in Ferrara, Italy, by 1 Sept. 1415. Part I: Boccaccio, Filostrato. Part II: Articles 2-35 and 38-39 consist of a collection of Italian canzoni by various authors as well as anonymous poems. Artt. 36 and 37 are fragments of Petrarch, Rerum vulgarum
Description:
In Italian., Watermarks: Part I: similar to Briquet Monts 11678. Part II: similar to Briquet Ciseaux 3737., Script: Part I (ff. 1r-78v): Written by a single scribe in a bold upright notarial script. Part II (ff. 91r-110v): Written in a clear notarial script by a single scribe; later writers have added the initials, offset in margins, for the major sections of text (sometimes inaccurately) and the notes on ff. 109v-110v., Crude drawings include a falconer with birds, f. 103v, and a ghost (?), f. 103r., The pattern of stains suggests the two parts were originally bound separately. Stained throughout; some ink blotches affect text., and Binding: Nineteenth century. Brown calf over wooden boards, blind-tooled. Red-brown, gold-tooled label. Parchment reinforcements between quires.
Manuscript on parchment of Aegidius Beneventanus, Collection of extracts on moral subjects (Part I), historical, genealogical and geographical subjects (Parts II and III) drawn from classical, Biblical and medieval texts. With Extracts from Isidore, Etymologiae
Description:
In Latin., Script: Written by several scribes in an uneven gothic bookhand., Two attractive illuminated initials, 4-line, with partial borders. Folio 1r, initial constructed of a winged dragon, pale yellow with white highlights and red contouring strokes against a blue ground. Tail of dragon extends down the inner margin to form a partial bar border, blue, red, pale yellow with beads in red, blue, and yellow and small stylized leaves, blue and pale yellow swirling around bar. Border ends in lower margin in stylized scroll inhabited by a bird, outlined in red and brown ink, and a fowler, pointing a bow and arrow. Folio 30r, initial, red and pale yellow against blue ground with white filigree, filled with a grotesque and a dragon. Descender of initial extends into margin to form a partial bar border, same as above; border terminates in lower margin in a stylized scroll, ending in a dragon's head. Several flourished initials of good quality, 3-line, blue or red with penwork in the opposite color, extending the entire length of the text column (e.g., f. 45v). Other pen and ink initials, red with crude penwork in brown ink. Plain initials and headings in red. Paragraph marks primarily in red. Instructions to rubricator throughout; remains of guide letters. Spaces left unfilled for some initials., and Binding: 19th-20th centuries, France (?). Quarter bound in blind-tooled brown calf over oak boards by the same binder as Marston MSS 214, 216 and 236.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aegidius Beneventanus. and Isidore, of Seville, Saint, -636.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of Formularium novum, copied after an unbound exemplar in the hands of master Ulrich, librarius at the papal court in Rome. Preserved from the end of chapter 531 up to the end of the text, i.e. chapter 586. Many documents have connections with Bologna. Also contains an undated and unsigned letter addressed to a Pope, answering a letter by the General of the Franciscan order and referring to an invasion of property belonging to the writer's family by a certain Tiburtius, made into a formula
Description:
In Latin., Script: Art. 1 copied by one hand in Gothica Cursiva Libraria; art. 2 is in another hand, writing a small script of the same type., Headings in red; instructions for them are written in small Cursiva in the margins, together with the chapter numbers. 2-line flourished initials, alternately red with purple and blue with red penwork. Art. 2 is undecorated., The reading is doubtful at many places. The corners and outer edges of the final leaves damaged., and Unbound.
