Manuscript on paper (various sizes and qualities) of a collection of notes and documents mostly related to Italian cities, dioceses and abbeys; Eastern churches and monasticism; and Central Europe; but containing also saints' lives, poetry, letters, archaeological treatises, etc
Description:
In Latin, Italian, French and Greek., Script: many different hands writing Humanistica Cursiva or Gothica Cursiva, sometimes in careful, but mostly in rapid execution., A few pen and ink drawings., Composed of numerous detached pieces (numbered and occasionally annotated by an English hand (1890-1900)), in various hands, some original, but mostly copies of documents and manuscript books, and often almost illegible due to the use of acid ink or the cursivity of the script. Many blank pages; many (blank?) leaves got lost after the codex was foliated., and Binding: 18th century (?). Quarter parchment over pasteboard, the covers in marbled paper. Flat spine gold-tooled, with red leather label carrying gold-tooled inscription "MANUSCRIT. / 16. SIÈCLE".
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Topic):
Eastern churches, Literature, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Description and travel
Manuscript on paper of a Miscellany of vernacular humanistic prose texts, including works by Giovanni Boccaccio, Petrarch, Francesco Filelfo, and Leonardo Bruni
Description:
In Italian., Watermarks: Briquet Fleur 6655, Echelle 5908, 5910, and similar to Briquet Chapeau 3370., Script: Written in neat humanistic cursive by a single scribe, below top line., Three-quarter border, f. 5r, white vine-stem ornament on blue, red and green ground with grey and yellow dots. In lower border, vine-stem turning into a floral border and brown penwork scrolls with pink, blue and green flowers and gold dots. Illuminated initial, 6-line, gold on blue, green and red ground with white vine-stem ornament joined to inner border. Headings in red. Plain 3-line initials in blue mark text divisions. Guide letters in margins., and Binding: Fifteenth century, Italy. Vellum stays adhered inside the quires. Original sewing on four tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. Edges yellow ochre. A green and natural color, beaded endband is sewn on five cores. The primary one laid in grooves on the outside of the boards. The spine is lined with tawed skin or vellum extending onto the edge of the boards between supports. Covered in tan leather blind-tooled with a potented cross in a central square with rope interlace panels above and below, and a border also filled with rope interlace. Spine: supports defined with double fillets and the panels diapered. Traces of five bosses on each board. Two ivy leaf fastenings, the catches on the lower board, the upper one cut in for green fabric straps attached with star-headed nails. Binding is heavily overoiled.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Topic):
Humanism, Italian literature, and Manuscripts, Medieval
Manuscript fragment on parchment of a missal containing Palm Sunday and Feria II after Palm Sunday
Description:
In Latin., Script: written in two sizes of rounded gothic script (littera textualis), a larger script for the lessons and prayers and a smaller script for chants., and Decoration: 2-line initials of prayers and lessons alternate red and blue; 1-line initials within lessons, of chants and the first letters following a 2-line initial are brown and yellow; rubrics written in a red cursive script; punctuated with the punctus; a contemporary hand has made corrections in black ink.
Manuscript fragment on parchment of a missal containing: Third Sunday after Pentecost; Fourth Sunday after Pentecost; Fifth Sunday after Pentecost; Eighth Sunday after Pentecost; and Ninth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials alternate red and blue; written over guide letters in black ink; 1-line capitals, which include the first letter after the 2-line initials, are in black filled with yellow; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing among others: St. Felix in Pincis (14 January); St. Marcellus (16 January); St. Prisca (18 January); St. George (23 April); St. Mark (25 April); Letania Maior ad S. Laurentium (25 April); Apostles Philip and James (1 May); and Sts. Alexander, Eventius, Theodolus, and Juvenal (3 May).
Description:
In Latin., Script: written in Caroline minuscule by two scribes, one on fols. 1-2 and the other on fols. 3-4., and Decoration: there are two 7-line initials on fol. 2; they are in red outline with a center shaft filled with red and are decorated with foliate ornamentation; 1- and 2-line prayer initials alternate red and brown; the red initials are sometimes filled with yellow; 1-line chant initials are in brown rustic capitals, occasionally highlighted with red; punctuated with the punctus and punctus interrogativus; diacritical marks appear over the interrogative word in a question, in the Beneventan fashion; accents in the same ink as the text; there are 2 10-line initials on fols. 3-4; rubrics written in red rustic capitals marked with a horizontal yellow line; punctuated with the punctus.
Manuscript on parchment of 1) Treatise on Christian love. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk
Description:
In Italian and Latin., Script: Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i., 2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., and Binding: Sixteenth century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Didactic literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of Gregory the Great (Pope Gregory I), Moralia in Iob, chaps. 22.7.17-7.68; 22.8.48-9.28; and 31.43.14-51.27.
Description:
In Latin., Script: written in Caroline minuscule, with marginal notation (on f. 1v) in a contemporary hand, probably the text scribe., Decoration: 1- and 2-line initials in brown uncials; punctuation consisting of the punctus, punctus elevatus, and punctus interrogativus., and Former call numbers: Beinecke MS 482.17 (f. 2).
Manuscript on paper of Gregory I, Pope, Moralia in Iob. Books 1-4 translated into Italian by Zanobi de Strata
Description:
In Italian., Several watermarks, most indeterminate, but one resembling Piccard, vol. 10, II 307 (Pavia, 1397-99)., Copied in Italian humanist cursive., and Binding: Plain vellum over boards. Endleaves from a 14th-century breviary.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604.
Subject (Topic):
Christian literature, Italian, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Hugo de Folieto, Moralitates de avibus; Moralitates de piscibus; Moralitates de lapidibus. This work is often attributed to Hugh of St. Victor in manuscripts
Description:
In Latin., Script: Written by a single scribe in gothic bookhand; many abbreviations., Painted initial at beginning of prologue in blue, brown, pale yellow, green, and orange; smaller initials in red or blue with penwork designs. Paragraph marks in red and blue; rubrics throughout., and Binding: Twentieth century. Quarter paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Fouilloy, d. 1172 or 3.
Subject (Topic):
Allegory, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholasticism
Manuscript on paper of an album of 105 water-color drawings of Italian costumes and scenes of daily life (some with titles), including two maps of Venice
Description:
In Italian., Drawings mounted, framed by narrow gold strips., and Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled, with light blue, watered silk doublures and flyleaves. Possibly bound by one of the Bozerians (Paris, 1793-1817), but the foot of the spine where their signature usually appears was destroyed in rebacking. Gilt edges.
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Manuscripts, Medieval, Description and travel, and History
