Manuscript on paper of Agostino Cesareo (Rome, 16th century), L'arte del navigare
Description:
In Italian., Script: Written by one scribe in careful Humanistica Cursive., Coloured and uncoloured diagrams, illustrations and maps., Many pages are spoiled by the acidity of the ink., and Binding: Original limp vellum. On the front cover the inscription "L'arte de ***"; on the rear cover contemporary calculations.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cesareo, Agostino.
Subject (Topic):
Astronomy, Cosmography, Navigation, Illumination of books and manuscripts, Medieval, Italian literature, and Manuscripts, Medieval
Manuscript on paper (watermarks buried in gutter) of Gregorio (or Leonardo?) Dati, La Sfera. This rhyming treatise (ottava rima) is divided into two parts: 1) a treatise on astronomy; 2) rules for navigation and the determination of the position of the sea
Description:
In Italian., Script: Written by one person in neat mercantile script., One 4-line initial, f. lr., gold capital with white-vine foliage against a blue, pink and green ground, connected to a 3/4 white-vine border with brown penwork and gold dots; a coat of arms in wreath at center of lower margin. Two 3-line initials, ff. 7r and 14v, gold, against pink and green grounds with yellow and white filigree. Folios 1r-14v illustrated in margins with astronomical and geographical diagrams, all of them circular, tinted drawings in brown pen with red, yellow, blue and green washes. Folios 15r-24v decorated with unframed maps and illustrations drawn in brown pen, and tinted green, brown and red. Most illustrations unlabeled., Some leaves repaired; the manuscript shows signs of heavy use., and Binding: 16th-17th centuries. Resewn on three vegetable fiber supports. Rounded spine. Covered in black/brown sheepskin over wooden boards with corner tongues. Blind-tooled with five line fillets forming diamonds. There are traces of four bosses on each board and two clasp-and-catch fastenings, the catches on the lower board. Fastenings and bosses are wanting. Concentric circles are scratched in the center of the lower board. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dati, Gregorio, 1362-1436.
Subject (Topic):
Astronomy, Medieval, Italian poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Early maps, and Navigation
Manuscript fragment on parchment of an unidentified commentary on the Gospel of Luke
Description:
In Latin., Script: late Carolingian handwriting with Italian features., No decoration., Both sides are stained; the lower section of f. 1rb is partly illegible., and Binding: used for the cover of an archival register, with f. 1r as the outer side, as appears from the title written in capitals upside down in horizontal sense on the lower half of that page: “L(ibro) di rendite 1629”.
Manuscript on paper of part of a collection of letters by Antonius Panormitanus (Antonio Beccadelli, 1394-1471), written during his teaching at the Studio of Pavia, 1429-1434
Description:
In Italian., Script: copied by one hand in a wide Gothica Hybrida Libraria., 2-line plain red initials with guide letters in the margin. Red stroking of the majuscule following an initial., and Binding: unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Beccadelli, Antonio, 1394-1471.
Subject (Topic):
Epigrams, Italian, Italian letters, and Manuscripts, Medieval
Manuscript on paper, copied from an exemplar with the final part in disorder
Description:
In Latin., Script: Copied by one hand writing an imperfect Humanistica Textualis with a relatively large number of abbreviations, incomplete word separations, hesitations, errors and corrections making reading sometimes difficult in spite of the formal character of the writing., Spaces and guide-letters for initials (3-line on ff.1r and 2r, the others 2-line); the initials are not executed., and Binding: Of undetermined age. Half light brown leather over original (?) unbevelled wooden boards, the leather decorated with fillets in a geometrical checkered pattern. Spine with four raised bands. Modern parchment pastedowns covering the inner half of the boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Marrasio, Giovanni.
Subject (Topic):
Latin poetry, Medieval and modern and Manuscripts, Medieval
Manuscript on vellum and paper of 1) Treatise on the Koran. 2) Ricoldus de Monte Crucis O.P. (Ricoldo da Montecroce, d. 1320), Libellus contra legem Sarracenorum (Confutatio Alcorani). 3) Anonymous treatise against the Koran in the form of letters exchanged between two friends, a Muslim and a Christian. 4) Bonacursius de Bononia O.P. (s. XIII2), De erroribus Graecorum. 5) A short history of the ecumenical councils
Description:
In Latin., Script: probably copied by one hand, who starts writing Humanistica Textualis but gradually changes into a rapid Gothico-Humanistica., and Binding: original binding. Blind-tooled calfskin over bevelled wooden boards, worm-eaten. Sewn on three split leather thongs. Brass? bosses.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Apologetics, Christian literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on paper of Emperor Charles V (1500-1558), Laudum inter papam Clementem et illustrissimum Ducem ferrariae, the arbitration of the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21.
Description:
In Latin and Italian., Script: copied by one hand writing Humanistica Cursiva., Contemporary copy of the charter, granted by Charles V, Roman Emperor (1500-1558), by which he arbitrated in the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21., and Binding: the leaves are part of a volume formerly in the possession of Thomas Phillipps, containing mostly copies of documents related to the affairs of the Medici dukes of Tuscany Alessandro (1531-1537), Cosimo I (1537-1574) and Ferdinand I (1587-1609).
Manuscript on parchment of the earliest known redaction of the Constituta legis et usus of Pisa, issued ca. 1146-56.
Description:
In Latin., Script: Written by three scribes in well formed bookhands. Scribe 1: ff. 1v (1r erased)-20r; Scribe 2: ff. 20r-38v; Scribe 3: ff. 39r-62v., Decorative initial, 7-line, f. 1r, in red and black with simple foliage designs in interior; red initial, 4-line, at beginning of art. 3, f. 18v; rubrics throughout, some perpendicular to text in margins. Plain initials, 2- to 1-line, and paragraph marks, in red; on f. 15v only, two initials, 1-line, and paragraph mark in blue. Guide-letters for rubricator in gutter or margins., Folio 1r almost entirely erased and illegible., and Binding: Nineteenth century. Quarter bound with reddish-brown goatskin over wooden boards. Paper label, with title "Statuta Civitatis Pisanae An. 1186" written in ink on spine.
Manuscript volume, in the hand of an unidentified nun at the monastery of Scala Coeli in Genoa, containing copies of Italian translations from the Revelationes, Sermo Angelicus, and other texts from the Liber Caelestis of Saint Bridget. On the colophon, the scribe identifies herself as a professed nun of the Order of Saint Bridget, and states that the work was completed on July 26, 1626. The manuscript also includes circa 27 contemporary devotional engravings placed throughout the text, many with identifiable artists and publishers from Italy, France, the Netherlands, and elsewhere. The engravings depict Christian figures, including the Blessed Virgin Mary, Jesus Christ, John the Baptist, the archangel Michael, and various saints; and scenes from the New Testament, including from the lives of the Blessed Virgin Mary and Jesus Christ
Description:
Bridget of Sweden (approximately 1303-1373) was a mystic and saint. She experienced visions beginning in childhood, the records of which were gathered and translated into Latin. They are collectively known as the Revelationes and Liber Caelestis., The Birgittine convent known as Scala Coeli was founded in Genoa, Italy, circa 1406. Nuns at the convent translated the writings of Saint Bridget into Italian., In Italian; colophon in Latin., Title from first leaf., Includes table of contents on six leaves at end., Colophon, leaf 317r., and Binding: Contemporary red leather over wooden boards; front and back covers have blind tooled rules and rolls, with a central figure of a female saint and the letters "M S B G" tooled in gold; spine with raised bands and a blind tooled flower in each compartment; front edge originally had two leather straps with brass clasps, and is now lacking one strap and clasp. Later (19th century?) paper spine label with manuscript inscription: "[illegible] S. Brigid. Cavate dei libri delle sue rivela[tion]. Opera di una monaca della ordine stisso[?] per comodite delle Sorelle 1626".
Subject (Geographic):
Italy., Italy, and Sweden
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373., Bridget, of Sweden, Saint, approximately 1303-1373, Jesus Christ, John, the Baptist, Saint, Mary, Blessed Virgin, Saint, and Michael (Archangel)
Subject (Topic):
Devotion to, Devotion, Nuns, Saints, and Religious life and customs
Manuscript on parchment of 1) Lessons for the sanctorale from Saturninus through Catharine, including many Franciscan feasts. 2) Bull of canonization of Bernardinus of Siena, ending defectively. 3) Lessons for the common of saints and for the anniversary of a dedication of a church
Description:
In Latin., Script: Written by one person in round gothic bookhand., One 9-line initial, f. 1r, St. Saturninus holding an open book and martyr's palm, three-quarter length in front of trees and sky, dark blue with white filigree; purple foliage against a gold ground edged in black, with curling purple, green, and gold foliage extending into margin. Full border, framed in blue and gold, with three roundels in lower margin, right and left, hour glasses with scrolls with the motto "Pan. se. de. moi.", center, a coat of arms (barry of 6, sable and argent; overall a bend or). In upper margin, at right, a smaller roundel with a duck; at center, a Greek cross in gold, on purple; each framed in gold with blue or purple. Some foliage, as in initial, in center outer margin; border otherwise filled with blue and purple flowers with red and green centers, symmetrically disposed with smaller blue, purple, and green flowers, blue, purple, red and gold dots and fine spiralling vines in light brown. 2-line initials throughout, red or blue with blue or red penwork, with flourishes. 1-line red or blue paragraph marks. Rubrics throughout., and Binding: Eighteenth century. Brown calf over wooden boards, blind-tooled. Five very small, round bosses on each board and two fastenings. Rebacked. Pastedowns and flyleaves are conjugate leaves from a gradual (Italy, 16th century): front pastedown hidden under bookplates; front flyleaf with parts of the third Christmas mass and the rubric for Circumcision; back flyleaf with part of the first Christmas mass; back pastedown with parts of the mass of Epiphany.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, Lectionaries, and Manuscripts, Medieval
