Manuscript on paper, with parchment for inner and outer bifolia, of 1) Petrarch, Itinerarium breve de Ianua usque ad Ierusalem et Terram sanctam. 2) Boccaccio, De montibus, silvis, fontibus...
Description:
In Latin., Watermarks: similar to Briquet Monts 11854., Script: Written in fere-humanistic script by a single scribe, above top line., Plain red initial, 5-line, f. 1r; space unfilled for 10-line initial, f. 8r. Plain red initials, 3- to 1-line, throughout. Paragraph marks in red, in art. 1. Rubrics throughout, except f. 1r., First folio torn with loss of lower third of leaf; beginning and end of manuscript stained; some stains and wormholes affect text., and Binding: Eighteenth century, France (?). Brown, mottled sheepskin. Two blackish green labels (probably later additions) on gold-tooled spine: "Petrarchae Itinerarium" and "Boccatius De Montibus et Fluuiis." Contemporary green gold-tooled label on upper cover: "Fr. Petrachi. Itinerarium J. Bouatii. De. Flauiis. M. S. 1434."
Subject (Geographic):
Connecticut, New Haven., and Jerusalem
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel
Manuscript on parchment of the Iudicium astrologicum, or horoscope, for the year 1475. Prepared for the humanist condottiere Federigo da Montefeltro (1422-1482, lord of Urbino from 1444; named duke by Pope Sixtus IV in 1474), perhaps by his court astrologer Iacobus of Speyer
Description:
In Latin., Script: Written by a very elegant and uniform humanistic hand., The dedication on f. 1r written in very pale red. Capitals with guide-letters in plain burnished gold or blue at paragraph divisions set into the left margin, the letters of the final word or words in a paragraph often in capitals and spread to fill out the line. On f. 1r is an illuminated border in the upper, inner, and lower margins consisting of a triple band of narrow gold stripes, quadruple and broader at the bottom margin, containing a very complex "white-vine" pattern, the spaces of which are filled up with red, blue, and green pigment peppered with patterns of three small dots in white lead; set within the lower band of the border is a round wreath incorporating a shield with the arms of Federigo da Montefeltro lord of Urbino; the first capital of the text, f. 1r, 8, is in burnished gold within a square painted frame of blue, red, and green ornamented with white tracery. No illustration., and Binding: Rebound ca. 1800 in England (?) in blind-paneled brown diced Russia with doublures of the same, flat back without title label, the original gilt edges now somewhat irregular due to the rebinding, two parchment guards and one of paper at beginning, one parchment guard at end. Preserved in a recent black cloth folding box with gilt-stamped black niger label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Federico, da Montefeltro, Duke of Urbino, 1422-1482. and Iacobus, of Speyer.
Subject (Topic):
Astrology, Horoscopes, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Cassian, John, approximately 360-approximately 435
Published / Created:
[between 1100 and 1200]
Call Number:
Marston MS 24
Image Count:
194
Resource Type:
unspecified
Abstract:
Manuscript on parchment (endpieces, holes, speckled on hair side) of 1) Joannes Cassianus, extracts from De institutis coenobiorum et de octo principalium vitiorum remediis libri XII. 2) Joannes Cassianus, Conlationes XXIV. 3) Miscellaneous notes. 4) Ambrosius Autpertus, Oratio contra septem vitia. 5) Joannes Cassianus, extracts from Conlationes XXIV
Description:
In Latin., Script: Written by multiple scribes of varying degrees of accomplishment in late caroline minuscule and early gothic bookhand., One decorated 5-line initial (rubbed) on f. 1r, constructed of interlacing bands in parchment, outlined in brown ink against an irregular red ground. Plain red initials, some of which are drawn vertically rather than upright, and often with small red pearl designs, appear to be executed by many different hands. Instructions to rubricator in upper margin of f. 1r. Guide letters for decorator., and Binding: Twelfth century, Italy. Original sewing on two tawed pigskin slit straps. The sewing supports and endband cores are laced through a tawed skin spine lining (from a palimpsest?) which extends about 50 mm. on either side and is turned in at head and tail. There is a fragment of finely woven cloth caught up by the lower sewing support and kettle stitch. Chevron endbands on tawed skin straps, one of which extends across the lower side under the lower turn-in. The lower side is reinforced with two irregular pieces of vellum. A flush, tawed skin cover with overlapping corners and irregular turn- ins, wide at the fore edge. Stubs of fastenings which are extensions of the supports. Contemporary title in ink on upper cover: "liber intitulatur de habitu monachorum". Decorative panel containing a drawing of an unidentified animal smeared blue and/or green within a border of brown circles, on lower side.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cassian, John, approximately 360-approximately 435.
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval, Monasticism and religious orders, and Vice
Manuscript, in a single hand, of a description of the author's tour through France and Italy in 1770, traveling with his master Robert Fellowes and Thomas Durrant, and recording his interactions with the inhabitants, curious sights, local hygienic practices, and traveling conditions. At one point he writes that he fell 14 times from his horse, while in Aquapendente he witnesses a postboy beating the horses "in a most unmerciful manner." In Bologna, he records news of banditti "which infested this part of the Country consisting of upwards of 40 men." He also climbs Mount Vesuvius "about two years since there was a dreadful eruption," where he walks on rough lava and ashes "in many places knee deep." Elsewhere, he notes the practice in Italy of hanging ladies' negligees out of coach windows and the presence of lice on the Italian nobility; and expresses his regret at the lack of diversions during this season of the year, as he should have been "very glad to have been here at the time of the Carnival when all kinds of diversions are allowed, such as Plays, Operas, Maskings, Horseraces &c." and At the conclusion of the manuscript, the author describes his return to England in excellent health and his gratitude to his "indulgent master" Mr. Durrant; addresses the manuscript to his father; and signs it "J Deeker London March 12th 1770." Bound in throughout the manuscript are 13 maps, colored in red and green representing stages of the author's journey, and 11 pen and wash drawings of such scenes as Trajan's pillar at Rome; Remains of three taverns where St Paul met his friends; and the Palace of the duke of Tuscany at Florence. A wash drawing entitled "Mons. D-r [Deeker] riding post", probably copied from Henry William Bunbury's print "Courier francois", is also bound in.
Description:
James Deeker was one of the first aeronauts in England. His hot-air balloon ascent in Norwich in June, 1785, was witnessed by Horace's nephew, George, the 3rd Earl of Orford., In English., Index of places visited at end of manuscript, as well as a mileage chart and a "List of Painters &c." which lists artists' names and brief biographies., On flyleaves, two pages in pencil recording "Interesting Remarks" and their page numbers., Autograph in pencil on flyleaf: ER Pratt. April 1812., Bookplate of Roger Pratt. Written in pencil on bookplate: Ryston Hall. Norfolk., and Binding: full reverse calf. Marbled endpapers. Stamped on spine: Deeker's Journal. Written on spine: 1770.
Subject (Geographic):
Europe., Europe, France, Italy, and Vesuvius (Italy)
Subject (Name):
Deeker, James.
Subject (Topic):
Grand tours (Education), Tourism, Travelers' writings, English, Ruins, Social life and customs, and Description and travel
Holograph of a diary kept by 14-year-old Dorothy Walpole, who records primarily routine social activities, both her own and those of family members, especially her mother, father, sister Rachel, and brother Horace, such as visits to and from friends; trips every Monday and Friday to the dancing academy; visits by the music master; and breakfasts, teas, and dinners with acquaintances; attendance at balls. She visits with Jane, Charlotte, and Fanny Pepys in London; on another occasion, she accompanies her mother to the Pantheon where she buys worsteds and patterns. She records the gifts she receives for Christmas; and, at the end of the volume, her travels through Italy, where she describes the quality of her lodgings in various towns; views paintings and churches; and declares Parma "the most horrible place I ever was in." Elsewhere, she records several verses, including an epitaph and a poem on mortality called The common lot; as well as a prose narrative of the life of St. Dorothy
Description:
Lady Dorothy Fanny Nevill (née Walpole) (1826-1913), hostess, horticulturist, and writer, was the youngest daughter of Horatio Walpole, third earl of Orford, and his wife, Mary, daughter of William Augustus Fawkener. In 1847, she married her cousin Reginald Henry Nevill (1807-1878); their 23-acre garden at Dangstein, in west Sussex, soon became well-known in horticultural circles, particularly for its collection of exotic plants and silkworms. She was the author of five books: Mannington and the Walpoles, Earls of Orford (1894), a book on silkworms, and three autobiographical volumes: The Reminiscences of Lady Dorothy Nevill (1906), Leaves from the Notebooks of Lady Dorothy Nevill (1907), and Under Five Reigns (1910)., In English., On title page: Journal begun May 1st 1840 Friday., On verso of title page: My Journal book. Dorothy Fanny Walpole. May 1st 1840 Friday., Pasted inside front cover: advertisement for W. Creswick, Paper Maker, 5 John Street, Oxford Street., and Binding: green half calf over marbled boards.
Manuscript fragment on parchment of a judicial decision emanating from the podesta of Trento, Riprandus Otonis Rici, by order of Bishop Aldricus of Trento concerning easement of a stable
Description:
In Latin., Script: written in notarial script by Rolandinus., and Decoration: at the opening of the document there is a design in brown ink resembling a chalice; a cross stands above the entire document; the initial "E" of the notary's signature is a 2-line square-shaped capital in black ink decorated with dots; punctuated with the punctus and, at the end of the document, the punctus versus.
Manuscript on parchment of Decimus Iunius Iuvenalis, Satirae. With a Survey of the Satires copied in Satirae, with their incipits and subjects and Quotations and proverbs, added by a later hand
Description:
In Latin., Script: copied by one hand in careful Humanistica Textualis., Space for headings was provided at the head of each Satire, but the headings were not executed. Satt. 2-16 open with a 3-line (6-line Satt. 6 and 7) plain initial (Capitalis) in blue. On f. 1r (Sat. 1) 6-line white vinestem initial integrated in a three-margins left border in the same style and colours; in the lower section of the latter, between two birds, there is a damaged coat of arms in a wreath. Guide letters., and Binding: original Italian brown leather over thin wooden boards, the covers blind-tooled and decorated with gold dots. Spine with three raised bands. Remnants of two clasps, attached to the front cover by means of brass nails with engraved heads; palmette-shaped thin brass catches fixed to the rear cover with three nails each. The pastedowns and flyleaves are covered with carefully written notes and quotations on grammar, morals, education, etymology and meaning of rare words, variant readings in classical texts, etc.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Classical education, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Satire, Latin
Manuscript on parchment of Decimus Iunius Iuvenalis (c. 60-c.140), Satirae 6-16. With a survey of the sixteen Satires of Juvenal, with their incipits and subjects
Description:
In Latin., Script: rapidly copied by one hand in a linear and sloping Humanistica Semitextualis Libraria/Currens close to Cursiva., 2-line plain inset initials (Capitalis) alternately red and blue, with guide letters. Between two successive Satires 1 line is left blank. In the lower margin of p. 9 there is a clumsy drawing in pale ink of a rabbit (?); an unidentified drawing (part of a dress?) is seen in the lower margin of p. 38 and part of the same in the lower margin of p. 99 (with offset on p. 98)., and Binding: 19th century, England. White parchment over cardboard, the covers gold-tooled with a double frame of fillets and a small circular stamp in the corners; the spine entirely gold-tooled with various designs; at its top a red leather label with the gold-tooled title “IVVENALIS / MS.”; at the bottom a small label in the same material and colour with the gold-tooled inscription “SÆC. / XV.” Dark red marbled endleaves. Gilt edges.
Manuscript on paper (polished) of Cecco d'Ascoli (Francesco Stabili), L'Acerba, Bks. 1-4 with the final 214 lines of Bk. 4 and all of the fragmentary Bk. 5 missing
Description:
In Italian., Watermarks: unidentified cherries (?) in upper margin, trimmed., Script: Written by a single scribe in mercantesca script, above top line., Blue initial, 6-line, with nice penwork designs, f. 1r. Smaller initials, 2-line, red with purple designs or blue with red designs, alternate throughout. Headings in pale red. Paragraph marks alternate red and blue. Later addition of arms in lower margin, f. 1r, effaced and covered with mending strips., and Binding: Nineteenth century, Italy. Vellum stays adhered inside and outside of quires. Backs of quires cut in for original sewing. Bookblock tacketed to a semi-limp paper case, reinforced at the spine. Handwritten paper label with title and a printed medallion with Flora (?) standing on an anchor and globe (?), both on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cecco, d'Ascoli, 1269-1327.
Subject (Topic):
Encyclopedias and dictionaries, Italian poetry, and Manuscripts, Medieval
