Manuscript on paper of 1) Prologue by the translator, addressed to Henry of Lusignan, Prince of Galilee (d. 1427). 2) Plutarchus (c. 46-120), Vita Luculli, Latin translation by Leonardus Iustinianus (Leonardo Giustiniani, 1388-1446). 3) Plutarchus, Comparatio vitarum Cimonis atque Luculli, Latin translation by Leonardus Iustinianus
Description:
In Latin., Script: copied by one scribe in a broad Humanistica Textualis Formata of "typographic" character and marked by unusual features such as the occasional use of round s in medial position and long i in final position, and inconsistencies in the use of ae/ẹ, the form of final s and m, etc. Majuscules at the beginning of lines protrude into the margin. Line fillers in the shape of expunged i., Headings in pale red. Art. 1 opens with a 6-line initial in red with the pen drawing for unexecuted white vinestem decoration. The 6-line initial at the head of art. 2 is purplish red on a blue background delicately heightened with silver arabesques, extended in the margin with red and green acanthus leaves. At the bottom of the same f. 387r there was a coat of arms flanked by two fleur-de-lys and four balls in purplish red and blue and red ribbons; the coat of arms has been cut out and the page has been repaired with a piece of paper; on it a modern coat of arms accompanied by the initials W and S (Walter Sneyd) is drawn in pencil., and Binding: 19th century. Quarter brown leather (with corners) and reddish brown marbled paper over cardboard. Gold-tooled flat spine with inscription: “PLUTARCHI VITA LUCULLI LATINE M.S.”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cimon, d. ca. 450 B.C., Lucullus, ca. 117 B.C.-ca. 56 B.C., and Plutarch.
Subject (Topic):
Biography, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Anonymous biography of Pope Alexander VI (Rodrigo Borgia, 1430-1503).
Description:
In Italian., Script: Copied by one hand in rapid Humanistica Cursiva., and Binding: Eighteenth century. Half parchment over pasteboard, covered with brown and blue marbled paper. On the spine brownish red leather label with the gold-tooled title "VITA D'ALESSAND. VI. / MS." and small paper label with the number of the Phillipps collection.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander VI, Pope, 1431-1503.
Subject (Topic):
Biography, Italian literature, and Manuscripts, Medieval
Manuscript on paper of the Life of Saint John the Baptist. Manuscript also contains a formulary for addressing Latin letters to ecclesiastical authorities and dignitaries, as well as a sermon and vision about Saint John the Baptist
Description:
In Italian., Script: the formulary is copied in Gothica Semitextualis Libraria (Mercantesca); the other articles are in Gothica Semitextualis Currens (Mercantesca), sometimes of difficult legibility. There is no decoration., Manuscript on paper containing: 1) Formulary for addressing Latin letters to pope Calixtus III (1455-1458) and various other Italian ecclesiastical authorities and dignitaries, ending with emperor Frederick III (1452-1493) and Charles VII, King of France (1422-1461). 2) Life of St. John the Baptist in Italian. 3) Sermon on St. John the Baptist, attributed to St. Bernard of Clairvaux. 4) Vision about St. John the Baptist, incomplete and of difficult legibility., and Binding: 20th century marbled brown paper binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John, the Baptist, Saint.
Subject (Topic):
Christian hagiography, Devotional literature, Italian, and Manuscripts, Medieval
Manuscript on parchment (thick; most leaves palimpsest: religious text of the 10th century, in a small, regular Greek minuscule is faintly visible) of Miscellaneous prayers. Includes Liturgy of St. John Chrysostom (the many peculiarities of the text suggest that it was copied by a scribe unfamiliar with Greek, perhaps from dictation); Gospel of John, 1.1-14. The lower text of palimpsest leaves appears to contain the Life of an unidentified saint named Ioannes
Description:
In Greek and Latin., Script: Written by two scribes in clumsily formed Greek minuscule: Scribe 1, ff. 1r-5v, 41r-42v (he signs himself brother Jacobus on f. 42r); Scribe 2, ff. 6r-39r (an unusually large and thick script). Latin added on ff. 39v-41r in gothic cursive of 15th or 16th century. Marginal notes in Greek by various later hands., Initials very crudely done, in various styles and several shades of red. Rubrics throughout. Some scribblings in the margins, including a cow on f. 25v., Folios 1, 2, 3, 41, and 42 are all torn, so that significant portions of the text are missing., and Binding: Nineteenth century. Rigid vellum case; handwritten on spine: "Codex Memb Graec"; on front cover, "no. 2".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407.
Subject (Topic):
Christian hagiography, Liturgies, Manuscripts, Medieval, and Prayers
Manuscript on parchment of 1) Passio S. Agapiti. 2) Passio S. Iustinae. 3) Passio S. Secundi. Followed by poems in praise of St. Secundus and a note on his translation from Gubbio to Pergola
Description:
In Latin., Script: The main part is copied by two hands: A (artt. 1-2), writing a careful Humanistica Textualis; B copied art. 3 in Southern Gothica Semitextualis; the first two pages of this section (ff. 5v-6r) are very faded and worn and are probably palimpsest., Artt. 1-2 have headings and explicit formulas in red but are otherwise undecorated. On f. 1r there is space for a 4-5-line initial, on f. 3r for a 4-line initial. Art. 3 opens with a 3-line decorated initial in black and orange, with penwork extensions in the left margin, and all majuscules in this part have red stroking., and Binding: Twentieth century. Blue and yellow marbled paper over pasteboard. Paper endleaves.
Manuscript on paper (?) containing 1) Atto Pistoriensis, Vita sancti Iohannis Gualberti, Italian adaptation by friar Giovanni. 2) Gregorius abbas Passinianensis, Miraculum sancti Iohannis Gualberti, Italian version. 3) Prayer to God and St. John Gualbert. 4) Final Epilogue to the Life of St. John Gualbert. 5) Vita sanctae Euphrosynae Alexandrinae, Italian adaptation. 6) Poem in honour of St. John the Baptist, consisting of 10 strophes of 17 verses, describing "la nobile chapella del Batista" in Florence. 7) Sermon for nuns
Description:
In Italian., Script: copied by various rapid hands in Gothica Cursiva Currens (ff. 25r-40r, line 20; 42r-47v) or Gothica Hybrida Libraria (ff. 40r, line 20 - 41v). The explicit formula on f. 41v is in Humanistica Textualis., No decoration., and Binding: Eighteenth century (?). Marbled paper over pasteboard. On the spine a label with the handwritten title "Vite / dei Si / Gio: / Gual: / ed / Eufra/sina" (Eighteenth Century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Biography, Christian hagiography, Monasticism and religious orders, and Manuscripts, Medieval
Manuscript on paper of 1) Paulus Venetus (d. 1429), Logica parva, with diagrams. 2) Paulus Pergulensis (d. 1451), Obiectiones contra primum tractatum, ending imperfectly. 3) Paulus Pergulensis, Tractatus de sensu composito et diviso. 4) 10 short paragraphs on logic, followed by diagram on f. 60r. 5) Unidentified 14-line poem, in Italian
Description:
In Latin., Watermarks, in gutter and obscured by parchment binding stays: unidentified mountain and animal (?)., Script: Written by several scribes in a humanistic bookhand that exhibits various gothic and cursive features, above top line., Red or blue initials, poor quality, 7- to 3-lines, with penwork designs in red, blue and/or black. Headings, paragraph marks and line divisions between segments of text, in red., and Binding: Sixteenth century (?), Italy. Stays made from parchment manuscripts adhered inside of quires and outside of first and last ones, the pastedowns included. Original, wound sewing on three tawed skin, kermes pink, slit straps laced into paste boards. The endbands, caught up on the spine, are sewn on tawed skin cores laced into the boards. Covered on greenish tan tawed skin (sheep?) with corner tongues and the remains of two tawed skin ties. Remains of title scratched on upper cover "Logica Paul*".
Manuscript on paper of 1) Preface. 2) Paulus Pergulensis (Venetian scholar, d. 1451), Compendium logicae. 3) Logical texts. 4) Marinus de Castignano, Tractatus syllogismorum. 6) Marinus de Castignano, Tractatus de inventione medii
Description:
In Latin., Script: Artt. 1-5 written by a single hand in a small and highly abbreviated Humanistica Cursiva Currens. Art. 6 is added in red ink on unruled pages by another contemporary hand writing Humanistica Cursiva Currens close to Humanistica Textualis., The decoration is uneven (parts are undecorated) and consists of chapter headings, plain initials and paragraph marks in red. Heightening in red of some capitals. Logical diagrams on ff. 7v, 8r, 8v, 9r, 9v. Titles are missing on ff. 2r, 59r (?), 65v (?), 69r (?)., and Binding: Twentieth century. Marbled paper over cardboard. In the Rosenthal typewritten description the binding was still described as "old boards".
Manuscript on paper of Elias Cortonensis O.F.M., Lumen luminum, said according to this copy to have been composed in 1315, an erroneous date, and drawn from Saracen and Hebrew sources, translated into Latin. With a cryptic text, ascribed to a church figure, with a cipher code; and miscellaneous recipes in Italian
Description:
In Latin, with Italian prologue., Watermark: a circle containing an unidentified design element, with a six-pointed star on a shaft above, not identified., Script: Written in an italic hand and partly in cipher., and Binding: Original, North Italian. Dark leather, the sides ruled with triple bordering lines to form a rectangle within a rectangle, the smaller rectangle with a roll tool of vinelike foliage impressed in blind, a smaller interior rectangle formed by the panel of roll tooling with gold-stamped ivy leaves at the corners and a circular stamp incorporating the "yhs" monogram in the center framed by a lozenge of tooling with the same roll already mentioned; back with five raised bands; modern gold-stamped title label pasted onto second compartment from top. Backstrip and corners extensively repaired; gilt edges stamped with a herringbone knotwork pattern.
Manuscript on parchment, composed in two parts of different age and origin, of 1) Macer Floridus (Odo of Meung, c. 1070), De viribus herbarum. 2) Fragments of a Missal: (a) Third Sunday of Lent. (b) Saturday after the first Sunday of Lent. (c) Second Sunday of Lent
Description:
In Latin., Script: Part I (ff. 1-10): copied by one hand writing Praegothica with wide distance between the lines. Part II (ff. 11-22): copied by one hand in Gothico-Humanistica Libraria., Part I: red chapter headings in larger script written at the right of the text. Red paragraph marks. Red heightening of majuscules on ff. 1r and 10 v only. 2-line (exceptionally 1- or 3-line) early flourished initials in red with red flourishing (red filling on f. 10r). 5-line red, blue and white initial with strapwork decoration on f. 1r. Part II: chapter headings in red, centered. Red 2-line plain initials (Capitalis)., Part II adapted to the size of Part I by pasting strips of parchment to the bottom of the bifolios. The five outer bifolios (ff. 11-15 and 18-22) are palimpsest: leaves from a manuscript in two columns, the text transversal to the textus rescriptus; the inner bifolium (ff. 16-17) is of bad quality; the upper corners of ff. 11 and 22 are missing with loss of text and have been repaired with blank parchment., and Binding: 20th century. Wooden boards and brown calf spine. Endleaves are fragments of a Missal (Italy, 15th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Macer, Floridus.
Subject (Topic):
Herbs, Manuscripts, Medieval, and Science, Medieval
